{"id":44433,"date":"2024-06-17T06:07:45","date_gmt":"2024-06-16T21:07:45","guid":{"rendered":"http:\/\/kochihen.replan.ne.jp\/?p=44433"},"modified":"2024-06-17T06:07:45","modified_gmt":"2024-06-16T21:07:45","slug":"%e3%80%90%e5%87%ba%e7%89%88%e4%ba%ba%e3%81%ae%e6%9c%ac%e7%84%b6-%e3%80%8c%e5%9f%b7%e7%ad%86%e3%80%8d%ef%bc%86%e5%86%99%e7%9c%9f%e6%95%b4%e7%90%86%e3%80%91","status":"publish","type":"post","link":"http:\/\/kochihen.replan.ne.jp\/?p=44433","title":{"rendered":"\u3010\u51fa\u7248\u4eba\u306e\u672c\u7136 \u300c\u57f7\u7b46\u300d\uff06\u5199\u771f\u6574\u7406\u3011"},"content":{"rendered":"

\"\"<\/a>
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\n\u3000\u3068\u3044\u3046\u3053\u3068\u306a\u3093\u3067\u3059\u304c\u672c\u65e5\u306e\u5199\u771f\u306f\u3001\u91d1\u6bd4\u7f85\u3055\u3093\u306e\u3069\u3053\u304b\u3067\u767a\u898b\u3057\u3066\u3044\u305f\u7acb\u4f53\u6a21\u578b\u56f3\u3002\u884c\u3063\u3066\u307f\u305f\u3042\u3068\u3067\u300c\u3042\u3001\u3053\u3093\u306a\u98a8\u306b\u306a\u3063\u3066\u3044\u305f\u3093\u3060\u300d\u3068\u8ffd\u4f53\u9a13\u3055\u305b\u3066\u304f\u308c\u3066\u308f\u304b\u308a\u3084\u3059\u3044\u4e00\u679a\u3002<\/p>\n

English version\u2b07<\/p>\n

The publisher’s book “Writing” & Organizing Photographs
\nI continue to explore every day. I am able to concentrate on my field of interest, or rather, my life as it is. I feel like my head is going to explode from all the blood rushing through my veins.<\/p>\n

The “writing” work is becoming my main focus these days.
\n\u3000Even in one day yesterday, I wrote about 10,000 words worth. As a person who has been involved in publishing for a long time, it is natural, but as a modern person, I do not have the same orientation as writers of the past, who expressed even visual elements in their writings. I feel that Tanizaki Junichiro, for example, pursues aesthetic expression in his writing. He pursued his “writing environment” uncompromisingly, almost as if he were a “mover and shaker,” continually seeking a space that would stimulate his sensibility.
\n\u3000It is true that in his expression, we can sense a strong attachment to beauty and an orientation toward visualization.
\n\u3000However, people today are typically of the “manga” generation, and rather than seeking “pictoriality” in textual expression, it is easier to understand the more direct expression of images and their clip-pinup sensibility.
\n\u3000However, there are some visual expressions that are easy to understand and others that are not, and even in iPhone photography, one is asked whether or not there is “composition” or “directness” that is in line with the intent of the shot.
\n\u3000Especially since I have lived in the world of housing magazines as a means of expression, I have a strong habit of putting all kinds of connotations into the photographs I take. And of course, when I write a text or create an image of a space, I concentrate on the typicality of the photograph, the “point” at which I took it. Each photograph has its own “photographic intent,” which always turns on the “memory reproduction” switch.
\n\u3000The “memory replay” switch is always turned on by the fact that each photograph has its own “photographic intention.
\n\u3000Therefore, I think of writing as an expression that corresponds to such an atmospheric environment.
\n\u3000Perhaps that correlation is the key.
\n\u3000Well, I guess that is the “nature” of those of us who have lived our lives mainly through photo magazines. However, as a member of the manga generation, I believe that the main domain of expression has changed dramatically in this way.
\n\u3000The Japanese are unique among the world’s peoples in that they have taken up the challenge of expressing the religious world in their “Birds, Animals, and Caricatures. I believe that the Japanese are skilled at visualizing their traditions in a way that is easy to understand.
\n\u3000So, today’s photo is a three-dimensional model drawing that I had found somewhere in Kompira-san. It is a piece that is easy to understand, making you relive the experience after you have been there and say, “Oh, I didn’t know it was like this.<\/p>\n","protected":false},"excerpt":{"rendered":"

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