{"id":39828,"date":"2023-02-24T06:53:07","date_gmt":"2023-02-23T21:53:07","guid":{"rendered":"http:\/\/kochihen.replan.ne.jp\/?p=39828"},"modified":"2023-02-24T18:16:33","modified_gmt":"2023-02-24T09:16:33","slug":"%e3%80%90%e5%ad%90%e3%81%a9%e3%82%82%e5%90%91%e3%81%91%e3%80%8c%e9%9b%91%e8%aa%8c%e3%83%a1%e3%83%87%e3%82%a3%e3%82%a2%e3%80%8d%e3%81%b8%e3%81%ae%e6%96%87%e5%8c%96%e9%9b%86%e7%b4%84-%e6%88%a6%e5%be%8c","status":"publish","type":"post","link":"http:\/\/kochihen.replan.ne.jp\/?p=39828","title":{"rendered":"\u3010\u5b50\u3069\u3082\u5411\u3051\u300c\u96d1\u8a8c\u30e1\u30c7\u30a3\u30a2\u300d\u3078\u306e\u6587\u5316\u96c6\u7d04 \u6226\u5f8c\u3053\u3069\u3082\u6587\u5316-5\u3011"},"content":{"rendered":"

\"\"<\/a>
\n\"\"<\/a>
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\n\"\"<\/a>
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English version\u2b07<\/p>\n

Cultural Consolidation into “Magazine Media” for Children: Postwar Children’s Culture-5
\nChildren’s culture became a medium of manga magazines in postwar society. The dramatization and supplement culture sublimated the picture-story show and menko culture. The…<\/p>\n

Now, I have been digging into the transition of children’s culture from the “Shitamachi Fuzoku Shiryokan” exhibition in Ueno, Tokyo. When I trace back to my personal physical experience of “picture story shows” and “patches (menko),” I cannot help but feel that the “unchanging” aspects of children’s culture come to the fore.
\nIn particular, when we are shown evidence that the origin of menko can be traced back to the Edo period (1603-1868), we can strongly sympathize with the children of the Edo period in terms of their “sensitivity” to human nature. However, they realize that this naturalness only shows different expressions depending on the time period.
\nThe fundamental “cultural nature” of such childhood experiences became media for us, the postwar generation, in the form of children’s magazines (manga magazines). In the exhibition materials, magazines for boys and girls like the one shown in the photo were displayed. I have no memory of these magazines, and I think they must have been read by children before my generation.
\nI am not sure if this was a common choice among my brothers and sisters, but I was completely absorbed in a magazine called “Shonen Gaho” (laugh).<\/p>\n

Basically, I was overwhelmingly absorbed in “story manga” derived from picture story shows. It is a strange thing, but when I was attracted to this particular media, I felt as if I was “looking at the world from that world.
\nOne day, however, “Magma Ambassador” appeared in the magazine. At that time, I was already “devoted to the light of the eye,” and I had come to care about the business negotiations and relationship between the publisher and the great author, Tezuka Osamu. I was even concerned about the business negotiations and relationship between the publishing company and the great author Osamu Tezuka. (laugh). I think I was bound by a kind of partisan system or position that was unknowingly influenced by certain media.
\nPerhaps this accounts for the internal motivation that led me to live on the periphery of the business of publishing=media.<\/p>\n","protected":false},"excerpt":{"rendered":"

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