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\"\"<\/a>
\n\"\"<\/a>
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\n\u3000\u4eca\u56de\u898b\u305f\u3053\u306e\u59eb\u8def\u6587\u5b66\u9928\u3082\u3001\u671f\u5f85\u4ee5\u4e0a\u306b\u305d\u3046\u3044\u3046\u4f53\u611f\u3092\u6301\u3063\u305f\u3002
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\n\"\"<\/a>
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English version\u2b07<\/p>\n

The musicality of Tadao Ando’s Himeji Literature Center and the traditional architecture of Mokei-tei
\nThere must be various visual and experiential \u201cphrases\u201d in the \u201cmusicality\u201d of architecture. Rhythm, melody, and harmony. It develops monotonically. \u30fb\u30fb\u30fb\u30fb.<\/p>\n

\u3000Yesterday, I wrote about the Himeji Castle keep as a tribute to my stopover in Himeji, but the main focus of my architectural excursion is Tadao Ando’s architecture.
\n\u3000Having accompanied the early movement for highly insulated and airtight housing in Hokkaido, it has become a habit for me to look at architecture from the viewpoint of \u201chabitability. I assume this as a matter of course, but on the other hand, it is indisputable that architecture in the sense of \u201cvisual environmentality,\u201d so to speak, is also very naturally \u201csukiya.
\n\u3000As my personal experience with Ando’s architectural accommodations and impressions and experiences accumulate, I feel that I am beginning to discover a \u201cmusicality\u201d in the way I perceive the architecture. I guess it is like listening to environmental music and perceiving the architecture with the body, or feeling the musicality of the architecture itself. I had the experience of walking around a certain hotel building with background music playing low in the background, and at the same time walking around the surrounding environmental architecture, and the sense of harmony with the musical melody remained so strong that I looked up the name of the musical piece and fell in love with the melody. Looking back and thinking about it myself, it seemed to be the beginning of my realization of the affinity between music and architecture.
\n\u3000It made me think that such an awareness of musicality might have a great stimulating power in the highly insulated and airtight residential architecture of Hokkaido. And I believe I have the experience of rediscovering many examples from such angles. However, I am reminded again that I may not have been as aware as I was of this Ando architecture.
\n\u3000This Himeji Museum of Literature that I saw this time also had such an experience beyond my expectations.
\n\u3000The photo of Himeji Castle Keep in yesterday’s blog was actually taken from the angle of the view from the Himeji Museum of Literature. The angle of Himeji Castle as a distant view was an experience that the architects probably calculated as a significant \u201carchitectural element,\u201d but there was an additional \u201cbonus\u201d attached to it (laugh).<\/p>\n

\u3000This is the \u201cBokkeitei,\u201d which is placed as if in \u201cdialogue\u201d with the main melody of the grounds of the Himeji Museum of Literature, over the surface of the artificial mirror like water. Oh, I was surprised to see this move.
\n\u3000Yes, as usual, I had no prior research before visiting the site, so I did not know about this \u201cBokkeitei\u201d until after I arrived at the site.
\n\u3000This building was the villa of Mr. Hamamoto, a businessman in Himeji City, and was built over a period of about 15 years from 1916 to 1929, and is a masterpiece in harmony with the garden.
\n\u3000After experiencing both buildings, the synergy of their architectural musicality came to the fore. Moreover, as I was leaving, I was hit by a strong thunderstorm, and although my winter down coat protected me, I felt a kind of exhilaration. It was quite interesting.<\/p>\n

\u3000<\/p>\n","protected":false},"excerpt":{"rendered":"

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