{"id":40478,"date":"2023-04-22T01:44:18","date_gmt":"2023-04-21T16:44:18","guid":{"rendered":"http:\/\/kochihen.replan.ne.jp\/?p=40478"},"modified":"2023-04-26T20:36:41","modified_gmt":"2023-04-26T11:36:41","slug":"%e3%80%90%e3%80%8c%e8%a6%8b%e3%81%88%e3%80%8d%e5%84%aa%e5%85%88%e3%81%ae%e6%ad%a6%e5%ae%b6%e3%81%ae%e5%bb%ba%e7%af%89%e6%80%9d%e6%83%b3-%e5%9c%9f%e4%bd%90%e8%97%a9%e3%83%bb%e6%97%a7%e7%ab%8b%e5%b7%9d","status":"publish","type":"post","link":"http:\/\/kochihen.replan.ne.jp\/?p=40478","title":{"rendered":"\u3010\u300c\u898b\u3048\u300d\u512a\u5148\u306e\u6b66\u5bb6\u306e\u5efa\u7bc9\u601d\u60f3 \u571f\u4f50\u85e9\u30fb\u65e7\u7acb\u5ddd\u756a\u6240\u66f8\u9662-3\u3011"},"content":{"rendered":"

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English version\u2b07<\/p>\n

The Tosa Domain’s Former Tachikawa Bansho Shoin -3 – Samurai Architectural Ideas Prioritizing “Visibility
\nEfforts to improve the interior climate of the house have been ignored, and the design spirit has been devoted to the expression of “prestige,” so to speak, the samurai spirit. …<\/p>\n

There is a big difference in the motive for building a house between our modern house building and that of the samurai families of the Edo period. In fact, today we live in a society where individualism has finally taken root, and a sense of simple human values, such as comfort, has come to be given top priority. The highly insulated, airtight technology that has evolved in Hokkaido, for example, has easily realized the goal of a warm house that is just right for physical sensibilities. Such an orientation is very democratic.
\nThis objective has its origins in the national goal of Hokkaido’s development and colonization. The delay in the development of Hokkaido until the Meiji period (1868-1912) reflects the fact that rice agriculture, which was based on warm climate, was the basis of Japanese society. Rice cultivation had not been realized in Ezo and Hokkaido. In response to such a national society, the Russian state, which made it its national policy to invade southward, came to seek control of the island of Hokkaido, and from the perspective of “national defense,” frontier colonization became the absolute national will. The political upheaval and upsurge at the end of the Edo period was premised on this external pressure from Russia, and Perry’s arrival in Japan was the decisive factor.
\nA housing revolution became essential for the Japanese people to somehow live in this northern region. Kiyotaka Kuroda, who promoted the development of Hokkaido, was able to do the carpentry work for the roofs himself. This is an example of the warrior-like energy and persistence to develop cold-weather housing. His motivation was quite different from that of the housing policy authorities until recently.
\nOn the other hand, however, the importation of foreign housing from the early Meiji period outside of Hokkaido was simply an introduction of design. At the root of this orientation seems to have been an imprinted Japanese tendency toward “only the surface” and “only the appearance. This attitude toward housing seems to have been the design philosophy behind the “samurai residences” shown in these photos.
\nThe top photo is a room used by the lord of the Tosa Domain during the daimyo’s visit to Japan. The room itself has a visual framing device. The floor has been raised one step to give the room a “kodan-no-ma” appearance. The room is design-oriented, with the highest priority given to “showing dignity” to the followers. The architectural emphasis is on the expression of nobility that “suits the tokobashira”.
\nTatami flooring is a uniquely Japanese flooring material, and the “prestigious space” based on it is a uniquely evolved expression of Japanese luxury. Basically, there is a strong emphasis on “prestige” rather than livability. This aesthetic sensibility may have been accepted by the Japanese, but it is far from universal.
\nIn Hokkaido, Japanese-style rooms themselves are becoming less and less common. I believe that the Japanese DNA of aesthetics and sensibility, as shown in the photo, is an architectural and cultural world that has been displaced by modern Japan.<\/p>\n","protected":false},"excerpt":{"rendered":"

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