{"id":40395,"date":"2023-04-12T06:35:33","date_gmt":"2023-04-11T21:35:33","guid":{"rendered":"http:\/\/kochihen.replan.ne.jp\/?p=40395"},"modified":"2023-04-12T09:16:32","modified_gmt":"2023-04-12T00:16:32","slug":"%e3%80%90%e6%ad%b4%e5%8f%b2%e7%9a%84%e7%b5%b5%e7%94%bb%e3%81%a8%e7%8f%be%e4%bb%a3%e7%9a%84%e5%86%99%e7%9c%9f-%e8%a6%96%e8%aa%8d%e8%a7%92%e5%ba%a6%e3%81%ae%e9%81%95%e3%81%84%e3%80%91","status":"publish","type":"post","link":"http:\/\/kochihen.replan.ne.jp\/?p=40395","title":{"rendered":"\u3010\u6b74\u53f2\u7684\u7d75\u753b\u3068\u73fe\u4ee3\u7684\u5199\u771f \u8996\u8a8d\u89d2\u5ea6\u306e\u9055\u3044\u3011"},"content":{"rendered":"

\"\"<\/a>
\n\"\"<\/a>
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\n\u3055\u3066\u3069\u3063\u3061\u306e\u624b\u6cd5\u304c\u3088\u308a\u300c\u5ba2\u89b3\u7684\u300d\u3067\u3042\u308b\u304b\u306f\u3001\u53d7\u3051\u53d6\u308a\u65b9\u306b\u3088\u3063\u3066\u9055\u3046\u3067\u3057\u3087\u3046\u306d\u3002\u6848\u5916\u3001\u6614\u4eba\u306e\u5de8\u8996\u7684\u95a2\u4fc2\u6027\u4e00\u6319\u628a\u63e1\u306e\u307b\u3046\u304c\u3001\u30ea\u30a2\u30ea\u30ba\u30e0\u306b\u8fd1\u3057\u3044\u304b\u3082\u77e5\u308c\u306a\u3044\u3002<\/p>\n

English version\u2b07<\/p>\n

Historical paintings and contemporary photographs: Differences in viewing angles
\nHistorical news visuals convey peripheral facts and human relations from a slightly elevated perspective in an easy-to-understand manner. Contemporary photography risks being “clipped” due to its directness. Which is more objective? Which is superior in terms of objectivity?<\/p>\n

We are planning to stay out of town for 3 nights and 4 days starting today. So I have a lot of office work to do before that. I think I will have more time once I go out, so I want to organize a lot of past photos and narrow down the theme of my blog.
\nThe photos above are the ones I processed when I was organizing photos on the theme of Kamakura. The famous yabusame (horseback archery) ritual is held at Tsurugaoka Hachiman-gu Shrine in Kamakura, but I have also attended one in Sendai. Historically, it is said that it started when the Yoritomo administration dedicated the shrine at the time of the founding of Tsurugaoka Hachiman-gu Shrine. The photograph below is one of many taken by Western photographers who visited Japan in the early Meiji period (1868-1912), and depicts the scene from Tsurugaoka Hachiman Shrine to Wakamiya-oji Avenue.
\nPaintings and photo groups like these convey a variety of “information” beyond the literary sources. The angle of the yabusame archery depicted in the paintings is expressed from a slightly elevated angle. In reality, such a visual image from a slightly elevated viewpoint would not have been possible. Paintings and screens depicting historical facts in Japan almost uniformly use this type of visual representation. It is thought that this is a kind of standard pattern of Japanese historical reporting paintings. Court beauties dressed in juni-hitoe (twelve-layered kimono) are almost always depicted from this visual angle, and this pattern is also uniform on news screens during upheavals. Perhaps this is a common viewpoint in Japanese history and East Asia.
\nIn photographic expression up to the present day, the viewpoint from the photographer’s natural “standing position” is universally taken. The photographs are very plain as the viewpoint of a foreigner in the early Meiji era, and they are “record photos” of the situation at that time, which can be easily compared and contrasted. It is natural, but when we contrast the two, we realize the difference in historical perceptions of the images.
\nPerhaps the visual angle that conveys the historical facts is the one that can contain a lot of information as a peripheral explanatory angle. The “Rakuchu-Rakugaizu” style has been used for quite a long time in Japanese history, and it is likely that it conveyed to people far from Kyoto the variety and splendor of the bustling city in an easy-to-understand manner. We can understand the significance of the legend that Oda Nobunaga sent the Rakuchu-Rakugaizu to Uesugi Kenshin in the Echigo region to win his favor. When I think of it as a “one-stop expression of the relationship” of news transmission, I am informed of the depth of the wisdom of this expression.
\nConversely, in modern expression, the impression received may vary considerably depending on the “way of cutting.
\nNow, which method is more “objective” will depend on how you receive it. Surprisingly, the old people’s macroscopic grasp of relationships may be closer to realism.<\/p>\n","protected":false},"excerpt":{"rendered":"

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