{"id":46030,"date":"2025-03-16T07:06:46","date_gmt":"2025-03-15T22:06:46","guid":{"rendered":"https:\/\/kochihen.replan.ne.jp\/?p=46030"},"modified":"2025-03-16T07:08:52","modified_gmt":"2025-03-15T22:08:52","slug":"%e3%80%90%e7%9f%b3%e3%83%8e%e6%a3%ae%e5%b0%91%e5%b9%b4%e3%81%ae%e3%80%8c%e3%83%99%e3%83%8b%e3%83%a4%e6%9d%bf%e5%a3%81%e3%80%8d%e6%94%b9%e8%a3%85%e6%b4%8b%e9%96%93%e3%80%91","status":"publish","type":"post","link":"http:\/\/kochihen.replan.ne.jp\/?p=46030","title":{"rendered":"\u3010\u77f3\u30ce\u68ee\u5c11\u5e74\u306e\u300c\u30d9\u30cb\u30e4\u677f\u58c1\u300d\u6539\u88c5\u6d0b\u9593\u3011"},"content":{"rendered":"

\"\"<\/a>
\n\"\"<\/a>
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\n\"\"<\/a>
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English version\u2b07<\/p>\n

[Ishinomori Boy’s \u2018veneer board wall\u2019 refurbished Western-style room
\nVeneer walls, a floor surface with a Ichimachi pattern design and a projecting bay window space leading to a dazzling future. The artist’s \u2018dreaming\u2019 space, which must have been realised through renovation. …<\/p>\n

\u3000Yesterday, we focused on Shotaro Ishinomori’s \u2018desk environment\u2019, and today we will look at the space in his room where he lived until he graduated from high school. From the floor plan and the windows, it can be inferred that this room is generally a long, narrow 6-mat space. The photo above is a panoramic view looking back towards the entrance from the back of the room, showing that a bed, marked \u2018bed\u2019, was placed on the left side in the foreground of the view. The space is such that one tatami mat is laid vertically and six of them are placed side by side. As it is easily predicted that the house would be oppressive in the short side direction as it is, it can be accepted that the newly built \u2018bay window space\u2019 was overhung outwards.
\n\u3000The house itself is now over 100 years old, although detailed construction records are not available, and the interior of the Ishinomori boy’s room uses flooring with a Ichimachi pattern, which appears to be a \u2018new construction material\u2019 from the mid-Showa period, and plywood, a rational construction material shipped from an advanced wood products factory at the time. Together with the highly innovative bay window space, it is highly probable that this interior space was remodelled. As I mentioned yesterday, this space seems to be a crystallisation of the parents’ infinite love for their eldest son, who will succeed them in the world. Is this a sense of \u2018projection\u2019 towards the future as a result of the family lineage consciousness and the \u2018family\u2019 system and folk customs that have continued to maintain Japanese society?
\n\u3000In Kunio Yanagida’s new house \u2018Kidansho-ya\u2019 in Musashino, which I explored in the \u2018Writers and Living Space\u2019 e-book, Takenaka Corporation emerged as the construction company. I think it may be possible to identify the building companies and craftsmen’s groups at that time. We are not going that far at the moment, but if necessary, we would like to explore this aspect as well. It may be possible to uncover a more realistic image of housing and construction work.<\/p>\n

\u3000This is the view that Shotaro Ishinomori would have seen in his room after returning home from school, when he was a boy dreaming of becoming a manga artist, and we wondered how the \u2018bay window space\u2019 protruding from the six-mat room by less than one metre in depth would have affected his mind. As I mentioned yesterday, I could see that the boy’s \u2018order\u2019 would have been utilised in the original desk environment, which seems to have accompanied the renovation work. His parents live in the next room, and other family members live in three one-storey Japanese-style rooms from the shop space downstairs and have their \u2018backs\u2019 to him. Facing the large opening, I was looking into the great future as a manga artist. Such psychological insights came naturally to me.
\n\u3000
\n\u3000
\n\u3000<\/p>\n","protected":false},"excerpt":{"rendered":"

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