{"id":37857,"date":"2022-08-31T05:05:34","date_gmt":"2022-08-30T20:05:34","guid":{"rendered":"http:\/\/kochihen.replan.ne.jp\/?p=37857"},"modified":"2022-08-31T18:34:30","modified_gmt":"2022-08-31T09:34:30","slug":"%e3%80%90%e6%9d%b1%e4%ba%ac%e3%81%ae%e8%87%aa%e7%84%b6%e3%82%92%e6%98%a0%e3%81%99%e6%b0%b4%e7%9b%a4%e3%83%87%e3%82%b6%e3%82%a4%e3%83%b3-%e7%94%ba%e7%94%b0%e3%80%8c%e6%b5%ae%e8%bc%aa%e5%af%ae%e3%80%8d","status":"publish","type":"post","link":"http:\/\/kochihen.replan.ne.jp\/?p=37857","title":{"rendered":"\u3010\u6771\u4eac\u306e\u81ea\u7136\u3092\u6620\u3059\u6c34\u76e4\u30c7\u30b6\u30a4\u30f3 \u753a\u7530\u300c\u6d6e\u8f2a\u5bee\u300d\u63a2\u8a2a-3\u3011"},"content":{"rendered":"

\"\"<\/a>
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\n\"\"<\/a>
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English version\u2b07<\/p>\n

Water table design reflecting the nature of Tokyo Exploring Machida, Tokyo “Ukirinryo” – 3
\nThe miraculous location of the satoyama-like environment that still remains. The free space design using the remaining old private house as the painting material. The design of the space was free, using the remaining old private house as the painting material.<\/p>\n

Mr. Marutani had told me that “we are going to build a pond” at this floating dormitory.
\nIt was right around the time I was covering the “garden pond” at Asuka Palace.
\nI thought that was the kind of image I had in mind, but when I saw it
\nAs you can see, it turned out to be a surface pond with a reduced depth.
\nIt was a waterbed or a mirror pond, if you will.
\nIt is a device rarely seen as an architectural technique in Hokkaido.
\nThere is a work by Tadao Ando called “Water Church” in Tomamu.
\nIt is known to be transformed into an “ice church” for about a month in winter.
\nBut even so, it goes without saying that it depends on the weather.
\nIt is probably an architecture that was miraculously accepted for its unique use as a wedding hall.
\nIt is obvious that the water basin is a cooling device for visual and practical effects.
\nEspecially in this satoyama-like environment of Machida
\nThe visual effect of echoing the beautiful greenery in the surrounding area seems to be extremely high.
\nHokkaido’s climate and Tokyo’s urbanization pressure are both miraculous.
\nThe water table has not yet appeared.
\nThe concrete surface has just been poured.
\nHowever, the flatness of this bottom surface easily shows its effectiveness.
\nTo make it even more effective, wood objects are also placed for balance.
\nThis is supposed to function like the stepping stones in the Ryoanji stone garden.
\nTrees that are thought to have grown wild are incorporated directly into the water basin.
\nThis water basin is placed relative to the main seating area and veranda of Ukirinryo, so that it is possible to enjoy the seasonal sky and plants.
\nIt will continue to reflect the sky and plants in each of the four seasons.
\nAfter the water basin is completed, we are eagerly awaiting to experience the spectacle.<\/p>\n

Above is the layout\/floor plan, but the area colored in light blue is the water table location.
\nConsidering the correlation with the buildings together, the imagination of “how it would look like” will grow.
\nOr, rather, with this kind of natural environment as a stage for expression
\nI enjoy the way the space is freely and generously transformed into a canvas.<\/p>\n

The architectural setting of Hokkaido is rich in nature.
\nThe charm of the four seasons is expressed with overwhelming power, but in an artificial urban space like Tokyo
\nIn an artificial urban space like Tokyo, this kind of natural environment is hard to find.
\nAs a designer who has always been sensitive to the human environment
\nI think it is a place that stimulates my desire to create space.
\nThe miracle of a natural environment where you can get lost in spite of being in Tokyo.
\nIt is also a chance encounter with the nature of a warm climate.
\nThe people of Hokkaido today have a spatial visual experience of “feeling nature” outside of public spaces such as the Imperial Palace and parks in Tokyo.
\nIt is difficult for people in Hokkaido to have a spatial visual experience of “feeling nature” outside of public spaces such as the Imperial Palace and parks in Tokyo.
\nI was strongly impressed by the idea of the water basin.
\nI was strongly impressed by the idea of using a water table, but at the moment, it is still a concrete surface and lumber scattered around the area.
\nHowever, at the moment, the concrete surface and lumber are still scattered. I will try to destroy it aesthetically (laugh).<\/p>\n","protected":false},"excerpt":{"rendered":"

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