{"id":41749,"date":"2023-09-09T05:44:06","date_gmt":"2023-09-08T20:44:06","guid":{"rendered":"http:\/\/kochihen.replan.ne.jp\/?p=41749"},"modified":"2023-09-11T11:00:28","modified_gmt":"2023-09-11T02:00:28","slug":"%e3%80%90%e8%a5%bf%e6%b4%8b%e7%9a%84%e9%9a%8e%e6%ae%b5%e3%83%95%e3%82%a7%e3%83%83%e3%83%81%e3%83%bb%e8%b2%a1%e9%96%a5%e7%89%88%e3%80%8c%e9%b9%bf%e9%b3%b4%e9%a4%a8%e3%80%8d-%e6%97%a7%e5%b2%a9%e5%b4%8e","status":"publish","type":"post","link":"http:\/\/kochihen.replan.ne.jp\/?p=41749","title":{"rendered":"\u3010\u897f\u6d0b\u7684\u968e\u6bb5\u30d5\u30a7\u30c3\u30c1\u30fb\u8ca1\u95a5\u7248\u300c\u9e7f\u9cf4\u9928\u300d \u65e7\u5ca9\u5d0e\u90b8\u63a2\u8a2a-7\u3011"},"content":{"rendered":"

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\n\"\"<\/a>
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\n\u9e7f\u9cf4\u9928\u306e\u96f0\u56f2\u6c17\u3092\u8ffd\u4f53\u9a13\u3059\u308b\u3068\u3044\u3046\u610f\u5473\u3067\u3001\u65e7\u5ca9\u5d0e\u90b8\u306f\u65e5\u672c\u5efa\u7bc9\u306e\u53e5\u8aad\u70b9\u306b\u4f4d\u7f6e\u3059\u308b\u306e\u3060\u3068\u601d\u3046\u3002<\/p>\n

English version\u2b07<\/p>\n

Western-style stair fetch zaibatsu version of “Rokumeikan,” the former Iwasaki residence
\nThe name “mansion” suggests a residence, but its function is that of a high-class “reception” building. The function of the building is to serve as a high-class “reception” building. It is appropriate as a place for business for a political and commercial zaibatsu of the Meiji era. The building was built in the late 1880s.<\/p>\n

In Japanese architecture, even in castle architecture, staircases seem to be considered almost exclusively as functional spaces. In the first place, castles and towers are buildings that specialize in a certain function and are not intended for human habitation. Buildings intended for residential use are generally one-story buildings, not two-story buildings. This is probably due to the fact that Japan is an earthquake-prone country and its architecture is almost exclusively wooden.
\nIn Japanese architecture, there is a rather strong fetish for “corridors” and the like, but I think this is due to the fact that it is based on the lifestyle culture of enjoying the view of the garden.
\nOn the other hand, in Western residential architecture, masonry construction is the norm in regions that are less prone to earthquakes. Perhaps because of this tradition, there is a strong latent desire for height and a strong desire for staircases as interior elements.
\nIn this Western-style building of the former Iwasaki Residence, great emphasis is placed on the aspect of a place for socializing, and the decorative aspect is emphasized as much as possible. In the stairwells, the pillars that support the load are heavily decorated, and the staircase has a circular flow. The concept of the staircase is to strike a balance between ease of ascent and decorativeness.
\nThe ceiling is also decorated like a coffered ceiling, and even the handrails and pillars that can be touched are considered as furniture-like devices. Well, it is completely devoted to “architecture for show,” isn’t it?
\nThe family life of the Iwasaki family was conducted in the “Japanese-style building,” which was built in connection with the house, so the kitchen and other living devices could not be observed in this Western-style building. It is possible that such a reception area may have been prepared on the basement floor, which is not open to the public. The concept of a “living room” for family gatherings, which is common in modern Japanese houses with a blend of Japanese and Western styles, is relatively new historically, dating from the Taisho and Showa periods. In that sense, this Western-style building may have been a kind of castle architecture for the Zaibatsu family.
\nIt was a base for “business activities” in the form of socializing, and it can be concluded that the building was designed to receive the highest level of customers and to “catch their eyes” as a top priority.<\/p>\n

English architect Conder is also known for his design of the Rokumeikan. Built in 1883 as a social gathering place for the government and aristocracy, the Rokumeikan is no longer extant. As a building under the direct control of the government, it was the scene of various political disputes, and although it may have served a certain function in the sordid political and diplomatic arena, it is said to have ended such a role in 1887. The building was used as the Kakuza Kaikan from 1890, but was demolished in 1941. The building was located on the border between the Imperial Hotel and the Hibiya U-1 Building.
\nThe design concept of this building was probably almost the same as that of the Rokumeikan. As a zaibatsu family, the Rokumeikan-like business entertainment activities were probably not subject to political criticism because of the private economy.
\nIn the sense of reliving the atmosphere of Rokumeikan, the former Iwasaki residence is a Japanese punctuation mark.<\/p>\n","protected":false},"excerpt":{"rendered":"

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