{"id":36730,"date":"2022-05-06T05:12:09","date_gmt":"2022-05-05T20:12:09","guid":{"rendered":"http:\/\/kochihen.replan.ne.jp\/?p=36730"},"modified":"2022-05-09T19:10:39","modified_gmt":"2022-05-09T10:10:39","slug":"%e3%80%90%e5%b9%b3%e5%9f%8e%e5%ae%ae%e5%a4%a7%e6%a5%b5%e6%ae%bf%e3%80%8c%e5%9b%9b%e7%a5%9e%e3%83%87%e3%82%b6%e3%82%a4%e3%83%b3%e3%80%8d%e3%80%80%e5%a5%88%e8%89%af%e3%83%bb%e5%b9%b3%e5%9f%8e%e4%ba%ac","status":"publish","type":"post","link":"http:\/\/kochihen.replan.ne.jp\/?p=36730","title":{"rendered":"\u3010\u5e73\u57ce\u5bae\u5927\u6975\u6bbf\u300c\u56db\u795e\u30c7\u30b6\u30a4\u30f3\u300d\u3000\u5948\u826f\u30fb\u5e73\u57ce\u4eac\u63a2\u7d22-20\u3011"},"content":{"rendered":"

\"\"<\/a>
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\n\"\"<\/a>
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English version\u2b07<\/p>\n

Heijo Palace Daigokuden “Four Deities and Twelve Zodiac Signs” Nara, Heijo-kyo: Searching for the Heijo-kyo Capital-20
\nA group of Japanese paintings that give a more Japanese impression of the hard authoritarianism of Chinese thought. The four gentle deities heal us (smile). …<\/p>\n

The “capital of Nara,” which I visited on a school excursion when I was a high school student, is a city of the Nara Period.
\nThe “Nara Capital” that I visited on a school excursion when I was a high school student was the area around Todaiji’s South Gate and the Daibutsuden (Great Buddha Hall), where deer gather in large groups.
\nThe area around the present-day Nara City Hall was the center of the Heijo-kyo Capital at the time of its foundation, but this area was not the center of the capital at the time of its foundation.
\nThe real center of the capital was the area of the outer capital.
\nThe true center of the capital’s functions is the Heijo-kyo Park area, which is now being restored.
\nWill the Daigoku-den and Suzakumon be one of the destinations for school excursions in the future?
\nThis type of exploratory change would be very meaningful and interesting.
\nHowever, I am not sure whether young people will accept the Todaiji Daibutsuden as “very Japanese” or not.
\nI wonder about the possibility that young people will accept the restored Heijo Palace Daigoku-den as “Japaneseness”.
\nI wonder about the possibility that young people will accept the restored Heijo Palace Daigoku-den as “Japaneseness.
\nIt is obvious that Buddhism was accepted as a universal world religion.
\nOn the other hand, Daigoku-den, an architecture based on Chinese thought, does not necessarily seem to be so.
\nSannai-Maruyama and the ancient Izumo Temple should be regarded as the first source of knowledge of Japanese architecture.
\nHistorically, it was the first time for a unified nation to take shape.
\nThe model for a national polity was based on Chinese ideology, and this was recognized as the global standard.
\nThe reality is that they recognized it as the world standard and accepted it as such.
\nWell, since we visit other architectures in Kyoto in order to gain a relative understanding, I don’t think it’s so much of a big deal.
\nI don’t think it is worth making such a big deal out of it.
\nAnd actual Japanese history took a non-Chinese direction, a more democratic direction.
\nAnd so, the process of forming a unified nation is represented by the Chinese ideological “Four Gods” enshrined.
\nThe photo shows a cute animal painting on a small wall of the restored Daigoku-den Hall of Heijo Palace.
\nIt was painted by Atsushi Uemura, a Japanese-style painter living in Nara Prefecture.
\nThe white tiger is on the west, the blue dragon on the east, the red bird on the south, and the black turtle on the north. Each of them is depicted in its own direction.
\nWhen I saw the painting, I was interested in the blue dragon, which is also my zodiac sign.
\nIt is also my zodiac sign, but it is an imaginary animal.
\nI looked at it with surprise, “Oh, this is a dragon?” I looked at it with surprise.
\nUsually, dragons depicted in ceiling paintings of temples and other places look more like snakes.
\nand their expressions are frightening. This blue dragon looks like a dog or a deer.
\nIt was a new experience for me to see such a “cute” dragon.
\nI suppose they would have asked for evidence of this kind of “wall painting” when they restored it.
\nHowever, we can assume that it has probably disappeared and there is no record of it.
\nI wonder if this style of painting was chosen in order to create a less authoritarian expression.
\nAs a result, I was satisfied with the result.
\nThis sense of gentleness also gives me a Japanese impression.<\/p>\n

Such an impression was further enhanced by what appeared at first glance to be a Tyvek sheet design (laugh).
\nThe design of the ceiling.
\nIt was also covered with a gentle Japanese painting-like pattern.
\nThe design policy for the restoration of the building was to soften the hard “Chinese idea” and to create a prestige building in a Japanese style.
\nI felt that the design policy in restoring the building was to soften the hard “Chinese idea” and create a prestige building in a Japanese style.
\nI was inclined to agree with this.<\/p>\n","protected":false},"excerpt":{"rendered":"

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