{"id":39365,"date":"2023-01-18T06:15:30","date_gmt":"2023-01-17T21:15:30","guid":{"rendered":"http:\/\/kochihen.replan.ne.jp\/?p=39365"},"modified":"2023-01-18T19:09:49","modified_gmt":"2023-01-18T10:09:49","slug":"%e3%80%90%e3%81%9d%e3%81%b0%ef%bc%91%e6%9d%af%e5%80%a4%e6%ae%b5%e3%81%a7%e6%b5%81%e9%80%9a%e3%83%bb%e6%b5%ae%e4%b8%96%e7%b5%b5-2-%e6%b1%9f%e6%88%b8%e6%9c%9f%e3%83%bb%e6%88%bf%e7%b7%8f%e7%94%ba","status":"publish","type":"post","link":"http:\/\/kochihen.replan.ne.jp\/?p=39365","title":{"rendered":"\u3010\u305d\u3070\uff11\u676f\u5024\u6bb5\u3067\u6d41\u901a\u30fb\u6d6e\u4e16\u7d75-2 \u6c5f\u6238\u671f\u30fb\u623f\u7dcf\u753a\u5bb6-11\u3011"},"content":{"rendered":"

\"\"<\/a>
\n\"\"<\/a>
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\n\"\"<\/a>
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English version\u2b07<\/p>\n

Ukiyoe: Distribution at the Price of a Cup of Soba, Ukiyoe-2: Edo Period, Boso Machiya-11
\nUkiyo-e is an art form of mass printing that is supported by the masses. The strict selection of the common people in the Edo period nurtured the Japanese publishing culture. …<\/p>\n

When trade with Europe began at the end of the Edo period (1603-1868), Ukiyo-e prints were used as “buffer materials” for exported ceramics, etc. I wrote yesterday that Westerners were surprised at the high level of color printing of Ukiyo-e as buffer materials. The West was astonished at the fact that Ukiyo-e was such an everyday “popular art” in Japanese society at that time.
\nI asked how much Ukiyo-e were sold in those days, and found that the price was almost the same as the price of a bowl of soba (buckwheat noodles). The price of a bowl of soba today is generally 4-500 yen, or at most not more than 1,000 yen. I remember buying a limited edition of 100 hand-printed ukiyo-e prints for about 30,000 yen each when the Tokyo Museum held an exhibition of ukiyo-e prints (first photo). (The first photo) I was stunned to think that it was a “wild profit” (laugh). Well, just kidding. Unlike the Edo period, when the business structure of mass sales was established with the support of the masses, today there is no market structure to support the existence of “printers” as a profession. I was fascinated by the craftsmanship of the “surishi” who painstakingly finished their work with finishing techniques that were on par with those of that era.
\nIt is truly wonderful that people were able to enjoy this kind of color printing art for the price of a bowl of soba (buckwheat noodles). There are many ways to measure a country’s wealth, but I can’t help but nod in agreement with the sense of value that has been preserved and loved by a selective and demanding public. I believe that Japan has a strong foundation of a “democratic” society, and it is amazing to see a society in which popular art is respected so much, even in the world. I think this is one of the reasons why Westerners were so surprised. I think that the people of this country have a deep understanding of democracy. And.<\/p>\n

The subjects of ukiyoe include “Meisho Zue” (famous places), which supported the nationwide travel boom, and at the same time, “Bijin-ga” (portraits of beautiful women), which was a major genre. Especially in Edo, where there was always an overabundance of men of the right age, many Japanese women’s beauties were pursued, such as the beauty of a “kirika-bijin” or “turned-around beauty. As a result, it seems that “urizane-faced” bijinga were favored, as if by seal of approval. This is by far the majority of beauty paintings that remain today. In a previous blog entry, I attempted to analyze Jomon beauties and Yayoi beauties, but I did not find much adherence to the “urizane” face. Even the dynastic aesthetic of the Kyo-bijin, or Kyoto beauties, did not seem to be so obsessed with the “plump” type. After such a transition, the “urizane face” resonated in the DNA of the Edo period as a Japanese aesthetic. In the popular arts of the Edo period, artists had to be selective in order to find the core of the populace or they would not sell well. In addition, ukiyo-e must have competed with the fashion element for “zeitgeist” expression. I believe that this reflects the principle of friendly competition and fierce rivalry that exists in the entertainment business today.<\/p>\n","protected":false},"excerpt":{"rendered":"

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