{"id":35564,"date":"2021-12-30T05:31:11","date_gmt":"2021-12-29T20:31:11","guid":{"rendered":"http:\/\/kochihen.replan.ne.jp\/?p=35564"},"modified":"2022-01-06T18:22:06","modified_gmt":"2022-01-06T09:22:06","slug":"%e3%80%90%e6%97%a5%e6%9c%ac%e6%b0%91%e8%97%9d%e9%a4%a8%e3%81%a8%e5%ae%87%e9%83%bd%e5%ae%ae%e5%95%86%e5%ae%b6%e3%80%81%e3%82%8f%e3%81%8c%e5%ae%b6-%e6%b0%91%e8%97%9d%e3%81%a8%e5%8c%97%e6%b5%b7%e9%81%93","status":"publish","type":"post","link":"http:\/\/kochihen.replan.ne.jp\/?p=35564","title":{"rendered":"\u3010\u65e5\u672c\u6c11\u85dd\u9928\u3068\u5b87\u90fd\u5bae\u5546\u5bb6\u3001\u308f\u304c\u5bb6 \u6c11\u85dd\u3068\u5317\u6d77\u9053-2\u3011"},"content":{"rendered":"

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\n2021\u5e74\u306b\u6771\u4eac\u90fd\u6307\u5b9a\u6709\u5f62\u6587\u5316\u8ca1\uff08\u5efa\u9020\u7269\uff09\u6307\u5b9a\u3055\u308c\u305f\u3002
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\n\u5f37\u304f\u559a\u8d77\u3055\u305b\u308b\u91cd\u8981\u306a\u30dd\u30a4\u30f3\u30c8\u306b\u306a\u308b\u306e\u3067\u306f\u306a\u3044\u304b\u3068\u601d\u3044\u59cb\u3081\u305f\u306e\u3067\u3059\u3002<\/p>\n

English version\u2b07<\/p>\n

[Japan Folk Crafts Museum and Utsunomiya Merchant House, My House Folk Crafts Museum and Hokkaido-2]
\nThe photo shows the exterior of the Japan Folk Crafts Museum, which was completed in 1936 in Komaba, Meguro-ku, Tokyo.
\nThis building was designed with great care by Mr. Soetsu Yanagi, the founder of the Mingei movement.
\nIt is a facility that incorporates Western style everywhere while being based on Japanese style design.
\nIn 2021, it was designated as a tangible cultural property (building) designated by the Tokyo Metropolitan Government.
\nThe moment I met this building, Mr. Yanagi’s taste world of “folk art” was immediately transmitted.
\n“Well, you like this kind of architecture (laughs).”
\nI felt that I was filled with the feeling of familiarity with my skin.
\nI felt that it overlapped with one tendency of spatiality that I liked.
\nDirectly, “the atmosphere of the atmosphere” with the following house photograph.<\/p>\n

The photo above is the “Utsunomiya Gosho” built in 1851, which was also featured in this blog.
\nEven in the Utsunomiya air raid at the end of the Pacific War, this heavy Oya stone outer wall served as a fire protection.
\nIt is a building that has supported the lives of people after the great fire.
\nFrom the Edo period before Oya stone was known by the former Imperial Hotel of FL Wright
\nIt is said that such an architectural expression has been loved by the region.
\nAnd the photo below is a block building of my house completed in 1991, far later.
\nAfter the Pacific War, block architecture became the starting point for research and development of housing in cold regions of Hokkaido.
\nAgainst the cold winter conditions that the region has, this also uses volcanic ash native to the region.
\nIt was molded into a concrete block to construct a braided stone structure.
\nBy stacking the outer skin on this concrete block structure
\nBy adopting an “external insulation” configuration, it was almost completed as one of the cold region construction methods.<\/p>\n

The history is Utsunomiya merchant house \u21d2 Japan Folk Crafts Museum \u21d2 my house.
\nCold region Hokkaido is an extraordinary area for the “Mingei” movement, and I had never been aware of the former two buildings at the time of construction.
\nHowever, Mr. Soetsu Yanagi carefully dug up national culture other than Hokkaido.
\nThis Utsunomiya merchant house was also a symbol of the area, and you probably knew it.
\nIt is unknown whether his motive for adopting Oya stone is this merchant house or the Imperial Hotel,
\nI’m sure I was conscious.
\nI think there was such a “general solution”, but even in the “manner” part of the Oya stone exterior
\nThe method of stacking vertical and horizontal layers, the technique of connecting with plaster, etc. are common.
\nMr. Yanagi must have examined old buildings nationwide as a major field of folk art.
\nIn the architecture that was considered as the culmination of that and as a base for the movement
\nIt is an important point to have this Utsunomiya merchant’s “masonry” feeling as a basic image.
\nOf course, the structure is wooden, but considering fire resistance, we chose the exterior masonry.
\nA message to the housing construction of Mr. Yanagi, a Mingei movement that insists on “beauty of use”.
\nI took it that way.<\/p>\n

At the same time, in Hokkaido, where you can feel the “flow” of folk art and a far severance.
\nWhile talking with the local climate, I arrived at the insulation outside the concrete block.
\nThe material selection is different between Oya stone and block, plaster and mortar,
\nThe point of branching is the problem of regionality and compatibility of reinforcing bars.
\nAfter a long time and space as a person who lives and loves such a building
\nWhen I met this Japan Folk Crafts Museum, “Oh, I didn’t think I would meet here.”
\nI was filled with a mysterious feeling of encounter.
\nAnd this is the ethnic DNA connection between the Mingei movement and the pioneer Hokkaido people.
\nI began to think that it would be an important point to strongly arouse.<\/p>\n","protected":false},"excerpt":{"rendered":"

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