{"id":43650,"date":"2024-04-05T06:02:30","date_gmt":"2024-04-04T21:02:30","guid":{"rendered":"http:\/\/kochihen.replan.ne.jp\/?p=43650"},"modified":"2024-04-05T06:02:30","modified_gmt":"2024-04-04T21:02:30","slug":"%e3%80%90%e6%88%a6%e5%be%8c%e3%83%9e%e3%83%b3%e3%82%ac%e3%81%a8%e3%81%84%e3%81%86%e6%ad%b4%e5%8f%b2%e6%96%87%e5%8c%96%e3%81%a8%e3%80%8c%e3%83%88%e3%82%ad%e3%83%af%e8%8d%98%e3%80%8d%e7%a9%ba%e9%96%93","status":"publish","type":"post","link":"http:\/\/kochihen.replan.ne.jp\/?p=43650","title":{"rendered":"\u3010\u6226\u5f8c\u30de\u30f3\u30ac\u3068\u3044\u3046\u6b74\u53f2\u6587\u5316\u3068\u300c\u30c8\u30ad\u30ef\u8358\u300d\u7a7a\u9593\u3011"},"content":{"rendered":"

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English version\u2b07<\/p>\n

The Historical Culture of Postwar Manga and the “Tokiwaso” Space
\nThe great revolution of postwar Japanese manga began with Osamu Tezuka. This is a space where the hearts and minds of the young “artists” who took on this exciting cultural field are vibrantly alive. The “Tokiwaso” space…<\/p>\n

For me, born in 1952, it was the postwar manga culture.
\n\u3000Tezuka Osamu, a prominent figure in Japanese manga culture, began his career as a cartoonist, producing such era-defining works as Astro Boy. This cultural movement was enthusiastically supported by children, which at first greatly stimulated the publishing industry, and later, as the main content of postwar TV culture, animated works based on manga captured the hearts and minds of children.
\n\u3000I believe that the most “original” cultural area of Japanese society since the Birds and Beasts caricatures was greatly awakened. Such social movements inspired impressionable and talented boys to dream endlessly, and they were motivated by the expressive means of manga artist activities.
\n\u3000In February 2020, a wooden apartment called “Tokiwaso” was restored and reconstructed on a park site in Toshima-ku, Tokyo, and is now open to the public. The following is an introductory article from Nikkei.
\n\u301c11 young manga artists move in to “Ryozanbaku,” competing with each other in terms of talent and sensitivity
\nTokiwaso” refers to an apartment building in Minami-Nagasaki 3-chome, Toshima-ku, Tokyo, where a building-raising ceremony was held in December 1952, when an editor of Gakudosha, a publisher of “Manga Shonen” magazine, invited Osamu Tezuka to move into his own “Tokiwaso. Since then, young manga artists who had published serials in Gakudosha’s magazines began to move in one after another, and eventually Tokiwaso became a kind of Ryozanpaku where promising young manga artists of the same generation lived together, stimulating each other and engaging in friendly competition to improve their talent, sensibility, and drawing techniques. \u301cThe first time I saw the film, I was in the middle of the Corona disaster.
\n\u3000I was in the midst of the Corona disaster, so I had not been privy to this kind of information, but recently I dug up this information and took time out of my business trip to Tokyo to pay a visit.
\n\u3000During the Meiji Restoration, Japan introduced a lot of “culture” from the West and digested it. Literature, as we call it, was also vigorously created with figures such as Soseki Natsume as a “compass”. However, I do not think that manga culture was introduced during the Meiji period. Manga, so to speak, is a highly original culture deeply rooted in the Japanese mind.
\n\u3000Today, the world is astonished by the Japanese manga culture, and its influence is becoming global.
\n\u3000And as for architecture, we cannot avoid discussing the atmosphere of this rental house, which has been the cradle of postwar manga culture with its spatiality.
\n\u3000It has been a long time since I have been so “excited” to visit an architectural space….<\/p>\n","protected":false},"excerpt":{"rendered":"

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