{"id":36937,"date":"2022-05-27T05:35:12","date_gmt":"2022-05-26T20:35:12","guid":{"rendered":"http:\/\/kochihen.replan.ne.jp\/?p=36937"},"modified":"2022-05-27T18:27:02","modified_gmt":"2022-05-27T09:27:02","slug":"%e3%80%90%e3%83%87%e3%82%b6%e3%82%a4%e3%83%b3%e3%81%ae%e7%9b%b8%e9%81%95%e3%81%a8%e7%9b%ae%e7%9a%84%e3%81%ae%e5%90%8c%e4%b8%80%e6%80%a7-%e3%83%9d%e3%83%b3%e3%83%9a%e3%82%a4%e3%83%bb%e3%83%95%e3%82%a1","status":"publish","type":"post","link":"http:\/\/kochihen.replan.ne.jp\/?p=36937","title":{"rendered":"\u3010\u30c7\u30b6\u30a4\u30f3\u306e\u76f8\u9055\u3068\u76ee\u7684\u306e\u540c\u4e00\u6027 \u30dd\u30f3\u30da\u30a4\u30fb\u30d5\u30a1\u30a6\u30cc\u30b9\u306e\u5bb6-4\u3011"},"content":{"rendered":"

\"\"<\/a>
\n\"\"<\/a>
\n\"\"<\/a>
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English version\u2b07<\/p>\n

Differences in Design and Identity of Purpose: The House of the Fauns of Pompeii-4
\nIf there is a commonality of human beings in spatial purpose, the “floor painting” in Pompeii might have been equivalent to the “tokonoma” in Japan. …<\/p>\n

I mentioned yesterday my obsession with the floor mosaics of the finest houses in Pompeii.
\nIn Japan, the “stone floor” of the basement is not rooted in the lifestyle culture, and the floor is raised to create a wooden structure to create a floor surface.
\nThe floor is raised and the wooden structure is used to create the floor surface.
\nThis may have led to the development of a preference for a floor surface with a lighter feel.
\nAlthough such customary practices are dying out in the modern age, Japanese people still have the habit of “turning back the tatami mats.
\nJapanese people have a custom called “Tatami-gaeri” (turning back the tatami mats).
\nThis may be the wisdom of daily life to remove moisture from tatami mats every season, or it may be a way of life to keep the soles of tatami mats from becoming sensitive to the skin.
\nIt may also be that the sensitivity of the skin under the soles of the feet has developed, and the delicate texture of tatami is favored by the Japanese.
\nTatami mats, with their simple design and rich tactile sensation
\nTatami flooring, with its simple design and rich tactile sensation, seems to have been deeply engraved in the Japanese sense of design.<\/p>\n

On the other hand, in the Mediterranean world of Pompeii, which can be said to be the root of the Western mind
\nOn the other hand, in the Mediterranean world of Pompeii, where the Western mind has its roots, the orientation of “floors to be seen” and “floors to be appreciated” seems to have developed.
\nThe photo above shows the floor of the “public” space of the house, named the “office.
\nIt is decorated with colored mosaics of opus sectile, which are diamond-shaped colored stones.
\nThe floor is decorated with diamond-shaped colored stones in opus sectile mosaic, similar to the sacred chambers of the temples of Apollo and Jupiter.
\nThe second photo is a close-up of the mosaic.
\nThe second photo is a close-up view of the mosaic.
\nBy setting oblique axes in the mosaic design and intentionally shifting them
\nThe mosaic design is designed to create a “three-dimensional” impression visually by intentionally shifting them.
\nThe floor design is thought to have been intended to make visitors aware of the “out-of-this-world” spatiality.
\nthe floor design is thought to have been intended to make visitors aware of the “out-of-this-world” spatiality of the building.
\nOr, by consciously creating the illusion, the opportunity to meet with the visitor itself
\nor that the opportunity to meet with the visitor itself was staged with a kind of bizarre excitement by consciously creating the illusion of a visit.
\nThe visitor is further surprised by the floor painting of “Alexander the Great” in the third photograph.
\nThe battle, which was probably told as a heroic tale of the people, was vividly depicted as “as if it were real.
\nThe “realistic photographic” depiction of the battle is awe-inspiring.
\nI imagine that a space with this kind of floor painting is a kind of sacred experience.
\nto evoke a kind of sacred experience.
\nIt seems to be the equivalent of the Japanese “tokonoma” (alcove).
\nIn the case of the Japanese, who are deeply religious toward the gods and Buddha
\nJapanese people, who were deeply religious toward the gods and Buddha, would display calligraphy and paintings in the tokonoma to express the supremacy of their spiritual world.
\nas an opportunity to communicate with visitors.
\nThe people of Pohnpei may have considered such a space with floor paintings as the ultimate place of hospitality.
\nThe use of even visual illusions to make people look at the paintings led directly to the achievement of the goal of hospitality.<\/p>\n

The way of thinking of human beings is almost the same in a time difference of about 2,200 years.
\nI think it is possible to imagine that both Japanese and Westerners have gone through this kind of evolutionary process of spatial awareness.
\nI was thinking about this when I visited Finland next week.
\nWhile I was thinking about this, next week I will have an opportunity to communicate with Finnish architectural administrators via the web (smile).
\nI was thinking about this, and next week I will have a chance to communicate with Finnish architectural administrators on the web (laugh). I would be happy if it would help us to understand each other’s spatial perception.
\nI would be happy if it would help mutual understanding.<\/p>\n","protected":false},"excerpt":{"rendered":"

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