{"id":41909,"date":"2023-09-28T05:10:57","date_gmt":"2023-09-27T20:10:57","guid":{"rendered":"http:\/\/kochihen.replan.ne.jp\/?p=41909"},"modified":"2023-09-28T19:03:21","modified_gmt":"2023-09-28T10:03:21","slug":"%e3%80%90%e3%82%a2%e3%82%b9%e3%83%86%e3%82%ab%e3%81%ae%e9%80%a0%e5%bd%a2-vs%e9%b3%a5%e7%8d%a3%e6%88%af%e7%94%bb%e3%83%9e%e3%83%b3%e3%82%ac%e6%96%87%e5%8c%96-%e5%8f%a4%e4%bb%a3%e3%83%a1%e3%82%ad","status":"publish","type":"post","link":"http:\/\/kochihen.replan.ne.jp\/?p=41909","title":{"rendered":"\u3010\u30a2\u30b9\u30c6\u30ab\u306e\u9020\u5f62 vs\u9ce5\u7363\u622f\u753b\u30de\u30f3\u30ac\u6587\u5316 \u53e4\u4ee3\u30e1\u30ad\u30b7\u30b3-11\u3011"},"content":{"rendered":"

\"\"<\/a>
\n\"\"<\/a>
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\n\u305d\u3057\u3066\u3001\u4e00\u51fa\u7248\u4eba\u3068\u3044\u3046\u7acb\u5834\u306b\u3082\u306a\u3063\u3066\u307f\u3066\u65e5\u672c\u6587\u5316\u3092\u8003\u3048\u3066\u898b\u308b\u3068\u3084\u306f\u308a\u4eac\u90fd\u30fb\u9ad8\u5c71\u5bfa\u306b\u7d0d\u3081\u3089\u308c\u3066\u3044\u308b\u9ce5\u7363\u622f\u753b\u3068\u3044\u3046\u5de8\u5927\u306a\u5b58\u5728\u304c\u6c11\u65cf\u306e\u5de8\u4eba\u3068\u3057\u3066\u8feb\u3063\u3066\u6765\u3066\u306a\u3089\u306a\u3044\u3002
\n\"\"<\/a>
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English version\u2b07<\/p>\n

Aztec Forms vs. Birds, Beasts, and Caricatures: Manga Culture in Ancient Mexico – 11
\nI feel that ancient Mexico has something in common in the area of sensitivity and expressiveness. I think there is a commonality that can be uncovered by clarifying the motives for expression. I think there is something in common in the area of sensitivity and expressive power in ancient Mexico.<\/p>\n

These photos are of the Aztec civilization’s distinctive artwork that was shown in the special exhibition.
\nWhen I was a boy, I wanted to be a cartoonist. I indulged in drawing with my friends and met some talented friends who stimulated me greatly and made me realize the limitless possibilities of this cultural realm. However, my father boiler-burned all of my paintings, saying, “This kind of ponchi-e is absolutely useless” and “There is no way I can make a living from it.
\nI was surprised, and halfway through, I thought to myself, “Of course, it will be very difficult to make a living doing this,” and I did not resent my father at all. After giving up the idea of becoming a cartoonist, I became involved in the New Left Movement, so I was no less filial than anyone else. I am not involved in such things now, just in case you are wondering (laughs). (laugh) But in the end, considering that I have been living in the field of publishing in the form of residential photographic media, I believe that my “ambition” in my boyhood had a strong influence on me without my knowing it.
\nAnd when I think about Japanese culture from the standpoint of a publisher, I cannot help but be reminded of the huge presence of the caricatures of birds and animals housed at Kozan-ji Temple in Kyoto as giants of the nation.<\/p>\n

This sense of painting and modeling is deeply rooted in the ethnicity of the Japanese people.
\nWhile there are few similar cultures from the Chinese continent or the Korean peninsula, I feel a strong sense of “connection” with the ancient Mexican Aztec civilization, which is located far across the Pacific Ocean.
\nIt is a kind of “cute” feeling of empathy that is pressing in on me, so to speak.
\nIt is a delusion, but I cannot help but think that the human DNA that was split up 30,000 years ago between those who remained and those who departed from the East Asian archipelago is resonating with each other like a cry at both ends of the Pacific Ocean.
\nPerhaps if Japanese culture is to acquire a more intense global character in the modern era, manga culture will be the biggest one. We have already seen a successful cultural erosion in France and other European countries, and an increasing number of young people in the East Asian region are taking refuge in the Japanese manga culture. Despite the disadvantage of Japanese being one of the most difficult languages in the world to understand, manga has the power of visual expression that is easier to understand than plain English.
\nThe ancient Mexican sense of form makes us feel a sense of cultural roots and commonality, so to speak, among human beings. The expression of sensitivity, similar to that of the conceptual world created by the Japanese caricatures of birds and animals, comes to us strongly.
\nThis area of spirituality may be difficult to analyze, but if we consider it as a platform for human communication, there may be some clues to analyze. I would like to see a scientific clarification of the “similarity” between the various ethnic groups in the areas of expression and sensitivity.<\/p>\n","protected":false},"excerpt":{"rendered":"

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