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English version\u2b07<\/p>\n

High-class samurai and renga association in Iyo Matsuyama “Yuzuki Castle”-4
\nThe harmony between the common Asian culture and the spirit of the original Japanese people has been needed for a long time. This is one of the forms of the Japanese language cultural movement. The Japanese cultural movement…<\/p>\n

Looking around Japanese history, the role played by evolution and transformation in the area of language and cultural communication is not always clear or of much interest.
\n\u3000Although the famous renga (linked verse) gathering held by Akechi Mitsuhide just before Honnoji Temple is well known, it is difficult to imagine such a culture in concrete terms because it has hardly been transmitted to modern society in its original form.
\n\u3000The cultural form of renga has fallen into disuse, but when I think about the direction it was heading in, I think that the most important factor was the “development of the Japanese language”.
\n\u3000The original Japanese language was rooted in the hearts of the ancient people, and the Ritsuryo system and the cultural acceptance of world religions such as Buddhism were pushed into the original Japanese language. In response to the social trend toward the adoption of the Chinese writing system for official documents, the area of “expression of the heart” of the native Japanese was left empty.
\n\u3000This is a continuous “historical issue” in Japanese society, and in response to this, there must have been an underlying “demand” in terms of culture to reveal the “mentality” of the Japanese people.
\n\u3000Since such a cultural form as renga had such a major orientation, it fell into disuse when its purpose was achieved to some extent, and in later generations, it may be that the social purpose was achieved with the creation of “Japanese literature” based on “unanimity of speech and writing” in the Meiji era and lost its driving force for the continuation of culture. Such is my impression.
\n\u3000The diorama exhibition of “Renga no Kai” at the Yuzuki Castle.
\n\u3000A day in a samurai residence in the middle of the 16th century. In the main room, five people gathered to hold a renga (linked verse) party. Renga is a cultural form of waka poetry in which the upper part of the poem, “5\/7\/5,” and the lower part, “7\/7,” are read one after the other to complete “100 rhymes (100 phrases). A “sozai” (master) is invited to the upper section as an instructor, and while being taught a set of rules of engagement called shikimoku, the students “kugin” frantically try to improve their cultural skills.
\n\u3000While everyone is struggling to create a poem as they approach the end of the renga, a servant is preparing to serve tea to the guests who have finished the renga in the itanoma kitchen in the adjoining room.
\n\u3000This is a scene from a fixed point in Japanese society, which has accumulated a variety of experiential knowledge through its evolution from the pastoral society of the Kojiki world to the world of Asian cultures.
\n\u3000As an ordinary person, I was more interested in the delicious dumplings and tea than in such a mendouche (laugh). The tea and sweets that were finally served to the guests must have been very comforting to them. I have always thought that Japanese people are more interested in dumplings than in flowers.<\/p>\n

Translated with DeepL.com (free version)
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