{"id":38853,"date":"2022-12-02T06:13:59","date_gmt":"2022-12-01T21:13:59","guid":{"rendered":"http:\/\/kochihen.replan.ne.jp\/?p=38853"},"modified":"2022-12-02T22:41:28","modified_gmt":"2022-12-02T13:41:28","slug":"%e3%80%90%e7%be%8e%e3%81%ae%e6%8e%a2%e7%a9%b6%e3%83%bb%e7%b8%84%e6%96%87%e3%81%a8%e5%bc%a5%e7%94%9f%e5%a5%b3%e6%80%a7-%e6%97%a5%e6%9c%ac%e5%88%97%e5%b3%b637000%e5%b9%b4%e5%8f%b2-32%e3%80%91","status":"publish","type":"post","link":"http:\/\/kochihen.replan.ne.jp\/?p=38853","title":{"rendered":"\u3010\u7f8e\u306e\u63a2\u7a76\u30fb\u7e04\u6587\u3068\u5f25\u751f\u5973\u6027 \u65e5\u672c\u5217\u5cf637,000\u5e74\u53f2-32\u3011"},"content":{"rendered":"

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English version\u2b07<\/p>\n

The Jomon and Yayoi Women: The 37,000-Year History of the Japanese Archipelago – 32
\nAlthough food security is the basic motivation, the pursuit of beauty has also been a major factor in human development. The Jomon period<\/p>\n

Today’s topic is the universal theme of humanity: the quest for female beauty.
\nThe analogy of Adam and Eve is very Christian.
\nBut even in the Japanese archipelago, where Amaterasu is a female deity, there is a universal history of love between men and women, and it is the basis of various mythological tales.
\nIt is obvious that it is the basis of various myths and legends.
\nBut it was not until the historical period in Japan that specific costumes were recorded.
\nhistorical period or later in Japan. However, women’s desire for beauty was common even before that time.
\nThere was a section on this theme in the exhibition at Rekihaku.
\nI liked it because it was very easy to understand and beyond the confines of a rigid history museum exhibit.<\/p>\n

The Jomon woman is a facial reconstruction of an adult female skull excavated from the Ezushima shell mound in Iwate Prefecture. Deerskin.
\nShe wears a jacket made of black smoked deerskin and decorated with poison ivy and takaragai, and a necklace made of jade beads.
\nShe wears a necklace made of jade jade and leather shoes. This is an expression of a shaman.
\n\uff1cCostumes for both the Jomon and Yayoi periods were restored by stylist and ancient clothing researcher Mari Ohashi.
\nThe skin is reconstructed from the skull and made of FRP material, and completed with eyebrows and hair.
\nA vertical comb was used for the hair and ornaments for the ears. The necklace is made of jade from Itoigawa.
\nThe Yayoi female figure is a reconstruction of an adult female skull excavated at the Doigahama site in Yamaguchi Prefecture.
\nShe wears an akane-dyed silk jacket and a necklace made of jade and glass tubular beads.
\nA potted headdress dyed purple with the secretion of the twice. The obi was dyed gardenia yellow.
\nShoes are wooden. The figure is a reproduction of an unmarried woman in the adult age group in Wei Wei’s biography.<\/p>\n

It is very easy to understand (laugh).
\nI would like them to wear this kind of costume even in the modern age (laugh).
\nThe Jomon women are slightly smaller and more rounded, while the Yayoi women look slender and slender.
\nYayoi women give the impression of being slender.
\nThis is probably based on statistics from archaeological discoveries.
\nThe orientation of “coloring” is probably an important element in any material.
\nAfter all, the basic motive is to visually astonish the eye.
\nWe have carefully explored dyeing materials while considering their use in costumes that are in contact with nature.
\nThe artist must have carefully explored dyeing materials with the idea of being in contact with nature and using them in these costumes.
\nAkane is a perennial vine belonging to the family Acanthaceae. Its roots are akane red in color and are used as a raw material for herb dyeing.
\nIt is said to be used as a raw material for herb-dyeing.
\nThe wisdom of using such plants is, of course, driven by the desire for beauty.
\nThe use of shellfish, the search for jade, and so on.
\nThis desire must have been the driving force behind the development and exploitation of all kinds of resources.
\nThe sight of the sparkling things that we put in our mouths as food, while at the same time
\nThe scene is reminiscent of the way people put food in their mouths while at the same time gazing at something “sparkling”.
\nThe means to secure food is the basis of culture, but this kind of desire has also been a major driving force in human society.
\nIt is also clear that this kind of desire has been a major driving force in human society.
\nThere is no doubt that the quest for beauty has been a major factor in human evolution.
\nThis angle is explored in the historical perspective, which deepens my interest even more.<\/p>\n","protected":false},"excerpt":{"rendered":"

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