{"id":37199,"date":"2022-06-27T06:24:30","date_gmt":"2022-06-26T21:24:30","guid":{"rendered":"http:\/\/kochihen.replan.ne.jp\/?p=37199"},"modified":"2022-06-28T18:49:21","modified_gmt":"2022-06-28T09:49:21","slug":"%e3%80%90%e6%ad%8c%e5%9e%a3%e3%81%a8%e8%8a%b8%e8%83%bd%e3%83%bb%e7%94%b7%e5%a5%b3%e6%81%8b%e6%84%9b%e6%96%87%e5%8c%96-%e9%a3%9b%e9%b3%a5%e6%ad%b4%e5%8f%b2%e8%a8%bc%e8%a8%80-7%e3%80%91","status":"publish","type":"post","link":"http:\/\/kochihen.replan.ne.jp\/?p=37199","title":{"rendered":"\u3010\u6b4c\u57a3\u3068\u82b8\u80fd\u30fb\u7537\u5973\u604b\u611b\u6587\u5316 \u98db\u9ce5\u6b74\u53f2\u8a3c\u8a00-7\u3011"},"content":{"rendered":"

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English version\u2b07<\/p>\n

[Utagaki and Performing Arts, Male-Female Love Culture Asuka Historical Testimony-7
\n\u25ce\u25ce-chan wanting “Hanaichimonme” collective hearing and confession. This is a human culture that is all about the survival of offspring. The origin of the entertainment that accompanies it. …<\/p>\n

Utagaki is a place where men and women meet based on human nature and the instinct to preserve the species.
\nNaturally, it is a place where universal human patterns are expressed.
\nThroughout our long history, human beings have created opportunities for encounters as part of their culture.
\nThe Manyoshu is said to have been founded on the basis of such “song” culture.
\nSongs were originally meant to be sung aloud and accompanied by a verse.
\nThe form of “aibun” has the element of primitive confession.
\nIn “Hanaichimonme,” the confession, “I want \u25ce\u25cechan,” is sung to the rhythm of the group’s musical accompaniment.
\nIn the rhythm of the group’s musical accompaniment and the cheering of their voices
\nThe formal culture of the song is to express one’s feelings honestly and without hesitation.
\nEven people who normally cannot express their feelings honestly
\nIn such a formality, people who normally cannot express their feelings honestly are able to do so naturally.
\nIn this way, the song is a formality that allows people who normally cannot express their feelings honestly to do so.
\nI think this is a unique wisdom of human society to maintain the prosperity of offspring.
\nWhen you say it out loud, the expression on the other person’s face comes into focus, and you can see that he or she is not surprised.
\n“Oh, so they’re not satisfied, huh? (laughs).
\nThe playing of various musical instruments can also be said to create such an atmosphere.
\nThe basis of the poetry of the Manyoshu is the culture of “s\u014dmon,” or “hearing and hearing again.
\nIn the Japanese communicative form, the rhythm of the five-seven-five syllable form was naturally normative.
\nThe rhythm of the five-seven-five syllables is a natural norm in the Japanese communication system, but even before it was written down, it was still used to create a certain atmosphere.
\nEven before the Japanese language was written, this sense of rhyme and rhythm must have been important.
\nIt must have had a strong appeal deep in the psyche of the Japanese people.
\nThe Japanese have long been neighboring societies.
\nIn Shihbaoshan, Yunnan Province, China, there are still songagaki, a traditional form of seeking a marriage partner.
\nMen and women exchange passionate impromptu songs for several hours.
\nThe Tong people of Guizhou Province, China, use a riddle-like singing contest to determine the personality and knowledge of the other person.
\nThe Tong people of Guizhou Province, China, have a tradition of singing songs that at first resemble riddles to determine the personality and knowledge of the other person.
\nWhen the person they are interested in is decided, they sing a song of oath.<\/p>\n

It is said that the “performing arts” originated at these “utagaki” gatherings.
\nUtagaki became the prototype of the “city” as a place for human interaction.
\nAs the performing arts developed, they diversified and became more sophisticated, giving rise to specialized “entertainers” with advanced skills and techniques.
\nThe development of the performing arts also gave birth to specialized “entertainers” with sophisticated and advanced skills.
\nIn the poetry preserved in the Manyoshu (Anthology of Myriad Leaves), scroll 16, there is a song about the “Deer Dance” as a Shinto ritual art, as well as a song that describes the appearance of crabs and deer.
\nIn addition to the ancient performing arts of the Japanese archipelago, there are also songs about the celebration of festivals accompanied by gestures that imitate crabs and deer.
\nIn addition to the ancient performing arts of the societies of the Japanese archipelago, the performing arts of the peninsula and the continent were also handed down.
\nThe third photo shows a performance of the “Gigaku” from the Wu Dynasty in China, which is said to have been performed at the opening ceremony of the Great Buddha in Nara.
\nThis exhibit at the Manyo Culture Museum shows “Gigaku” from the Chinese province of Wu.
\nThe reality of the Asuka and Manyo periods of human social culture as entertainment.
\nIn Japan, the “city formation” progressed in earnest from Asuka to Nara.
\nThe “city formation” progressed in earnest from Asuka to Nara.
\nThis is a very Japanese Mahoroba. …<\/p>\n","protected":false},"excerpt":{"rendered":"

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