{"id":36873,"date":"2022-05-20T05:43:32","date_gmt":"2022-05-19T20:43:32","guid":{"rendered":"http:\/\/kochihen.replan.ne.jp\/?p=36873"},"modified":"2022-05-20T18:46:59","modified_gmt":"2022-05-20T09:46:59","slug":"%e3%80%90%e5%a4%a9%e5%ae%88%e9%96%a3%e3%83%87%e3%82%b6%e3%82%a4%e3%83%b3%e3%81%ae%e6%a4%9c%e8%a8%8e%e5%9b%b3%e9%9d%a2%e3%80%9c%e5%a5%88%e8%89%af%e3%83%bb%e5%92%8c%e6%ad%8c%e5%b1%b1%e6%8e%a2%e8%a8%aa-3","status":"publish","type":"post","link":"http:\/\/kochihen.replan.ne.jp\/?p=36873","title":{"rendered":"\u3010\u5929\u5b88\u95a3\u30c7\u30b6\u30a4\u30f3\u306e\u691c\u8a0e\u56f3\u9762\u301c\u5948\u826f\u30fb\u548c\u6b4c\u5c71\u63a2\u8a2a-32\u3011"},"content":{"rendered":"

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English version\u2b07<\/p>\n

The study drawing of the castle tower design – Exploration of Nara and Wakayama – 32
\nThe image of the samurai of the peaceful period, who placed the utmost importance on “visibility”. The architects wanted to solve their own anxiety through architecture, and were obsessed with the “visual symbol of domination. …….<\/p>\n

Castles were built in great numbers from the end of the Warring States period to the Edo period.
\nThe basic design of castles was based on an understanding of the characteristics of the terrain and the choice of location from a military standpoint.
\nThe basic design of a castle is based on the common sense of the military at that time.
\nI think it is possible to make a rational analysis based on the military common sense of the time.<\/p>\n

In this context, the architecture of the “Tenshu” was designed for the purpose of
\nThe purpose of the “Tenshu” architecture was to assess and observe the situation from a high place.
\nThe war at this stage was basically a battle between white soldiers and the enemy.
\nThe “tenshukaku” is an indispensable architectural element to observe the movement of the army from a high place and to make decisions on the allocation of forces to each position.
\nThe building was an indispensable architectural element for observing the movement of the army from a high vantage point and making decisions on how to deploy forces in each position.
\nOn the other hand, it was a symbol of regional control and in a sense a security device.
\nIt was a visible symbol of power and an icon of military might.
\nI am not sure when the architectural domain of “tenshu” was established, but it is generally believed to have been a symbol of the supremacy of the Warring States period.
\nGenerally speaking, it seems that the Azuchi Castle keep built by Nobunaga, the supreme ruler of the Warring States period, was a pioneer in this field.
\nThe castle was built by Nobunaga, the supreme ruler of the Warring States period, and it is believed to have been a pioneer in the field of architecture.
\nIn recent years, there is a museum in Azuchi where the castle was restored.
\nI have already introduced it in this blog.
\nThe design of the upper floors was exactly as the word “tenshu” (Lord of Heaven) implies.
\nThe basic attribute of the “Lord of Heaven” is that it is strongly conscious of “how it is seen” as a person in power.
\nThe person in power must be very conscious of how he or she is seen.
\nThose in power, in all ages and cultures, want others to strongly perceive them as being in power.
\nOn the other hand, as a natural human being, it is normal to feel insecure about why you are higher than others.
\nIt is normal for a natural person to feel anxious about why he or she is superior to others.
\nThis kind of anxiety is deeply reflected in the human act of architecture.
\nAt Wakayama Castle, I looked at the “Exterior Design Study Plan” with great interest.
\nThe Asano clan, which took over Kishu in 1600 after Toyotomi’s rule changed after the Sekigahara War, built the castle in 1600.
\nThe second and third pictures show the traces of the Asano clan’s consideration of “visibility” in order to show off their power.
\nThe three exterior designs in the second and third photos
\nThese are records of meetings between the lord Asano, his retainers, and the staff in charge of construction.<\/p>\n

The warrior class established its status as the ruling class toward the end of the Warring States period.
\nIt was fixed as a Japanese-style “feudal power.
\nIt would seem that stylization then proceeded rapidly.
\nThe major spiritual theme was “visibility.
\nIn response to the stylized events such as the “Sanjusangendo through arrow,” which I mentioned the day before yesterday, the Japanese people were ashamed and humiliated that their own records had been broken.
\nThe sensitivity to feel “humiliation” at having one’s own record broken.
\nThe mentality of being driven to “work hard” at such a silly thing.
\nA sad and anxious mindset of living in general, obsessed with “visibility.
\nI think the same factor is hidden in the mentality that is obsessed with the design of the tenshukaku.
\nHowever, it is also true that these psychological elements are strong in the DNA of the Japanese people based on their history.
\nAnd now that we have passed the milestone of 150 years since the Meiji Era and 75 years since the end of World War II, modern architecture is also shifting to a new sense of values.
\nIt may be time for modern architecture to shift to a new sense of values.<\/p>\n","protected":false},"excerpt":{"rendered":"

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