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\"\"<\/a>
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\n\u3000\u30fb\u30fb\u30fb\u3061\u3087\u3063\u3068\u9577\u304f\u306a\u308a\u3059\u304e\u306a\u306e\u3067\u660e\u65e5\u4ee5\u964d\u306b\u7d9a\u304d\u307e\u3059\u3002<\/p>\n

English version\u2b07<\/p>\n

Sesshu and Sotatsu Tawaraya – The Expression of the \u201cWind God
\nThe settlement of the Japanese people in the cold region of Hokkaido brought an evolution in housing performance and a big bang in the spirit of \u201cKacho Fugetsu\u201d (flowers, birds, winds, and the moon). On the other hand, there is a tradition of expressing \u201cTyphoon = Wind God and Thunder God\u201d. The wind, bird, and thunder gods.<\/p>\n

\u3000As I age, I am gradually moving away from the housing magazine business and becoming more and more interested in \u201cexpressing\u201d myself. Or rather, I am becoming more and more interested in what I \u201cwanted to do-Part 2. I am returning to the position of a journalist and an expressive person, rather than a media person, and my mind is shifting to delving into housing from that standpoint. I will be able to announce more about this direction of expression when more time passes.
\n\u3000In this blog, which I continue to write every day, I would like to \u201cdig deeper\u201d in a slightly different area. When it becomes possible to properly present the aforementioned housing theme expression, the environment will be different again, but right now I am in such a \u201ctransitional period.
\n\u3000As for blog posts, I would like to consider the area of \u201cpainting\u201d for a while.
\n\u3000This is largely due to the revival of dialogue with the works at the Sumio Goto Museum of Art, which I visited for the first time in several years and awakened my \u201csukyo\u201d in me once more. I consider Japanese-style painting to be a field of expression that culminates in the spirituality of \u201cKacho Fu Fugetsu\u201d (flowers, birds, winds, and the moon) that is fundamental to the Japanese people. Among such artists, Sumio Goto fell in love with the four seasons and nature of Hokkaido so much that he chose Kamifurano as his creative base.
\n\u3000I believe that living in Hokkaido has a very strong meaning that the traditional Japanese \u201cKacho Fu Fugetsu\u201d (flowers, birds, winds, and the moon) encountered a harsher natural environment. It is as if human society in the temperate zone encountered a full-fledged \u201ccold climate\u201d for the first time. The people of Hokkaido were forced to live in a natural environment that was a big bang from the Japanese view of nature until the Edo period, and I believe that deep in their hearts, they were expecting to express this kind of \u201cexpanded Kacho-fu-getsu\u201d (flowers, birds, winds, and the moon).
\n\u3000Since the Meiji era (1868-1912), there has been an essential value shift in the technical and fundamental area of housing, namely, \u201chigh thermal insulation and airtightness,\u201d as a result of Hokkaido’s entry into Japan. While the \u201cevolution and change in the sense of living\u201d of the Japanese people due to this change is of great value, I believe that there was also a longing for the evolution of the above-mentioned sense of value in the field of painting, which expresses spirituality.
\n\u3000I have already said a lot of things in the introduction, but I have not gotten to the main topic, which is the design of the paintings (tears). In the Japanese archipelago, where \u201ctyphoons\u201d come periodically as a form of natural fury different from the harsh \u201ccold,\u201d I love the expression of the \u201cwind god and thunder god\u201d that has been handed down as an expression of people’s spirituality, and I have been particularly attracted to the work of Tawaraya Sotatsu. On the other hand, I recently came across Sesshu’s expression, which goes back much further in time, even though they are both Japanese painters.
\n\u3000How did Sessh\u00fb express himself in relation to his favorite artist, Tawaraya Sotatsu? Although there is a big difference in the style of expression between gold folding screen paintings and ink paintings, I was very strongly intrigued by Sesshu’s expression.<\/p>\n

\u3000<\/p>\n","protected":false},"excerpt":{"rendered":"

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