{"id":35551,"date":"2021-12-29T05:56:50","date_gmt":"2021-12-28T20:56:50","guid":{"rendered":"http:\/\/kochihen.replan.ne.jp\/?p=35551"},"modified":"2022-01-06T18:12:34","modified_gmt":"2022-01-06T09:12:34","slug":"%e3%80%90%e3%81%82%e3%82%8c-%e5%9c%b0%e5%9b%b3%e3%81%ab%e5%8c%97%e6%b5%b7%e9%81%93%e3%81%8c%e3%81%aa%e3%81%84%ef%bc%88%e6%b3%a3%ef%bc%89-%e6%b0%91%e8%97%9d%e3%81%a8%e5%8c%97%e6%b5%b7%e9%81%93-1","status":"publish","type":"post","link":"http:\/\/kochihen.replan.ne.jp\/?p=35551","title":{"rendered":"\u3010\u3042\u308c? \u5730\u56f3\u306b\u5317\u6d77\u9053\u304c\u306a\u3044\uff08\u6ce3\uff09 \u6c11\u85dd\u3068\u5317\u6d77\u9053-1\u3011"},"content":{"rendered":"

\"\"<\/a>
\n\"\"<\/a>
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\n\"\"<\/a>
\n\"\"<\/a>
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English version\u2b07<\/p>\n

[Ah? There is no Hokkaido on the map (crying) Minge and Hokkaido-1]
\nThe illustration above is a well-known national map that introduces folk art from all over Japan.
\nI know that it’s not malicious, but
\nEven so, the fact that Hokkaido is excluded in the nationwide excavation of “folk crafts”
\nI don’t feel very happy.
\nAs someone who has a great deal of respect for the Mingei movement
\nI’m feeling a little sad about this point.
\nThere was probably a discussion about this as well as the Japan Folk Art Association.
\nIn recent years, I think that the Ainu culture has been actively discovered and praised.
\nThat’s a good thing, but as a descendant of the migrant pioneers after the Meiji era.
\nHokkaido is beautiful from the passion of the founder of “Minbutsu”, Mr. Soetsu Yanagi, to excavate the folk art.
\nFeeling the unavoidable side of being excluded,
\nAs a Hokkaido person, I have a certain thought about what I should think about in the future.<\/p>\n

I have a strong sympathy for the Mingei movement as a cultural movement.
\nAwareness of the beauty and sensitivity that has been nurtured and nurtured by the rationality of Japanese life,
\nI have a deep respect for the excavation efforts.
\nWhile actually looking at many buildings nationwide, the housing of the Kitamae trader in Toyama, which is also connected to Hokkaido, is
\nPurchased by the Ohara family, the sponsor of the Mingei movement
\nIn this blog, I also introduced how a picture of Shiko Munakata is displayed on the alcove.<\/p>\n

I deeply sympathize with the aesthetics of various craftsmen’s handicrafts.
\nIt can be said that I learned the substance of the Mingei movement for the first time through such interviews.
\nThe policy of the founder, Muneyoshi Yanagi, shows the essence of manufacturing.
\n… Knowing that, looking at the blank folk art map of Hokkaido
\nI’m wondering how we migrants should think about their activities.<\/p>\n

Recently, the Mingei movement has been spotlighted.
\nAn exhibition is currently being held at the National Museum of Modern Art, Tokyo in Kitanomaru Park, Tokyo.
\nMuneyoshi Yanagi was held at the milestone of 60 years after his death.
\nI also have experience in visiting the architecture of the Japan Folk Crafts Museum in Komaba.
\nBased on such circumstances, as a Hokkaido person, as a housing interviewer
\nIt’s been 150 years since the Mingei movement started by Muneyoshi Yanagi and the move to Hokkaido.
\nSo to speak, because of the unique climate in which ethnic chaos has progressed violently.
\nWhat kind of “folk art” is being created now?
\nI hope to dig up and see it.
\nBased on the history of Hokkaido Island, which has undergone a transition with Jomon, Zoku-Jomon, Satsumon, and Ainu culture
\nI hope to dig up the manufacturing activities on this northern island.
\nJapanese people have begun to live and have developed their own housing architecture by interacting with Europe and the United States in earnest.
\nAs a blog serialized article that digs up during the year-end and New Year holidays
\nI would like to think about it as a series in terms of cross-cultural comparison with various parts of Japan.<\/p>\n","protected":false},"excerpt":{"rendered":"

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