{"id":40084,"date":"2023-03-16T05:18:56","date_gmt":"2023-03-15T20:18:56","guid":{"rendered":"http:\/\/kochihen.replan.ne.jp\/?p=40084"},"modified":"2023-03-16T16:51:40","modified_gmt":"2023-03-16T07:51:40","slug":"%e3%80%90%e6%97%a5%e6%9c%ac%e5%bb%ba%e7%af%89%e3%83%bb%e7%a9%ba%e9%96%93%e6%96%87%e5%8c%96%e3%81%a8%e5%8c%97%e6%b5%b7%e9%81%93-%e7%ab%b9%e6%9e%97%e5%af%ba%e6%8e%a2%e8%a8%aa-7%e3%80%91","status":"publish","type":"post","link":"http:\/\/kochihen.replan.ne.jp\/?p=40084","title":{"rendered":"\u3010\u65e5\u672c\u5efa\u7bc9\u30fb\u7a7a\u9593\u6587\u5316\u3068\u5317\u6d77\u9053 \u7af9\u6797\u5bfa\u63a2\u8a2a-7\u3011"},"content":{"rendered":"

\"\"<\/a>
\n\"\"<\/a>
\n\"\"<\/a>
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\n\"\"<\/a>
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English version\u2b07<\/p>\n

Japanese Architecture, Spatial Culture, and Hokkaido: Chikurinji Temple Visit-7
\nJapanese architectural design was made possible by a dialogue with the gentle climate. The northern part of Japan wants to share its essence and challenge a new Japanese design.<\/p>\n

What kind of presence does contemporary architecture have in Japanese architectural culture? I sometimes think about this. The cultural legacy of Japanese sensitivity to architecture and space is richly layered in this Chikurinji temple.
\nThe photo shows the main temple of Chikurin-ji and its famous garden. The relationship between garden and building has been aesthetically sublimated in Japan in this way, and has been precipitated in the undercurrent of Japanese culture. In this way, the architectural structure itself seems to “breathe” in the nature as a cutout landscape.
\nThe human-made building is an outer skin, and when confronted with nature, there is a sense of being united with the five senses. A garden, on the other hand, is also nature artificially created in space, and although it has a different origin from a building, it is developed and structured in line with the human eye for aesthetic selection.
\nI believe that the Japanese way of saying “home” is a very Japanese cultural expression.
\nIn this way, our predecessors have passed on their architectural culture to us through Buddhist temples, pinning down the aesthetic senses of their respective eras. As a stage set for this, the existence of temples has been a critical point between this world and the next.
\nIt was against this cultural background that the contemporary architect Yasutsugu Horibe created the “Chikurinji Ossuary,” which I saw the other day. I think I can somehow understand his neat creative attitude at that time.<\/p>\n

The entrance was decorated with such gorgeous flowers. The cultural climate of this country has continued to precipitate Japanese sensibilities at such famous temples and other places in various regions of Japan.
\nHokkaido, on the other hand, has difficulty with this kind of “uchisoto spatial continuity with nature.
\nIt is difficult to generalize the experience of opening up space with a garden in this way. Although there was a trend in early Hokkaido architecture toward such “integration,” the cold weather of nearly half a year and the resulting building obstacles made it impossible to achieve the same lifestyle as this type of architecture. It was early January when I photographed this building. In Hokkaido, the garden is closed by snow and the cold air attacks the living space.
\nThe dialogue with the garden is also premised on the strict protection of the space with triple glazing and other measures. In some cases, the accumulation of snow falling from roofs destroys the entire view.
\nHowever, even in such a natural environment, we are Japanese. We wish to enjoy the “expanding beauty of flowers, birds, wind, and the moon” in our daily lives with our ingenuity and ingenuity. We would like to think, even if forcibly, that difficulties are the greatest asset for development.<\/p>\n","protected":false},"excerpt":{"rendered":"

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