{"id":40053,"date":"2023-03-13T05:54:13","date_gmt":"2023-03-12T20:54:13","guid":{"rendered":"http:\/\/kochihen.replan.ne.jp\/?p=40053"},"modified":"2023-03-13T11:42:12","modified_gmt":"2023-03-13T02:42:12","slug":"%e3%80%90%e5%bb%ba%e7%af%89%e7%9a%84%e3%82%af%e3%83%a9%e3%82%a4%e3%83%9e%e3%83%83%e3%82%af%e3%82%b9%e3%81%ab%e3%80%8c%e6%b0%b4%e7%9b%a4%e3%80%8d-%e3%82%92%e9%85%8d%e7%bd%ae-%e7%ab%b9%e6%9e%97%e5%af%ba","status":"publish","type":"post","link":"http:\/\/kochihen.replan.ne.jp\/?p=40053","title":{"rendered":"\u3010\u5efa\u7bc9\u7684\u30af\u30e9\u30a4\u30de\u30c3\u30af\u30b9\u306b\u300c\u6c34\u76e4\u300d \u3092\u914d\u7f6e \u7af9\u6797\u5bfa\u7d0d\u9aa8\u5802-4\u3011"},"content":{"rendered":"

\"\"<\/a>
\n\"\"<\/a>
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\n\"\"<\/a>
\n\"\"<\/a>
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\n\u3053\u3053\u306b\u6c34\u76e4\u3092\u914d\u7f6e\u3057\u305f\u5efa\u7bc9\u69cb\u60f3\u306e\u610f\u56f3\u306b\u3001\u304a\u3060\u3084\u304b\u3067\u74b0\u5883\u8abf\u548c\u7684\u3060\u3051\u308c\u3069\u7aef\u7684\u306a\u4f5c\u5bb6\u6027\u30fb\u4e3b\u5f35\u6027\u304c\u8868\u73fe\u3055\u308c\u3066\u3044\u308b\u3088\u3046\u306b\u3082\u601d\u308f\u308c\u305f\u3002<\/p>\n

English version\u2b07<\/p>\n

The “water basin” is placed at the architectural climax of the Chikurin-ji Ossuary.
\nThe water basin is an introspective device that maximizes depth. The water basin harmonizes with the sky, the surrounding nature, and the clay-painted walls of the site to create the harmony of the sound of water. The water basin is a device for reflection.<\/p>\n

This is the fourth installment of our report on our visit to architect Yasutsugu Horibe’s representative work, the Chikurinji Ossuary, which won the 2016 AIJ Prize for Best Work.
\nIn the previous chapters, we have described that the design was intended to have an “environmental harmony” orientation, which is different from the so-called artist’s self-assertion. However, while it was in perfect accord with that purpose, at the same time, I was surprised to see that it came in this way. The latter part of the ossuary, through which the path connecting life and death passes, is impressively located in a space named “water room,” and the “water basin” was installed as the main device.
\nI am not familiar with the general design style of ossuary architecture. In the case of the Miki family, the grandparents who moved to Hokkaido from the suburbs of Fukuyama City, Hiroshima Prefecture, and their parents who passed away in this area, built their graves in the public cemetery in Sapporo. Until the cemetery was built, the graves were kept in the ossuary of the family temple, which was housed in the main hall of the temple, although I used to visit the graves there until I was a child. I do not know the details of the separate ossuary as an architectural structure. Considering the examples I am familiar with, I do not think that a “water basin” would exist as a general design specification condition.
\nTherefore, this layout plan is considered to be original by Mr. Horibe, the architect of Chikurin-ji Ossuary, and it seems to be the core of his architectural plan.<\/p>\n

The static earth contrasts with the tranquil but dynamic water. I aimed to create a space where people can not only face the dead in the ossuary, but also feel a strong life force”. The introduction on Horibe’s website explains as follows
\nThe wall is about 2 m high above the water, and planters are placed on top of the wall, in which several species of plants native to Mt. The walls are Tosa plaster with a mirror finish. The water basin is made of black granite. Water is constantly flowing in the basin, and the sound of the water echoes through the passage space. Water overflowing from the four perimeters is circulated by a tank and pump located in the bit directly below.”
\nYesterday I wrote that “there was a person reading in the ossuary,” but there was no specific location mentioned in the original text. As a blog that does not go into details, I can only imagine. I think that the person who was reading must have been on a simple bench placed in front of the water basin.
\nWith water, sky, clay walls collected at this site, and greenery surrounding the space, this place is truly a place for introspection, a place to be immersed in and embraced by the ossuary space where one’s relatives are laid to rest.
\nThe placement of the water basin in this space seems to express a gentle, environmentally harmonious, yet straightforward artist and assertiveness in the architectural concept.<\/p>\n","protected":false},"excerpt":{"rendered":"

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