{"id":42290,"date":"2023-11-13T05:38:39","date_gmt":"2023-11-12T20:38:39","guid":{"rendered":"http:\/\/kochihen.replan.ne.jp\/?p=42290"},"modified":"2023-11-13T10:31:33","modified_gmt":"2023-11-13T01:31:33","slug":"%e3%80%90%e5%a5%89%e7%b4%8d%e9%a1%8d%e7%b5%b5%e3%81%ab%e3%81%82%e3%82%89%e3%82%8f%e3%82%8c%e3%82%8b%e3%80%8c%e6%b0%91%e4%bf%97%e3%80%8d%e6%84%8f%e8%ad%98-%e8%8b%b1%e8%b3%80%e7%a5%9e%e7%a4%be-4","status":"publish","type":"post","link":"http:\/\/kochihen.replan.ne.jp\/?p=42290","title":{"rendered":"\u3010\u5949\u7d0d\u984d\u7d75\u306b\u3042\u3089\u308f\u308c\u308b\u300c\u6c11\u4fd7\u300d\u610f\u8b58 \u82f1\u8cc0\u795e\u793e-4\u3011"},"content":{"rendered":"

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English version\u2b07<\/p>\n

Aga Shrine -4- “Folk” Consciousness Revealed in Dedication Painting
\nThe emperor’s visit and the competitive festivals held by each mura (village) for local deities. The kitschy expression of the votive picture is fragrant with the base of Japanese sentiment. \u30fb\u30fb\u30fb\u30fb.<\/p>\n

Painting is a more natural communication tool for human beings than words. It is said that cave paintings such as those in Altamira and Lascaux were created in caves where people were prone to hypoxic conditions, and that the painters intentionally pushed themselves into a state of mental confusion and stupor in order to achieve a more spiritual expression. It is also said that the artist’s goal was to express natural scientific explorations such as the operation of the heavenly bodies. It is obvious that the history of art has accumulated quite naturally in such spiritual and religious spaces.
\nOn the island of Hokkaido, cave paintings have been left behind as traces of mankind in places such as Temiya on the Shakotan Peninsula. When I visit, I feel as if such atmosphere surrounds me as an aura. I like that kind of experience.
\nIn Honshu, too, there are such paintings in various places, but it is likely that religion was concentrated in architectural spaces and a genre form such as votive paintings was established. The picture of Amaterasu introduced yesterday is said to be one of the most common subjects of votive pictures, and at a recently built shrine, a kawaii image of Amaterasu with an anime face is also dedicated. It is truly a very familiar form of expression that “brings us into the world.
\nThe themes of expression in the Eiga Shrine’s hanging paintings that I have photographed are comparatively numerous in the form of warrior paintings. Since the beginning of Japanese history, wars have been directly related to the lives and lifestyles of the people, which must have been the reason for their strong interest in war. Although “politics and economics” are separated today, historically they are one and the same and have had a great influence on people’s destiny in this world.
\nThe above painting is undated, but the title suggests that it is a scene of an emperor on his way to the capital. In the center of the painting is a palanquin with a phoenix on its roof, signifying the imperial throne. It is being lifted up like a “portable shrine” by many people dressed in white.
\nThe word “Kanpaku” can be seen in the back of the palanquin, perhaps representing the fact that the palanquin is being offered to the emperor. Furthermore, since a samurai family is depicted leading the way, it seems to represent a typical social authority system of the Edo period in terms of chronology. It is unclear whether this is a record of an emperor’s visit to the area around Eiga, Himeji, or whether it was simply a creation.
\nThe painting below it, divided into two sheets, is titled “Agata-sha Eiga Shrine Ritual. The picture is a gallant depiction of a portable shrine being carried by a large number of naked people in a vigorous manner. The name of each Kakumura (village) is attached to the mikoshi, which conveys the Japanese folklore that the people around the Eiga Shrine are driven by a sense of competition among the villages.
\nThe name of the petitioner is “Tsukijo Village” and it dates from the 31st year of Meiji. The name “Tsukishiro” can be found near the current “Eikaho” station. It is also close to Eiga Shrine.
\nThe presence of folk customs can be imagined in a variety of ways. It is an opportunity to communicate with the people beyond time.<\/p>\n","protected":false},"excerpt":{"rendered":"

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