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\"\"<\/a>
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\n\u60c5\u5831\u306e\u62e1\u6563\u65b9\u6cd5\u304c\u78ba\u7acb\u3055\u308c\u3066\u3044\u306a\u3044\u6642\u4ee3\u3001\u3053\u3046\u3044\u3063\u305f\u8a9e\u308a\u90e8\u304c\u793e\u4f1a\u7684\u306a\u9700\u8981\u306b\u5bfe\u5fdc\u3059\u308b\u5b58\u5728\u3060\u3063\u305f\u306e\u3060\u308d\u3046\u3002\u305d\u3046\u3044\u3046\u793e\u4f1a\u7684\u9700\u8981\u304c\u308f\u305f\u3057\u306e\u5e7c\u5c11\u5e74\u671f\u306b\u306f\u3053\u306e\u300c\u7d19\u829d\u5c45\u300d\u5f62\u5f0f\u3060\u3063\u305f\u3002<\/p>\n

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English version\u2b07<\/p>\n

Japanese Storytelling Culture: Biwa-houshi and Picture Storytelling Postwar Children’s Culture-2
\nThe Heike Monogatari (The Tale of the Heike) and other forms of cultural transmission for the masses were established in Japanese society. It became a means of livelihood for the unemployed during the turmoil. The atmosphere of the postwar black market. \u30fb\u30fb\u30fb\u30fb.<\/p>\n

Paper theater is a kind of media that requires an urban environment. Even in the countryside, there were probably some kamishibai performers who traveled to perform at festivals and other events, but their travel expenses would not have paid for themselves if they performed for only a few days. The “summary articles” on kamishibai show business show how the unemployed, who were in great numbers after the Great Kanto Earthquake and the collapse of the economy and society after World War II, were engaged in this business as a means of making a living to survive.
\nThe photos above are just a few of the themes of the picture-story shows on display at the Taito City Shitamachi Museum of Folklore. The second photo even shows an educational picture-story show that the Ministry of Education and Science was involved in. In the prewar period, they were also used for political purposes as part of military education for children. This type of storytelling with pictures and narration was one of the spillover forms of Japanese culture, and it was used to form a popular entertainment culture.
\nI remember that during the period I was in contact with these stories, many of them were science fiction stories, such as the one at the top of this page, and later on, adventure stories with heroes from manga. I think that the children’s sensitivities were more sensitive to “action” stories that made them sweat and sweat. I think they naturally shunned anything that was too educational (laughs).
\nThe Heike Monogatari in “Biwa-houshi” is the closest I can think of to the origin of this form of drama. The social existence of the biwa priest is said to have developed as a kind of business activity in which the religious power of temples and shrines combined their proselytizing with economic activities. The biwa, a rare instrument, was a pioneer of the media in Japanese society, playing it and passing on the social upheavals of the time to the people in a news or theatrical manner. The common people living in the city, who were busy with their daily lives, would have been greatly affected by the civil wars and Genpei wars, which were the most extreme form of politics, but objective information on the state of change would not have been easily conveyed to them. It seems to me that the cutting-edge performing arts culture of the city of Kyoto began to play the role of media to capture this demand for knowledge. Many famous temples in Japan still have “pictorial scriptures” that contain stories about the founding of the temple and its history, and these also functioned as a method of conveying Buddhist stories.
\nGoing back even further, it seems that the “Kanjin” group organized by Shigen, the general producer of the reconstruction of Todaiji Temple in Nara, which was lost in the war at the end of the Kamakura period, was the foundation of the temple’s activities.
\nIn an age when information diffusion methods had not yet been established, these storytellers must have existed to meet social demand. In my childhood, this social demand was in the form of “picture-story shows.<\/p>\n

Although my memory is gradually fading, I am certain that I experienced a concrete image of the media through my childhood contact with these humanistic picture-story shows.<\/p>\n","protected":false},"excerpt":{"rendered":"

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