{"id":35544,"date":"2021-12-28T06:21:49","date_gmt":"2021-12-27T21:21:49","guid":{"rendered":"http:\/\/kochihen.replan.ne.jp\/?p=35544"},"modified":"2022-01-06T17:23:57","modified_gmt":"2022-01-06T08:23:57","slug":"%e3%80%90%e6%98%ad%e5%92%8c%e5%88%9d%e6%9c%9f%e3%81%ae%e3%83%86%e3%83%ac%e3%83%af%e3%83%bc%e3%82%af%e6%9b%b8%e6%96%8e-in-%e6%8a%98%e5%8f%a3%e4%bf%a1%e5%a4%ab%e3%80%8c%e5%8f%a2%e9%9a%a0%e5%b1%85","status":"publish","type":"post","link":"http:\/\/kochihen.replan.ne.jp\/?p=35544","title":{"rendered":"\u3010\u662d\u548c\u521d\u671f\u306e\u30c6\u30ec\u30ef\u30fc\u30af\u66f8\u658e in \u6298\u53e3\u4fe1\u592b\u300c\u53e2\u96a0\u5c45\u300d\u3011"},"content":{"rendered":"

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English version\u2b07<\/p>\n

[Telework study in the early Showa period in Nobuo Orikuchi “Sou-inkyo”]
\nDue to the effects of infectious diseases, teleworking at home has advanced.
\nThen, inevitably, where in the home you concentrate your mind becomes a problem.
\nOften, the type that emphasizes communication with the family secures a place …
\nI heard that you were worried.
\nAbout equipment and space such as study in Japanese living environment
\nI don’t think we have paid much attention to modern housing.<\/p>\n

The photo is Nobuo Orikuchi’s “Sou-inkyo”exhibited at the Kokugakuin University Museum.
\nShinobu Orikuchi is a Japanese folklore, Japanese literature, and Japanese language scholar who was a professor at Kokugakuin University.
\nHe was also a poet and poet who called Orikuchi.
\nThe study of Origuchi is collectively called “Origuchi studies”. As a high-ranking younger brother of Kunio Yanagita
\nHe laid the foundation for folklore. He also called himself Yaenkei by playing with the blue bruises on his face.
\nIn 1945, he built a mountain cottage in Sengokuhara, Hakone, and this is his study.
\nIt was built on the site where the land with hot springs was purchased in 1933.
\nHe designed the view layout as shown in the third figure.
\nIt is said that he invited his teacher, Kunio Yanagita, to enjoy the renku and walks.
\nWhen he heard the imperial rescript of the defeat in August 1945, he pondered the end of Japan for 40 days.
\nIt was the base for his dissertation writing and creative activities.
\nIt can be said that it is a telework space around 80-90 years ago.
\nI used to read the entire architecture as a Sou-inkyo, but the core space is this study.
\nThe study would have been recognized as a Sou-inkyo.<\/p>\n

There is a tokonoma and a large opening can be opened by cutting out the desired scenery.
\nThe writing desk is set up as a shoin, and the lighting is outstanding.
\nThe depth of the writing desk is not so great, but rather there is room in the left and right width.
\nThe width of the left and right is about one tatami mat, so it is as spacious as 1.8m.
\nOn top of that, there is a tatami mat between the floors for one tatami mat.
\nMake a slight height difference in the view from the window
\nIt feels like I was trying to change my mood.
\nThere are storage areas on the left and right of the writing desk, so
\nDocuments and things necessary for formulating a concept are stored,
\nIt would have given a lot of inspiration to the intellectual creation work.
\nOn the other hand, a square writing desk is placed in the center of the room.
\nIt constitutes a second workspace.
\nMaybe there is a psychological division from the writing desk on the window side
\nThis person can feel the spatial recognition of “finishing” intellectual products.
\nIt’s like a space where inkstones and brushes are placed to finish documents.
\nIn some cases, invite friends and acquaintances to this study
\nIt seems that consultations such as “breaking in” were being held.
\nIt really looks like an “intellectual production headquarters”.
\nIt conveys the external view stimulus and the functionality of the internal space.<\/p>\n

The existence of shoji can secure the light, but the external visual stimulus is
\nIt affects the Japanese expression and sensitivity of being able to control vaguely.
\nIt is interesting to see such a situation clearly.<\/p>\n","protected":false},"excerpt":{"rendered":"

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