{"id":37518,"date":"2022-08-01T06:00:59","date_gmt":"2022-07-31T21:00:59","guid":{"rendered":"http:\/\/kochihen.replan.ne.jp\/?p=37518"},"modified":"2022-08-03T09:52:10","modified_gmt":"2022-08-03T00:52:10","slug":"%e3%80%90%e6%97%a5%e6%9c%ac%e4%ba%ba%e3%81%ae%e7%b4%8d%e6%b6%bc%e7%be%8e%e6%84%9f%e3%80%8c%e6%b2%b3%e9%a2%a8%e3%80%8d%e5%b0%8f%e6%9e%97%e5%8f%a4%e5%be%84%e3%80%91","status":"publish","type":"post","link":"http:\/\/kochihen.replan.ne.jp\/?p=37518","title":{"rendered":"\u3010\u65e5\u672c\u4eba\u306e\u7d0d\u6dbc\u7f8e\u611f\u300c\u6cb3\u98a8\u300d\u5c0f\u6797\u53e4\u5f84\u3011"},"content":{"rendered":"

\"\"<\/a>
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\n\"\"<\/a>
\n\"\"<\/a>
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English version\u2b07<\/p>\n

Japanese people’s sense of coolness and beauty “KAWAKAZE” by KOBAYASHI Kokei.
\nA girl sits on a porch with a fan in her hand, dipping her toes in the water to cool off, reminiscent of the beauty paintings of Hishikawa Shisen and Utamaro. The eroticism inherited by the people of Japan. …<\/p>\n

Yesterday was one purpose of this event. Attending a long lecture event.
\nIn the morning, when I had free time, I visited art museums. After all, there is such a thing as a simple desire for beauty.
\nThese feelings are irresistible to me, Suki.<\/p>\n

I am a regular visitor to the Yamatane Museum of Art in Hiroo, which is probably the most representative collection of Japanese-style paintings.
\nIt is probably the leading museum in Japan in terms of its collection of Japanese-style paintings.
\nThe theme of this year’s exhibition is “The Shape of Water.
\n-From “Battle of Genpei” to “Waterfall” by Hiroshi Senju, the theme of this year’s exhibition is “Forms of Water.
\nFeature Exhibit: The World of Genpei as Depicted in Japanese Paintings
\nEach of the exhibits is overwhelmingly appealing and a true delight.
\nHiroshi Senju is a Japanese painter who is active overseas.
\nHis work “Waterfall” is the best example of his exploration of Japanese aesthetics in real time.
\nHis work titled “Waterfall” was the most prominent work on display.
\nIt is a black and white monochrome work.
\nThe “behind-the-scenes” exhibit included a color version of the same work, which was very interesting to see.
\nThere was also a very large painting of the Genpei wars, which drew visitors in.
\nIt was truly a strong reminder of the continuity of the Japanese sense of beauty.
\nPersonally, I was impressed by Okumura Togyu’s “Naruto” work depicting the whirlpools and the contrasting
\nThe power of Takeshi Ishida’s “Naruto Straits” contrasted with Togyu Okumura’s “Naruto” work depicting the whirlpools made me forget the time.<\/p>\n

Among the exhibited works, there is one work that is free to be photographed.
\nAmong such exhibits, one of the specialties of this museum is that there is one work that is “free to photograph”.
\nThis time it was “Kawakaze” by Kobayashi Kokei.
\nOn the museum’s Facebook page
\nA girl sits on a porch with a fan in her hand, dipping her toes in the water to cool off.
\nThe hairstyle and the way she is dressed are reminiscent of the paintings of beautiful women by artists such as Hishikawa Shisenobu and Kitagawa Utamaro.
\nIt was introduced to me by a tableware maker and was in the collection of Okumura Togyu.” The introduction of “Okumura Togyu,” a young and very popular artist.
\nThe work is a pin-up of the beauty of a young Japanese woman in a very folksy manner.
\nEspecially, the left foot is slightly out of the water.
\nThe kimono is a simple pattern, and the image is reversed.
\nThe kimono’s subdued pattern contrasts strongly with the sense of “bare skin.
\nThe expression of the water flowing beneath her feet is a kind of surprise.
\nThe expression of the water flowing under the feet is also a kind of surprise.
\nAbove all, the expression on the woman’s face is the very essence of traditional ethnic beauty.
\nJapanese people are overwhelmingly healed by this kind of transparency.<\/p>\n

On the other hand, a stark contrast was the “World of the NPM” exhibition at the Tokyo National Museum
\nThe photo shows the entrance area on the second floor of the Heiseikan, the venue for the exhibition.
\nThe photo shows the entrance area on the second floor of the Heiseikan, where the exhibition was held.
\nIt was so deserted that it was hard to believe that it was a holiday.
\nThe ticket window was usually staffed with a precautionary warning that the exhibition was a computer-generated image display, and that there were almost no actual items on display.
\nThe staff was so busy that it was hard to believe that it was a holiday.
\nI was very impressed with the exhibition.<\/p>\n","protected":false},"excerpt":{"rendered":"

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