{"id":38196,"date":"2022-09-25T05:44:47","date_gmt":"2022-09-24T20:44:47","guid":{"rendered":"http:\/\/kochihen.replan.ne.jp\/?p=38196"},"modified":"2022-09-26T20:45:04","modified_gmt":"2022-09-26T11:45:04","slug":"%e3%80%90%e7%94%a8%e3%81%ab%e5%bf%a0%e5%ae%9f%e3%81%aa%e8%b6%85%e3%80%8c%e6%b0%91%e8%97%9d%e3%80%8d%e5%bb%ba%e7%af%89-%e6%9d%b1%e6%97%ad%e5%b7%9d%e3%81%ae%e9%a4%8a%e8%9a%95%e6%b0%91%e5%ae%b6-8","status":"publish","type":"post","link":"http:\/\/kochihen.replan.ne.jp\/?p=38196","title":{"rendered":"\u3010\u7528\u306b\u5fe0\u5b9f\u306a\u8d85\u300c\u6c11\u85dd\u300d\u5efa\u7bc9 \u6771\u65ed\u5ddd\u306e\u990a\u8695\u6c11\u5bb6-8\u3011"},"content":{"rendered":"

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\n\"\"<\/a>
\n\"\"<\/a>
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\n\u305d\u306e\u5f8c\u306e\u5317\u6d77\u9053\u4f4f\u5b85\u5efa\u7bc9\u304c\u672c\u5dde\u4ee5\u5357\u5730\u57df\u306e\u65e2\u5b58\u5e38\u8b58\u3092\u6253\u7834\u3057\u3066\u3044\u304f
\n\u958b\u62d3\u521d\u671f\u306e\u5954\u653e\u306a\u9769\u65b0\u6027\u3092\u767a\u63ee\u3057\u3066\u3044\u308b\u3068\u601d\u3044\u307e\u3059\u3002<\/p>\n

English version\u2b07<\/p>\n

Mingei” architecture that is faithful to its original purpose: A silkworm-raising house in Higashi Asahikawa.
\nThe minka is the ultimate form in the realization of the essence of folk art, the “use” of human life. The housing innovations of modern Hokkaido are realizing transcendent “use”. ……<\/p>\n

In Hokkaido, this type of minka architecture is mainly found along the western coastline of the Sea of Japan, where many fishermen’s houses are still standing.
\nIn Hokkaido, there are many minka buildings that were built to meet the needs of the industry, mainly along the Sea of Japan and the western coast.
\nBoth of these structures are strongly influenced by the needs of the industry, and
\nThe architecture of the minka is strongly “architecture for use”.
\nThey have a strong sense of unity with their occupations, something that modern houses are losing.
\nThe reason why modern people feel a strong nostalgia for old private homes is that they have a strong sense of “livelihood.
\nI believe that this “sense of occupation” is a major factor in the strong nostalgic appeal of old private homes to modern people.
\nThe architectural origins and norms that come from the use of the house are obvious, and the sense of “human activity” is strong in them.
\nand the sense of “human activity” is strongly felt.
\nand the empathy for the breath of our predecessors that is transmitted far and wide is great.
\nI think this kind of feeling is a part of “folk art,” but the concept is not always clear.
\nHowever, as a folk art movement that does not necessarily have a clear conceptual framework, it is difficult to define the concept of “mingei”.
\nI think that the concept of old private house architecture is still ambiguous.
\nThe Kurashiki Ohara family as a major sponsor is more important than the conceptual power of Muneyoshi Yanagi, the founder of the Mingei movement.
\nI believe that the Kurashiki Ohara family, as the major sponsor, has a greater appreciation for the spatiality of the minka than Muneyoshi Yanagi, the founder of the minka movement.
\nThis is my feeling after having actually experienced such residential architecture.
\nAs for “folk tools” for daily use, Muneyoshi Yanagi and others
\nAfter his death, the scope of the concept became unclear.
\nAfter his death, the scope of the concept became unclear.
\nMingei may have been sublimated, so to speak, by the strong support for “kominke” (old private houses) as a more natural form of mingei.
\nIn the end, as the ultimate “use” of human activity, the minka itself
\nIn the end, the old private house itself may have become an even larger “cultural” field as the ultimate “use” of human activity.
\nFurthermore, in my personal opinion, the housing innovations created in Hokkaido
\ntranscendental “folk art movement” for the culture of modern life.
\nAlthough similar in origin to fulfill the fundamental “needs” of people’s lives, the “innovativeness” of Hokkaido’s housing is a transcendent “Mingei” movement for contemporary life culture.
\nIn terms of substantive “innovation,” it is creating a cultural quality that goes far beyond.
\nI feel a sense of disappointment in the current Mingei movement that still does not recognize the evolution of housing in Hokkaido.<\/p>\n

This sericultural house left behind in Asahikawa conveys the spirit of the settlers in 1905 who desperately faced the frontier.
\nThe spirit of the immigrants in 1905 is vividly conveyed in this house.
\nWhile the general Japanese-style architecture does not seem to be oriented toward high stories, this house is a very large and frankly high house for the specific purpose of sericultural purposes.
\nIt is obvious that the building is frankly pursuing a high and large space for the specific spatial purpose of sericulture.
\nThe upper part of the second floor wall is open to the roof.
\nThe upper part of the wall on the second floor opens up to the roof, creating a large space.
\nThe fittings in the room are stacked up and down for the second floor against the stairwell.
\nThe interior fittings are stacked two stories above and below the stairwell, creating a huge spatiality rarely seen in ordinary old houses.
\nIt is like a balloon frame in the pioneer American West.
\nThe large-space orientation and the cold climate of the region
\nThe building itself has a strong power to transmit information.
\nThe very existence of architecture itself has a strong ability to transmit information.
\nEven in modern housing, where vaulted ceilings have become commonplace, the vertical stacking of partition fittings is a very unique feature that is rarely seen in modern housing.
\nThis is a very unique interior space that is rarely seen.
\nThis is a unique Japanese-style building with a full-length stairwell, which is very much in keeping with the purpose of sericulture.
\nHokkaido’s subsequent residential architecture broke away from the conventional wisdom of the region south of Honshu.
\nThe building demonstrates the unrestrained innovation of the early pioneering period.<\/p>\n","protected":false},"excerpt":{"rendered":"

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