{"id":38595,"date":"2022-11-04T06:27:02","date_gmt":"2022-11-03T21:27:02","guid":{"rendered":"http:\/\/kochihen.replan.ne.jp\/?p=38595"},"modified":"2022-11-04T18:32:01","modified_gmt":"2022-11-04T09:32:01","slug":"%e3%80%90ai%e3%81%a8%e5%af%be%e8%a9%b1%e3%81%97%e3%81%aa%e3%81%8c%e3%82%89%e6%8e%a2%e3%81%99%e3%80%8c%e8%87%aa%e5%88%86%e3%81%ae%e5%a5%bd%e3%81%8d%e3%81%aa%e7%a9%ba%e9%96%93%e3%80%8d%e3%80%91","status":"publish","type":"post","link":"http:\/\/kochihen.replan.ne.jp\/?p=38595","title":{"rendered":"\u3010AI\u3068\u5bfe\u8a71\u3057\u306a\u304c\u3089\u63a2\u3059\u300c\u81ea\u5206\u306e\u597d\u304d\u306a\u7a7a\u9593\u300d\u3011"},"content":{"rendered":"

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English version\u2b07<\/p>\n

Searching for “my favorite space” while interacting with AI
\nA sense of confronting one’s natural preferences and the substance of one’s sensitivity to space. The AI’s suggestions clearly indicate the trigger for “dialogue”. \u30fb\u30fb\u30fb\u30fb\u30fb\u30fb\u30fb.<\/p>\n

The three photos are scenes from the new business development process we are currently working on.
\nI have selected a certain number of photos from the database of our photo library stock.
\nI myself became an experimental model in this project to explore “a person’s preferred living space”.
\nThe user selects a “favorable” photo from a large number of photos, and then the AI selects a “favorable” photo from a large number of photos.
\nThe AI then reads the photos for “trends and countermeasures” in various ways, and makes a “suggestion” as a “suggestion” to the user.
\nand then make a “suggestion” as “You must like this kind of space, right? as a “suggestion.
\nThe photos are excerpts from an experiment in which the AI reads various “trends and countermeasures” and returns a “suggestion” in the form of a question, “I bet you like this kind of space.<\/p>\n

There are various methods of photographing houses.
\nI take pictures as a result of a particular “solution” from among the various methods.
\nIn the more than 30 years of running a housing magazine, and with the involvement of a large number of staff members, we have been able to create a kind of “collective knowledge” of housing photography.
\nThis kind of “collective knowledge” has been accumulated and has led to a “language for expressing space.
\nYes, there is a part where a kind of method of expression has become a language.
\nHowever, the “thoughts” of the creator and the requester are reflected in the house to be expressed.
\nPeople who have experienced and sensed the thoughts at the manufacturing stage meet each other once in a lifetime.
\nIt is difficult to calculate what should be done in advance.
\nEverything is photographed as it is, with that as the basic premise.
\nAt such a moment, the photographer captures the “atmosphere” in each and every photograph.
\nThe result of this process is the accumulation of many photographs of houses.
\nI myself have been present at many housing photo shoots, and I have seen and experienced the client’s thoughts and feelings about their homes.
\nI have also been present at the sites of many actual housing projects, and have been able to interview the client’s thoughts about the house and the architect’s architectural intentions.
\nI then confronted the actual houses and expressed myself from several angles.
\nFor the first time, we attempted a full-fledged AI analysis of these residential photographs.<\/p>\n

As a result of this analysis, AI sent us suggestions for “my favorite spatial photos.
\nThe AI suggested 10 photos, all of which “appealed to my heart.
\nAI for analyzing such an “emotional” area is a very useful tool.
\nIn a sense, AI for analyzing such “emotional” areas visualizes the subconscious part of the mind that even we ourselves are not really aware of.
\nRepeatedly sorting through various photographic images to determine “like” or “not like.
\nI can come to a certain proposal judgment.
\nThis group of three photos is part of the selection of 10 photos.
\nSince this is only a spatial “analysis” language system, there are things that cannot be fully coterminous.
\nHowever, there is a “sense of satisfaction” in myself as the recipient.
\nThis is the first time I have faced myself after more than 30 years of working for a housing magazine.
\nThe reasons for the selection of these photos can be expressed in a variety of ways.
\nThe shading, the atmosphere, the sense of comfort, family relationships, and so on.
\nI am excited to be working on this project.<\/p>\n","protected":false},"excerpt":{"rendered":"

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