{"id":39736,"date":"2023-02-17T06:00:02","date_gmt":"2023-02-16T21:00:02","guid":{"rendered":"http:\/\/kochihen.replan.ne.jp\/?p=39736"},"modified":"2023-02-20T19:36:42","modified_gmt":"2023-02-20T10:36:42","slug":"%e3%80%90%e5%bb%ba%e7%af%89%e6%96%87%e5%8c%96%e7%b6%99%e6%89%bf%e3%81%a8%e7%8f%be%e4%bb%a3%e6%8a%80%e8%a1%93%e3%81%ae%e5%af%be%e8%a9%b1-%e5%a4%a7%e5%ba%84%e5%b1%8b%e3%80%8c%e7%89%87%e5%b2%a1%e5%ae%b6","status":"publish","type":"post","link":"http:\/\/kochihen.replan.ne.jp\/?p=39736","title":{"rendered":"\u3010\u5efa\u7bc9\u6587\u5316\u7d99\u627f\u3068\u73fe\u4ee3\u6280\u8853\u306e\u5bfe\u8a71 \u5927\u5e84\u5c4b\u300c\u7247\u5ca1\u5bb6\u300d-4\u3011"},"content":{"rendered":"

\"\"<\/a>
\n\"\"<\/a>
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\n\"\"<\/a>
\n\"\"<\/a>
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English version\u2b07<\/p>\n

Dialogue between Architectural Culture Inheritance and Modern Technology: The Kataoka Family
\nThe residents frankly felt that the cold of winter was the first thing they had to bear. What is the harmony between the sense of mission of inheriting an important cultural property and modern life? The Kataoka House<\/p>\n

The article “JAPAN WEB MAGAZINE” was helpful in writing about the Kataoka Family Residence in Uda, Nara Prefecture. The article is titled “Kataoka Family Residence. In the article (published on 2010\/05\/06), there is an interview with the head of the family who talked about his impression of “Sumigokochi”. The following is an excerpt.
\n\u301cVisitors to the house always comment on how old and beautiful it is, but there are many hardships involved in actually living in the house. First of all, the cold winters are very hard to bear. Uda City is cool and comfortable in summer, but cold in winter. The city’s houses are built in the olden days, with high ceilings and many gaps between rooms, which makes it cold and draughty. Indeed, although you would not notice it from the outside, from the inside it looks very cold with its high ceilings. No matter how many fires we built, it would not be able to keep up with the cold. \u301cI was very surprised to see the coldness of the house.
\nI personally think, “It is cold in winter. Personally, I doubt the irrefutable expression, “I hear it is cold in winter. I personally have some doubts about such a simple expression, “I hear it is cold in winter. However, I strongly felt a kind of sense of mission to continue to live in a nationally designated important cultural property and a deep attachment to the house. On the other hand, the following is a case of repairing the house as an old building.
\n\u301cAs long as the house is an important cultural property, it cannot be repaired or reconstructed without permission. After notification to the prefectural government, a professional carpenter comes to the house and repairs only those parts that need to be repaired. The owner of the house speaks in a calm tone of voice about his attachment to the magnificent house that has been handed down from his ancestors. Every word he speaks reflects the weight of responsibility and the difficulty of preserving and passing on an old building. \u301cThe theme of this part of the exhibition, “passing on the performance of the house and its architectural culture,” is quite thought-provoking. From the viewpoint of visitors, there is a part of the building that is seen as an object of exploration, like a “witness to the history” of the early Edo period. As I have mentioned three times before yesterday, from the viewpoint of exploring traces of samurai power in a local area, the situation in which the buildings have been preserved in this way, including their habitable environment, is of great interest. I also believe that long-term preservation of architecture is possible through its continued use. It is a fact that a house maintains its functionality as long as it is lived in, but if it is abandoned, it will collapse in a matter of seconds.<\/p>\n

While I am deeply grateful that many visitors are given the opportunity to view this important cultural asset while preserving the ancient architecture, I also believe that it is essential to take measures to ensure a more modern living environment. There may be measures that can be taken to improve the living environment without losing sight of the essence of the design. However, it is impossible to improve performance without completely altering the status quo. Trade-offs are inevitable at some point.
\nIn the case of architecture, this would mean a dialogue between traditional architecture and high thermal insulation\/airtightness. The harmony of historical culture and modern technological development is something that Japanese society, with its long history and culture, as well as the solid technological foundation of modern civilization, is able to flexibly resolve with wisdom. I believe that an attitude of “dialogue” is important. \uff1cEnd of this article. \uff1eEnd of this article<\/p>\n","protected":false},"excerpt":{"rendered":"

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