{"id":42030,"date":"2023-10-13T06:03:25","date_gmt":"2023-10-12T21:03:25","guid":{"rendered":"http:\/\/kochihen.replan.ne.jp\/?p=42030"},"modified":"2023-10-16T22:16:33","modified_gmt":"2023-10-16T13:16:33","slug":"%e3%80%90%e6%96%87%e8%b1%aa%e3%81%ae%e8%82%89%e7%ad%86%e3%81%ab%e8%a7%a6%e3%82%8c%e3%82%8b-%e8%8a%a5%e5%b7%9d%e9%be%8d%e4%b9%8b%e4%bb%8b%e3%83%bb%e4%b9%9d%e5%8d%81%e4%b9%9d%e9%87%8c%e3%81%ae%e5%ba%b5","status":"publish","type":"post","link":"http:\/\/kochihen.replan.ne.jp\/?p=42030","title":{"rendered":"\u3010\u6587\u8c6a\u306e\u8089\u7b46\u306b\u89e6\u308c\u308b \u82a5\u5ddd\u9f8d\u4e4b\u4ecb\u30fb\u4e5d\u5341\u4e5d\u91cc\u306e\u5eb5-8\u3011"},"content":{"rendered":"

\"\"<\/a>
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\n\"\"<\/a>
\n\"\"<\/a>
\n\"\"<\/a>
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English version\u2b07<\/p>\n

Ryunosuke Akutagawa’s Hermitage in Kujukuri – 8] Touching the Writings of the Great Writers
\nAkutagawa and his contemporaries must have been in the reverberations of Soseki Natsume’s generation, who created the lingua franca of Japan. We will explore their psychology in cursive and running script. …<\/p>\n

I am not knowledgeable about handwriting, but when I look at my bad handwriting on a daily basis, I am reminded that my ineptitude is truly expressed in it. I think many people probably repeat the secret self-questioning about their own writing. For such a person as myself, the fact that the world has been transformed by personal computers has been a secret “liberation” from a latent and deep-seated sense of inferiority.
\nBut it is also a very fundamental “revolution” about human beings and writing culture, which could later be qualified as “a trace of an important handiwork that humanity has lost.
\nThe way Akutagawa writes the postcard characters above also gives the impression of “Oh, it looks quite throwaway. In particular, the single stroke on the left side of “kome” (\u8fbc) and “shinyou” (\u3057\u3093\u306b\u3087\u3046) give the impression of Akutagawa’s individuality and the expression of his internal language, as if to say, “Well, this will work.
\nIn terms of writing styles, such as cursive, running script, and standard script, postcards are probably the most common type of cursive writing.<\/p>\n

On the other hand, as for the proper writing of a letter, each character is carefully handwritten and has a sense of “conquering”, although it is not necessarily in block style. The phrase “Dear Sir\/Madam,” which is an idiom at the beginning of a sentence, cannot be found in modern PC dictionaries. It is assumed that it was used to express the meaning of “respectfully” or “respectfully,” but since the common Japanese language had not yet been fully established at the time of Akutagawa’s death, he may have created his own favorite idiomatic expression.
\nPerhaps Akutagawa was respecting the efforts of his mentor Soseki Natsume and others to create a lingua franca as the cultural foundation of modern Japan, and at the same time, he was proposing his own original writing style to society. This may have been part of Akutagawa’s sense of national mission to create a national language culture at the end of the Meiji and early Taisho eras.
\nAs for the “love letters” that we have been looking at for some time now, no such writings have been made public. It is very interesting to know whether the writing style was cursive or cursive, as it is a very vivid expression of the feelings of love. I am ashamed to admit that when I think back on it as a matter of personal experience, I am not quite clear on this point. I am ashamed to admit that when I think back on my own life, I am not so clear about it, and there is almost no way to check. In an era without photocopying equipment, the written word, which was a once-in-a-lifetime event, was entrusted with a kind of “spirit” as well.
\nRyotaro Shiba wrote “Kaido yuku” (“On the Road”), in which he describes the human image of Soseki Natsume and others during the period of cultural creation in the early Meiji era, and the anguish they endured.<\/p>\n","protected":false},"excerpt":{"rendered":"

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