{"id":42061,"date":"2023-10-17T06:13:01","date_gmt":"2023-10-16T21:13:01","guid":{"rendered":"http:\/\/kochihen.replan.ne.jp\/?p=42061"},"modified":"2023-10-17T21:24:44","modified_gmt":"2023-10-17T12:24:44","slug":"%e3%80%90%e8%85%b0%e6%8a%98%e3%82%ae%e3%83%a3%e3%83%b3%e3%83%96%e3%83%ac%e3%83%ab%e5%b1%8b%e6%a0%b9%e3%81%a8%e6%9c%ad%e5%b9%8c%e3%80%8c%e4%bd%8f%e3%80%8d%e8%b6%b3%e8%b7%a1-%e6%97%a7%e6%9c%89%e5%b3%b6","status":"publish","type":"post","link":"http:\/\/kochihen.replan.ne.jp\/?p=42061","title":{"rendered":"\u3010\u8170\u6298\u30ae\u30e3\u30f3\u30d6\u30ec\u30eb\u5c4b\u6839\u3068\u672d\u5e4c\u300c\u4f4f\u300d\u8db3\u8de1 \u65e7\u6709\u5cf6\u6b66\u90ce\u90b8-2\u3011"},"content":{"rendered":"

\"\"<\/a>
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\n\"\"<\/a>
\n\"\"<\/a>
\n\"\"<\/a>
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English version\u2b07<\/p>\n

The Waist Fold Gambrel Roof and the Sapporo “Residence” Footprints: Former Residence of Takeuro Arishima-2
\nTakeo Arishima left behind a highly sensitive residential design suitable for Sapporo. This roof must have been shocking in Japan at the time.<\/p>\n

There are probably several characteristics of residential architecture that are typical of Hokkaido or Sapporo, but there are some areas where the Western style seems to have taken root as a Japanese private house as it is.
\nThe roof shape is the most distinctive feature in terms of appearance. In the modern era, the “no-snowfall roof” or flat roof is the ultimate in this style, but in the pioneer period from the Meiji era (1868-1912), the characteristic roof shape was the gambrel roof, which is called a “mid-folded roof. The most common type of “mansard roof” is a hipped roof with a hipped gable, whereas the gambrel roof is a gabled hipped roof.
\nAfter his student days at Hokkaido University, Takeo Arishima studied in the U.S. for four years, returned to Japan, and was assigned to teach English at his alma mater, Hokkaido University. During his time in the U.S., he seems to have developed a deep commitment to American housing design. It can be assumed that perhaps the underlying inspiration was the landscape scenery in Sapporo, where he had spent time as a student. Since the Hokkaido Settlement, the recognition of the limitations of traditional Japanese construction methods that cannot cope with cold weather has led to an orientation toward Western-style housing, and the streetscape landscape of Sapporo, which had become a huge exhibition hall for such housing, probably inspired him to develop a deep interest in housing design during his life in the United States.
\nArishima, who was a writer with a strong interest in residential architecture and a strong attraction to Western-style architecture for cold weather, is an extremely important and unique figure in the history of housing in Hokkaido as an “owner and visionary of custom-built houses” who, as a resident, went one step further and gave form to his own designs.
\nThe red-brick Hokkaido Government Office Building, an American-style neo-Baroque building built in 1888, and the Clock Tower Building, among other symbolic structures, strongly influenced the eyes of the impressionable student Takeo Arishima, who continued to walk the streets of Sapporo. It is likely that the coloring of the red bricks had a strong influence on the coloring of this own residence.<\/p>\n

The traces that Arishima left behind in the city of Sapporo and mapping related to his residence were displayed in this former residence. Sapporo Agricultural College, the predecessor of Hokkaido University, which was the starting point of the project, is said to have developed in a circle around the present clock tower. In his novel “Constellation,” he wrote a truly musical description of the sound of the clock tower’s bell. Such a description itself seems to have shaped the image of Sapporo in Japanese society after the Meiji period.
\nThe house that has been relocated and preserved in the Hokkaido Kaitakushi no Mura (Hokkaido Development Village) was located in Kami Shiraishi-machi (now Kikusui, Toyohira-ku). It was the house where newlywed Arishima’s first son was born. It may be that the house became famous as the setting for the novel “Born of Trouble” after being visited by the painter Kinjiro Kida, who was a fisherman. However, the period of residence was only about a year and a half. After that, he changed his residence from place to place in a short period of time. And five years after his marriage, this new residence, which seems to be the crystallization of Arishima’s image of “residence” in Sapporo, would have been completed.<\/p>\n","protected":false},"excerpt":{"rendered":"

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