{"id":40254,"date":"2023-03-31T06:01:26","date_gmt":"2023-03-30T21:01:26","guid":{"rendered":"http:\/\/kochihen.replan.ne.jp\/?p=40254"},"modified":"2023-04-03T19:02:51","modified_gmt":"2023-04-03T10:02:51","slug":"%e3%80%90%e6%9c%ac%e3%81%a8%e5%bb%ba%e7%af%89%e3%80%8c%e5%8f%b8%e9%a6%ac%e9%81%bc%e5%a4%aa%e9%83%8e%e8%a8%98%e5%bf%b5%e9%a4%a8%e3%80%8d%e3%81%a8%e3%81%ae%e5%af%be%e6%af%94-%e5%9b%9b%e5%9b%bd%e3%83%bb","status":"publish","type":"post","link":"http:\/\/kochihen.replan.ne.jp\/?p=40254","title":{"rendered":"\u3010\u672c\u3068\u5efa\u7bc9\u300c\u53f8\u99ac\u907c\u592a\u90ce\u8a18\u5ff5\u9928\u300d\u3068\u306e\u5bfe\u6bd4 \u56db\u56fd\u30fb\u68bc\u539f\u3068\u9688\u7814\u543e-7\u3011"},"content":{"rendered":"

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\n\u3053\u306e\u68bc\u539f\u306e\u56f3\u66f8\u9928\u3068\u5bfe\u6bd4\u7684\u306b\u53f8\u99ac\u907c\u592a\u90ce\u8a18\u5ff5\u9928\u306e\u3053\u3068\u304c\u60f3\u8d77\u3055\u308c\u305f\u306e\u306f\u3001\u308f\u305f\u3057\u7684\u306b\u306f\u5f37\u3044\u6574\u5408\u6027\u304c\u611f\u3058\u3089\u308c\u305f\u306e\u3067\u3059\u3002\u3069\u3061\u3089\u306e\u7a7a\u9593\u306b\u3082\u5f37\u304f\u5f15\u304d\u5bc4\u305b\u3089\u308c\u308b\u9b45\u529b\u304c\u3042\u308b\u3002\u5efa\u7bc9\u3092\u8d85\u3048\u3066\u8feb\u3063\u3066\u304f\u308b\u9b45\u529b\u3001\u4eba\u9593\u3078\u306e\u89aa\u8fd1\u611f\u3068\u3044\u3046\u3088\u3046\u306a\u3082\u306e\u3060\u308d\u3046\u304b\u3002<\/p>\n

English version\u2b07<\/p>\n

Contrast between Yusuhara and the Ryotaro Shiba Memorial Museum of Book Architecture Yusuhara, Shikoku and Kengo Kuma-7
\nBooks are a “dialogue between people” of the past and present. The contrast between Kengo Kuma and Tadao Ando’s architecture makes us feel this strongly.<\/p>\n

For architects, “library architecture” is an expression of their assertiveness. It may be my personal opinion, but I believe that books vividly convey “how people felt and lived” in the vast past and present. The traces of their encounters with the world and their lives are written down in words.
\nA library is an accumulation of such countless human traces. The building that houses the library is then a reflection of the individuality of the architect. So it seems to me that this Yusuhara library shows Kuma Kengo’s personal approach to books. In this space, Kuma Kengo has set up a “barefoot” entry. For Japanese people, spending time without shoes implies a kind of liberation of the mind.
\nIn this library, it is also possible to “lie down” to read books, as shown in the photo. A child was lying on the floor facing a book. Although I was concerned that it might be difficult to read the book (laugh), I thought it might be a good idea to read in this position for a while, since the position of the body can be changed in a multitude of ways depending on one’s mood and physical condition.
\nThe floor is covered with compacted cedar boards from the region. The ceiling height is high, but as mentioned above, it is wrapped in an architectural design that resembles branches descending from a large tree in a forest.
\nIn addition, the floor surface reflects the natural topography of the site with its undulations, in line with the original shape of the site. Many books are there to welcome visitors. The stair-like space that can be used as a chair is also impressive.
\nKengo Kuma, who felt the limitations of RC architecture, recreated the huge forest of Yusuhara here, and it seemed to me that he was making the traffic of the past and present a reality by enveloping human beings.
\nI have visited the Ryotaro Shiba Memorial Museum as such an architecture of “books and people”.<\/p>\n

The architect is Tadao Ando. The memorial museum, built in a residential area in Osaka, is also a reproduction of Ryotaro Shiba’s study, which I personally strongly respect. I had a feeling of being precipitated deeply into his mental image. Although the memorial hall is not an architecture with the full functionality of a “library,” it strongly evokes the image of books and human beings. The photos of the bookshelves inside were taken from the website, but it was clear that they were not designed to be accessible. The books were “shown” as objects, just like Mr. Ando (laugh). That’s just the way it is.
\nI was reminded of the Ryotaro Shiba Memorial Museum in contrast to the library in Yusuhara, and I felt a strong sense of consistency. Both spaces have a strong appeal that draws you in. I wonder if it is a kind of fascination that goes beyond architecture and a sense of closeness to human beings.<\/p>\n","protected":false},"excerpt":{"rendered":"

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