{"id":46016,"date":"2025-03-14T05:45:28","date_gmt":"2025-03-13T20:45:28","guid":{"rendered":"http:\/\/kochihen.replan.ne.jp\/?p=46016"},"modified":"2025-03-14T05:45:28","modified_gmt":"2025-03-13T20:45:28","slug":"%e3%80%90%e3%83%9e%e3%83%b3%e3%82%ac%e5%ae%b6%e5%bf%97%e6%9c%9b%e3%83%bb%e6%80%9d%e6%98%a5%e6%9c%9f%e3%81%ae%e7%9f%b3%e3%83%8e%e6%a3%ae%e7%ab%a0%e5%a4%aa%e9%83%8e%e3%81%ae%e9%83%a8%e5%b1%8b%e3%80%91","status":"publish","type":"post","link":"http:\/\/kochihen.replan.ne.jp\/?p=46016","title":{"rendered":"\u3010\u30de\u30f3\u30ac\u5bb6\u5fd7\u671b\u30fb\u601d\u6625\u671f\u306e\u77f3\u30ce\u68ee\u7ae0\u592a\u90ce\u306e\u90e8\u5c4b\u3011"},"content":{"rendered":"

\"\"<\/a>
\n\"\"<\/a>
\n\"\"<\/a>
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\n\u3000\u4f5c\u5bb6\u306e\u4f4f\u7a7a\u9593\u3068\u3057\u3066\u6b8b\u3055\u308c\u3066\u3044\u308b\u4f4f\u5b85\u306e\u306a\u304b\u3067\u540c\u6642\u4ee3\u611f\u304c\u5927\u304d\u304f\u30b9\u30a6\u30a3\u30f3\u30b0\u3057\u3066\u304f\u308b\u306e\u306f\u3001\u308f\u305f\u3057\u81ea\u8eab\u306e\u5e74\u9f62\u304b\u3089\u8003\u3048\u3066\u30ae\u30ea\u30ae\u30ea\u77f3\u30ce\u68ee\u306e\u4e16\u4ee3\u3067\u3057\u3087\u3046\u3002\u304a\u304a\u3088\u305d14-5\u5e74\u7a0b\u5ea6\u306e\u6642\u9593\u5dee\u306f\u3042\u308b\u3051\u308c\u3069\u3001\u6226\u5f8c\u3057\u3070\u3089\u304f\u7d4c\u3063\u305f\u662d\u548c\u4e2d\u671f\u304c\u9bae\u70c8\u306b\u8972\u3063\u3066\u304d\u305f\u3068\u611f\u3058\u3066\u3044\u305f\u306e\u3067\u3059\u3002\u3084\u306f\u308a\u4eba\u9593\u3068\u4f4f\u7a7a\u9593\u306f\u30aa\u30e2\u30b7\u30ed\u3044\u3002<\/p>\n

English version\u2b07<\/p>\n

[Aspiring manga artist and adolescent Shotaro Ishinomori’s room
\nThe restorative activation and power of the psyche that the living space has. The feeling of life swinging. The feeling of having \u2018arrived\u2019 in such a place. …<\/p>\n

Human beings are not beings who can live on their own. He is born into the world only after his parents, and grows up supported by the warmth of his family. After they \u2018come into the world\u2019, they are supported in various ways by the environment in which they came from, as they paddle out into the surging waves of life. Looking back on my own life, I realise that I was deeply embraced by such a large \u2018cocoon\u2019. When I visited the birthplace of Shotaro Ishinomori, I could feel the strong traces of my grandmother and sister, and I strongly felt that I had \u2018peeked\u2019 into the artist’s inner life. I was able to peek into various aspects of the artist’s life, but I hope to be able to further uncover his father’s and mother’s thoughts and feelings. And that makes me feel squeezed and lovely.
\n\u3000Paying attention to these aspects may lead to a far-reaching exploration of the folk customs that Kunio Yanagida unearthed, the Japanese view of \u2018prehistoric life\u2019, so to speak. I have been \u2018held\u2019 by the traces of Yanagida’s thought ever since my exploration of Kunio Yanagida in the e-book \u2018The Writer and the Living Space\u2019. However, since the time when Mr Yanagida lived, times have moved on and there is a layering of Japanese life after Mr Yanagida, and I think that the unique \u2018folklore\u2019 has developed in various ways.
\n\u3000As a typical example of such an existence, I ended up in the room of Shotaro Ishinomori, whose adolescence also overlapped greatly with my own (laughs). Yes, a certain sense of \u2018I’ve arrived\u2019 was rising and burning.
\n\u3000When I think about whether I myself had such a deep \u2018emotional exchange\u2019 with Shotaro Ishinomori, I have not reached the same level of proximity as in the time I spent talking with Ryotaro Shiba’s works, for example. … I thought. However, once I came across a scene like the one in this picture, I was at once made to respond deeply to the world of sensitivity of my junior high school days.
\n\u3000Just as Shotaro Ishinomori was opposed by his father to his aspiration to become a manga artist, I myself had had the manga works I was drawing burnt by my father. The sensation of that kind of adolescent experience came back to me all at once. The room does not resemble the room in which I used to spend my time, but I could feel the power of psychological restoration and activation in this room.
\n\u3000Among the residences that have been preserved as artists’ living spaces, it is probably Ishinomori’s generation, just barely considering my own age, that has the greatest swing in the sense of contemporariness. There is a time gap of about 14-5 years, but I felt that the mid-Showa period, some time after the war, had struck me vividly. After all, people and living spaces are interesting.<\/p>\n

\u3000<\/p>\n","protected":false},"excerpt":{"rendered":"

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