{"id":38730,"date":"2022-11-19T06:23:45","date_gmt":"2022-11-18T21:23:45","guid":{"rendered":"http:\/\/kochihen.replan.ne.jp\/?p=38730"},"modified":"2022-11-22T22:20:43","modified_gmt":"2022-11-22T13:20:43","slug":"%e3%80%90%e5%9c%9f%e5%99%a8%e3%83%bb%e5%9c%9f%e5%81%b6%e3%81%ae%e5%8e%9f%e6%97%a5%e6%9c%ac%e7%9a%84%e6%84%9f%e6%80%a7-%e6%97%a5%e6%9c%ac%e5%88%97%e5%b3%b637000%e5%b9%b4%e5%8f%b2-19%e3%80%91","status":"publish","type":"post","link":"http:\/\/kochihen.replan.ne.jp\/?p=38730","title":{"rendered":"\u3010\u571f\u5668\u30fb\u571f\u5076\u306e\u539f\u65e5\u672c\u7684\u611f\u6027 \u65e5\u672c\u5217\u5cf637,000\u5e74\u53f2-19\u3011"},"content":{"rendered":"

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English version\u2b07<\/p>\n

The Original Japanese Sensibility of Earthenware and Clay Figures: The 37,000-Year History of the Japanese Archipelago – 19
\nThe thematic universality of the female body bearing a child as an expression of the emergence period of Mura-integrated rituals. The missing link between clay figurines and the myth of Amaterasu. The Missing Link between Clay Figure and the Myth of Amaterasu.<\/p>\n

Earthenware was the first culture to be created when the Jomon period began in the Japanese archipelago.
\nThese were the first tools developed as “containers” for storing hard fruits and other foodstuffs.
\nThese were probably the first tools to be developed.
\nClay, which is ubiquitous in the soil of the archipelago, was moistened to form strips of clay, which were then piled on top of each other to form the vessel.
\nThe clay, which is ubiquitous in the soil of the archipelago, was piled on top of each other to form the vessel.
\nUnique shapes of earthenware are said to have been excavated in each region of the archipelago.
\nIn the budding historical period, distinctive earthenware from all regions of Japan was excavated from the Sumamukai site in the Nara Basin, but it is not clear whether the earthenware was made by a group of people from all regions of Japan.
\nIt is thought that they are probably remnants of the products of the people who gathered from various regions of the country and brought with them products from each region.
\nThe pottery is thought to be the remnants of trade between people from different regions of Japan who brought products from their respective regions. (This will be discussed in a series of articles.)
\nIt is likely that unique earthenware was made to match the soil composition and products of each region of the archipelago, which varied slightly from region to region.
\nThe unique earthenware was probably made in accordance with the slightly changing soil composition and products of each region of the archipelago.
\nThe techniques used to make clay figurines gradually became the foundation for the creation of clay figurines expressing spirituality.
\nThe Jomon people’s sensitivities, prayers, and wishes were expressed in these clay figurines.
\nThe Jomon people’s sensitivities, prayers, and wishes must have been expressed in these clay figurines.
\nTaro Okamoto, a well-known radical artist, was strongly influenced by these clay figurines.
\nIn Yayoi society, such symbols of prayer were transformed into haniwa (clay figurines) that decorated the tombs and their surroundings.
\nHaniwa clay figurines are very “plain” in their expression.
\nHaniwa are very “plain”, whereas Dogu (clay figurines) are very rugged, spellbinding, and symbolic in a deformed way.
\nTaro Okamoto’s intuition may have led him to see in them a proto-Japanese mentality.
\nSince my youth, I have been in the mood to agree with this view.<\/p>\n

Since this kind of “symbolic expression” is said to express a part of ritual politics, it is not surprising that the Jomon settlements have evolved.
\nI think that even in the stage of evolution of Jomon settlement, they were magical\/religious objects.
\nThe tombs of the powerful and haniwa clay figurines have a strong political expression that was replaced by the introduction of Buddhism later.
\nIt is highly likely that clay figurines of the Jomon period were also used for ritual politics in each region.
\nThere is no doubt that clay figurines of the Jomon period were objects expressing spirituality, symbolism, and rituals.
\nThe impression becomes more convincing when we consider that the clay material in the shape of a band was used to express facial expressions.
\nIn this way, do clay figurines contain the Japanese divinity of 8,000,000?
\nThe expression is very indigenous, as if it was created from the ground.
\nThe most common themes of expression for clay figurines are the reproduction of human beings, the motherhood of giving birth to a child, and the mother’s love for her child.
\nThe most common theme of clay figurines is the reproduction of human beings, motherhood giving birth to a child, and the deformed form of the mother’s body.
\nClay figurines express emotions more akin to prayer than to ritual.
\nThe clay figurines with the image of a pregnant female body may have continued to be made as an expression of feelings similar to prayer, rather than as a form of ritual.
\nWhen people introduced rituals as a tool for group cohesion
\nWhen people introduced ritual as a tool for group cohesion, did they adopt motherhood and motherhood as a symbol or theme that all members of the group could agree on?
\nPerhaps it is the idea that “in the primitive times, women were the sun.
\nIs this a similarity to the fact that Amaterasu, the ancestral goddess of Japanese folklore, is a female deity?
\nThis is a deep missing link between the clay figurines and Amaterasu.
\nIn later times, when the concept of nationhood spread in the Yayoi period
\nAmaterasu may have used this indigenous concept to become a female deity.
\nI am now gradually leaning toward this viewpoint.<\/p>\n","protected":false},"excerpt":{"rendered":"

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