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English version\u2b07<\/p>\n

Japanese Structure of Power: The Gallery of Horyuji Treasures-16
\nThe creation of a national structure that separates kingship and government, where harmony is the key to nobility, from an imperial dictatorship and a system of vassal disputes within power. Is this the wisdom of the Japanese people? The wisdom of the Japanese people.<\/p>\n

The 16th article in the “Shotoku Taishi E biography” series of the Gallery of Horyuji Treasures is about the structure of the government by Emperor Suiko and Shotoku Taishi.<\/p>\n

What makes Japanese history so different from both Chinese history and Korean history is the existence of the royal power of the emperor. Since the emergence of unified political power in the archipelago, it has remained at the core of national unity.
\nIn China, the Yi Surname Revolution led to the violent overthrow of the previous dynasty, and the regime has continued to change over the years. On the Korean Peninsula, too, unified government is a rarity. Looking at the rest of the world, Japan’s power structure can be said to be very unique and exceptional. The power structure of the United Kingdom is a close approximation. The consideration for the Emperor’s family shown at the coronation ceremony of King Charles indicates this intention. Although the Meiji Era brought about a major transition to a European-style “emperor-type” power, from the perspective of ordinary Japanese history, the system from the Meiji era to the prewar period was more unique, and the “symbolic emperor system” that emerged after the defeat of the Occupation forces in World War II is more universal. In the chaos that followed the defeat, we can see how Japan tried to “protect the national polity” at the very last minute.
\nThe power structure of Prince Shotoku’s time may be suggestive as the origin of such a sense of national identity.
\nThe photo shows the “High Imperial Throne” in the Daigoku-den Hall of Heijo-kyo, which was restored in Nara. It is fresh in our memories that Emperor Imagami sat in this seat at the recent accession ceremony of 2025. In the reign of Prince Shotoku, Emperor Suiko ascended to the throne at the age of 22, and at the same time, Shotoku Taishi assumed office as “regent,” as recorded in the “Pictorial Biography.
\nThe second illustration in the pictorial biography is from the Horyuji version donated to the Imperial Household and housed in the Horyuji Treasury. In this painting, Emperor Suiko is seated on a high throne, flanked by Prince Shotoku, who is seated at a higher level than the courtiers, facing the courtiers, who are slightly “nana-mae” in their posture. The courtiers are seated on wooden floorboards of different heights according to their ranks. Among them, Soga no Umako is depicted as he steps forward to receive the emperor’s imperial decree. In the “Tachibana-ji” version, the same arrangement is used, but Prince Shotoku is depicted in the front. The difference in the intention behind the composition is intriguing.
\nThe following is an explanation (abstract) of the circumstances surrounding Prince Shotoku’s assumption of national government as regent, as given in the catalogue of the 1965 exhibition of the pictorial biography of Prince Shotoku at the Nara National Museum.
\n\u301cThe Emperor ordered that the Prince should administer the affairs of state as regent. The Prince repeatedly insisted on the appointment on the grounds that he was not worthy of the position, but the Emperor refused and insisted on the appointment. The Taishi accepted the request to become regent. When the people heard this, they rejoiced as if they had met a loving mother and father. ~ The Emperor himself said, “I will give you three blessings.
\nBy showing his respect for the regent’s power and administrative authority in the form of the Emperor’s own “three-part courtesy,” was the Emperor demonstrating how “harmony is the key to nobility”? This is very Japanese and Japanese-style.<\/p>\n","protected":false},"excerpt":{"rendered":"

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