{"id":36925,"date":"2022-05-26T05:46:39","date_gmt":"2022-05-25T20:46:39","guid":{"rendered":"http:\/\/kochihen.replan.ne.jp\/?p=36925"},"modified":"2022-05-26T20:25:38","modified_gmt":"2022-05-26T11:25:38","slug":"%e3%80%90%e5%ba%8a%e9%9d%a2%e3%83%a2%e3%82%b6%e3%82%a4%e3%82%af%e8%a3%85%e9%a3%be%e3%80%8c%e8%8a%b8%e8%a1%93%e3%80%8d-%e3%83%9d%e3%83%b3%e3%83%9a%e3%82%a4%e3%83%bb%e3%83%95%e3%82%a1%e3%82%a6%e3%83%8c","status":"publish","type":"post","link":"http:\/\/kochihen.replan.ne.jp\/?p=36925","title":{"rendered":"\u3010\u5e8a\u9762\u30e2\u30b6\u30a4\u30af\u88c5\u98fe\u300c\u82b8\u8853\u300d \u30dd\u30f3\u30da\u30a4\u30fb\u30d5\u30a1\u30a6\u30cc\u30b9\u306e\u5bb6-3\u3011"},"content":{"rendered":"

\"\"<\/a>
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\n\"\"<\/a>
\n\"\"<\/a>
\n\"\"<\/a>
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\n\u65e5\u672c\u793e\u4f1a\u306e\u65b9\u304c\u306f\u308b\u304b\u306b\u300c\u5e73\u7b49\u300d\u3060\u3068\u611f\u3058\u308b\u306e\u306f\u308f\u305f\u3057\u3060\u3051\u3060\u308d\u3046\u304b\u3002<\/p>\n

English version\u2b07<\/p>\n

Floor mosaic decoration “Art” House of Pompei Faunus-3
\nThe sense to the floor surface which is different from the culture of wooden board and tatami matting. The cultural consciousness of life that composes the floor surface with the highest quality art works. The astonishing huge disparity society. …<\/p>\n

It is a large mansion with a total area of 900 tsubo, but it was built 2,200 years ago.
\nHowever, it is a mansion of the highest class in a society with a huge level of inequality.
\nThe “way of life and sense of value” of people in such a society
\nThe remaining architecture gives us a much clearer picture of the way of life and sense of value of the people of such a society.
\nA scale of value completely different from that of today emerges from these residences.<\/p>\n

From a modern Japanese point of view, it is difficult to share the psychology of having excessive decorativeness on the floor surface.
\nIt is difficult for modern Japanese to share this sentiment.
\nIn the hot and humid climate of Japan, floor surfaces are “raised” from the ground and
\nThey have a strong tendency to “raise” the floor surface from the ground and allow it to “ventilate” into the space under the floor to remove humidity.
\nThis is why the custom of taking off one’s footwear and “coming up” to the house has taken root.
\nThe floor surface is an object that is perceived by the soles of the feet, the bare skin.
\nTatami mats, as the highest quality floor surface, have nurtured a unique living culture.
\nToday, tatami is mixed with wooden flooring and has become the mainstream flooring culture.
\nTatami is the base of Japanese flooring, regardless of class.
\nIn any case, the sense of boundedness from the earthen floor to the floor of the house is the sense of the floor surface of the house.
\nIn this respect, there is a difference from other Eastern cultures.
\nThis is what differentiates it from other Eastern cultures and separates it from Western cultures, where it is not customary to take off one’s shoes even inside the house.
\nIn this luxury house at the Pompeii site, even in what appears to be an interior space, the floor is basically a flat stone surface.
\nThe floor surface seems to be based on a flat stone surface.
\nNaturally, people must have lived their daily lives with their shoes on.
\nIn addition to such a difference, the floor surface is also considered as a campus.
\nThe above photo is a mosaic of “Alexandros the Great” and “Alexandros the Great”.
\nThe photo above is the “Alexander the Great Mosaic.
\nIt was an elegant floor mosaic in what could be considered the highest space of the house.
\nThe detailed mosaic expression, which could be mistaken for a painting, was made by a technique called “opus wellmikratum.
\nThe mosaic was made by a precise and delicate technique called opus wellmikratum. A rough sketch is made on the mortar, and then the mosaic is painted according to the sketch.
\nThe mosaic is made by drawing a rough sketch in mortar and then embedding fine cut stones (tesserae) of natural materials, each a few millimeters in size, one by one.
\nIn this work, 15 to 30 tesserae are used per square centimeter, and the total number of tesserae in the entire picture is several million.
\nThe color tones of the natural stone material are selected and used as “paint” for the painting.
\nBecause of the fineness of the expression, they were manufactured in a special workshop and fitted into the site.
\nThe modern man cannot bear to leave such a work of art on the floor, so it was placed in the National Archaeological Museum of Naples.
\nIt is said that it was housed in the National Archaeological Museum in Naples.
\nNaturally, it was displayed on the “wall” at the Tokyo National Museum’s “Pompeii Exhibition” this time.
\nIt was displayed on the wall of the Tokyo National Museum’s Pompeii Exhibition. The theme of this “painting” is also the theme of the material used for the painting.
\nAlthough various studies have been conducted on the theme of the material of this “painting”, it is not clear whether it is an ancient heroic epic from 2,200 years ago.
\nThe theme of these “paintings” has been studied in various ways, but the theme is said to be an ancient heroic epic of 2,200 years ago.
\nAnd they were used as “floor decorations”.<\/p>\n

Well, if it’s a themed decoration of other animals, etc., it’s still a good idea.
\nIt is a funny atmosphere, though, as if to say, “Oh, I stepped on it, sorry.
\nBut the mosaic compositions in this way show the historical importance of art and craftsmanship.
\nIt makes us realize the historical depth of the Italian tile culture.
\nI wonder if this kind of lifestyle culture is also compatible with carpet culture.
\nThe huge disparity in social class that would allow for the mobilization of a large number of cutting-edge craftsmen to order such works is also deeply engraved in this exhibition.
\nThe huge social class disparity that would make it possible to order such works and mobilize a large number of advanced craftsmen is also deeply engraved in this work.
\nThe ancient ruling class of Japan, who are believed to have lived in pit dwellings in the castle in Yoshinogari, is a rather huge social structure.
\nThe social structure of the Japanese society is much more “equal” than that of the Japanese people.
\nAm I the only one who feels that Japanese society is much more “equal”?<\/p>\n","protected":false},"excerpt":{"rendered":"

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