{"id":40901,"date":"2023-06-08T06:02:50","date_gmt":"2023-06-07T21:02:50","guid":{"rendered":"http:\/\/kochihen.replan.ne.jp\/?p=40901"},"modified":"2023-06-09T18:11:04","modified_gmt":"2023-06-09T09:11:04","slug":"%e3%80%90%e6%9d%b1%e3%82%a2%e3%82%b8%e3%82%a2%e4%b8%96%e7%95%8c%e3%81%a7%e3%81%ae%e8%81%96%e5%be%b3%e5%a4%aa%e5%ad%90%e5%a4%96%e4%ba%a4-%e6%b3%95%e9%9a%86%e5%af%ba%e5%ae%9d%e7%89%a9%e9%a4%a8-11","status":"publish","type":"post","link":"http:\/\/kochihen.replan.ne.jp\/?p=40901","title":{"rendered":"\u3010\u6771\u30a2\u30b8\u30a2\u4e16\u754c\u3067\u306e\u8056\u5fb3\u592a\u5b50\u5916\u4ea4 \u6cd5\u9686\u5bfa\u5b9d\u7269\u9928-11\u3011"},"content":{"rendered":"

\"\"<\/a>
\n\"\"<\/a>
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English version\u2b07<\/p>\n

[Prince Shotoku’s Diplomacy in the East Asian World: The Gallery of Horyuji Treasures-11
\nRare animals raised many citizens’ awareness of the Japanese nation in the world. The thoughts of Prince Shotoku to Ono Imoko, the ambassador who created the basis of Japanese diplomacy. …<\/p>\n

The wall paintings of Shotoku Taishi were kept in the “secret” collection of Horyuji Temple for a long time, and were presented to the imperial family after the war, so they were never seen by the general public, and only a few researchers were able to view them.
\nTherefore, no detailed research was conducted on each of the 60 scenes in the paintings. Even the research papers that have been made available to the public are mainly analyses of the history of the paintings, which is of little interest to the general public, nor to the analysis of social reactions to historical facts close to the time of their occurrence.
\nThe digital exhibition at the Gallery of Horyuji Treasures has made high-resolution image analysis available to the public, and I believe this will lead to more research in the future. I am more interested in how the period was depicted through the hands of the artist in order to express the traces of Shotoku Taishi.
\nIn this exhibition, we will focus on “diplomacy,” the most common of Shotoku Taishi’s events. Although the details are not so detailed due to the loss of images, the two examples are relatively easy to understand in terms of composition.
\nThe relationship with the Baekje Kingdom is the most frequent. I believe that this regional state on the Korean peninsula was extremely important to the Japanese nation. The immigrant groups that came to Japan not only during the period of its prosperity, but also after its destruction, greatly changed the course of Japanese history.
\nThe above picture shows the scene where “a camel and other animals were presented from Baekje. In Japanese history, there are records of demonstrations of elephants and other rare animals that did not exist in Japan.
\nIn the days when there were no zoos, common people rarely had the opportunity to see the world’s animal species in person. The camel is an animal native to the deserts of Western Asia and does not live anywhere in East Asia. In the Sui Dynasty, this rare animal would have been frequently seen by traders. This is why they were brought to Japanese society via the Korean Peninsula and Baekje Province in the Far East.
\nThe film stimulates the imagination of what the atmosphere was like in the age of Prince Shotoku, who was 29 years old. In the scene, a camel is placed in the garden from inside the building. In other scenes, Prince Shotoku climbed Mt. Fuji astride a kurokoma, and horses were offered to him from all over Japan.
\nIt seems that encounters with rare animals like these may have psychologically strengthened the importance of external exchanges and diplomacy. This may represent a background psychological element of the basic policy of introducing Buddhism.
\nAnd next is the scene of Ono Imoko’s return to Japan. Although the picture is not so clear, the group of Ono-no-Imoko is on the left, and the welcoming party is depicted in the right foreground. Prince Shotoku is described as a “slight movement” in the welcoming group. Although Prince Shotoku would normally have “met” Ono-no-Imoko on her return from the Sui Dynasty as a powerful person in an official capacity, he was so devoted to the diplomatic negotiations that he should be understood to have “greeted” her in a rather “slight gesture.
\nThe Sui Dynasty envoys who accompanied him were surprised at the situation and decided to “pay their respects” to him.
\nThe Taishi, who developed the “Land of the Rising Sun, Land of the Setting Sun” diplomatic letter, a last-minute diplomacy that laid the foundation for the subsequent relationship between Japan and China, must have felt a strong sense of trust and accomplishment in Ono-no-Imoko, who fulfilled her mission and made her own diplomatic choices. This letter conveys the atmosphere of the times.<\/p>\n","protected":false},"excerpt":{"rendered":"

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