{"id":38843,"date":"2022-12-01T05:46:43","date_gmt":"2022-11-30T20:46:43","guid":{"rendered":"http:\/\/kochihen.replan.ne.jp\/?p=38843"},"modified":"2022-12-02T22:40:40","modified_gmt":"2022-12-02T13:40:40","slug":"%e3%80%90%e7%b8%84%e6%96%87%e3%80%9c%e5%bc%a5%e7%94%9f%e3%81%ae%e8%a1%a8%e7%8f%be%e5%8a%9b%e3%81%b8%e3%81%ae%e8%a6%aa%e8%bf%91%e6%84%9f-%e6%97%a5%e6%9c%ac%e5%88%97%e5%b3%b637000%e5%b9%b4%e5%8f%b2-31","status":"publish","type":"post","link":"http:\/\/kochihen.replan.ne.jp\/?p=38843","title":{"rendered":"\u3010\u7e04\u6587\u301c\u5f25\u751f\u306e\u8868\u73fe\u529b\u3078\u306e\u89aa\u8fd1\u611f \u65e5\u672c\u5217\u5cf637,000\u5e74\u53f2-31\u3011"},"content":{"rendered":"

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English version\u2b07<\/p>\n

Jomon – Yayoi Familiarity with Expressionism: The 37,000-Year History of the Japanese Archipelago – 31
\nThe unique cultural customs and original expressions of the archipelago people described in the Wei-Shi-Wa-jin-Den. The Maritime Ethnicity Leading to the Manga Culture? …<\/p>\n

I have the impression that the Yayoi and Jomon periods are not necessarily discontinuous.
\nIt is that many traces of Yayoi “self-portraits” were painted on earthenware, carved on woodblocks
\ncarved into woodblocks, or sculpted in clay.
\nIn addition, the culture of “Paintings with a facial tattoo” is mentioned in the Wei Zhi Wajinden, which is said to be the first record of the Japanese archipelago in China.
\nThere are also traces of evidence of the custom that became the subject of this culture.
\nThis “culture” as a custom must have existed strongly.
\n\u301cFrom Obihang-gun to Queen-no-kuni, a distance of more than 12,000 ri. Every male, large or small, has a tattooed face and body.
\nSince ancient times, when their envoys came to China, they all called themselves “Da Fu.
\nWhen the son of Shaokang, the Empress of the Xia Dynasty, was appointed to Huiyue, he had his hair cut off and his body styled to avoid the danger of rain dragons.
\nThe Japanese sailors of today prefer to sink to catch clams and clams, and they are also averse to large fishes and fowls.
\nLater, they were used as decorations. The body of each country is different.
\nSome are to the left, some to the right, some are large, some are small, and there are differences in respect.
\nThe distance to the east of Dongji in Haeguei should be the best place to start. \u301c(Wei Zhi Wan Dian)<\/p>\n

Is this a custom of the Kaijin tribe, or is it a punishment for criminals?
\nAccording to the descriptions in Kiki and other sources, it seems that the ruling class did not have such customs after that time.
\nOn the contrary, it seems that there existed in the basic sense of the archipelago people a mentality that tolerated expressions such as those in the photos and illustrations above.
\nI think there existed a mentality that tolerated such expressions as the above photos and illustrations in the basic sense of the archipelago people.
\nThe Yayoi and Jomon cultures coexisted, and this kind of
\nThe Yayoi and Jomon cultures coexisted, and the influence of their culture on the kitschy expressions of the Yayoi and Jomon was strong.
\nThis kind of expressive power shows the nature of “maritime peoples.
\nThis kind of expressive power shows the nature of a “maritime people,” and the affinity with the peoples of North America, South America, and Southeast Asia in the Pacific Rim.
\nA spirituality that is never easily tainted by continental cultural uniformity.
\nThe Jomon people seem to have a spirituality that is not easily imbued with continental uniformity, which is close to the basic “cultural motivation” of the Japanese people.
\nThe same spirituality is evident in Jomon earthenware and clay figurines.
\nThe “Birds, beasts, and caricatures” expressed in Buddhist temple auspicious scrolls of later periods, as well as the “Manga culture” flourishing in modern times, are also clear examples of this spirituality.
\nThe Japanese culture has been handed down from generation to generation, even to the manga culture that is flourishing in the modern age.
\nIf Japanese culture is to gain global commonality, the greatest cultural asset of Japanese culture must be the manga civilization.
\nI personally believe that the greatest cultural asset of Japanese culture will be the manga civilization.
\nJapan stands out in its ability to express itself intuitively and visually.
\nThe Jomon and Yayoi people’s ability to express themselves in this way gives me a strong sense of power.<\/p>\n

This is the snow in front of our house this morning.
\nI don’t feel the full-blown snowfall yet, but there is a good amount of snow.
\nPeople from the north feel a sense of calmness at the sight of snow that they have not seen in a long time.
\nThe power of the snow is such that all emotions seem to stop there for a moment.
\nThis sense of “accepting the season without hesitation” is like a “baptismal” ceremony.
\nBusy days are coming, but we have no choice but to accept it quietly.<\/p>\n","protected":false},"excerpt":{"rendered":"

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