{"id":35233,"date":"2021-11-30T05:49:45","date_gmt":"2021-11-29T20:49:45","guid":{"rendered":"http:\/\/kochihen.replan.ne.jp\/?p=35233"},"modified":"2021-11-30T23:39:25","modified_gmt":"2021-11-30T14:39:25","slug":"%e3%80%90%e9%81%93%e5%85%83%e3%81%af%e5%ae%8b%e3%81%ae%e5%ae%ae%e5%a4%a7%e5%b7%a5%e3%82%92%e4%bc%b4%e3%81%a3%e3%81%a6%e5%b8%b0%e5%9b%bd%e3%80%80%e6%b0%b8%e5%b9%b3%e5%af%ba-3%e3%80%91","status":"publish","type":"post","link":"http:\/\/kochihen.replan.ne.jp\/?p=35233","title":{"rendered":"\u3010\u9053\u5143\u306f\u5b8b\u306e\u5bae\u5927\u5de5\u3092\u4f34\u3063\u3066\u5e30\u56fd\u3000\u6c38\u5e73\u5bfa-3\u3011"},"content":{"rendered":"

\"\"<\/a>
\n\"\"<\/a>
\n\"\"<\/a>
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\n\u307e\u305f\u9063\u5510\u4f7f\u306e\u6642\u4ee3\u306b\u6bd4\u8f03\u3057\u3066\u822a\u6d77\u306e\u5b89\u5168\u6027\u306f\u76f8\u5f53\u9ad8\u307e\u3063\u305f\u3053\u3068\u3082\u7aba\u308f\u308c\u308b\u3002<\/p>\n

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\n\u5b8b\u2f24\u2f2f\u30fb\u2f5e\u6e90\u76db\u3055\u3093\u306e\u30c7\u30b6\u30a4\u30f3\u30b3\u30fc\u30c9\u304c\u53cd\u6620\u3055\u308c\u305f\u3082\u306e\u304b\u3069\u3046\u304b\u3002<\/p>\n

English version\u2b07<\/p>\n

[Dogen returns to Japan with a Song palace carpenter, Eiheiji-3]
\nYesterday I thought about Dogen’s quest as a scholar and his background.
\nFukui City History Museum’s 2007 exhibition project “Carpenters, Drawings and Tools in Echizen Wakasa” Exhibition
\nI checked the material and found a surprising description.
\n“In the Middle Ages, I came to Japan with the founder Dogen of Eiheiji Temple as a person who has something to do with the prefecture.
\nSong dynasty and Hogenmori are known. He is a person who is said to be the ancestor of the later Eiheiji University. ”
\nUnfortunately, I haven’t actually seen the exhibition, but I was able to confirm this description.
\nYesterday, I saw a record that Myozen, a teacher at the beginning of Kenninji Temple, accompanied Dogen’s 23-year-old Watanabe.
\nIt is a record that he was accompanied by a carpenter in some country when he returned to Japan at the age of 27.
\nHey, it is.
\nThis is a ridiculous “rich boy” studying for the first time.
\nIn the Kukai era, going to China is a national project dispatched to China.
\nIt seems that the training was carried out at the expense of the national government, and a large amount of Buddhist scripture acquisition costs were also handed over as necessary expenses.
\nAmong them, Saicho was dispatched as a high-ranking bureaucrat, but Kukai is an “international student.”
\nHe was allegedly a private participant. It is said that there was a great disparity.
\nOn the other hand, I imagined that this trip to Kamakura was probably a private study abroad program.
\nHowever, he accompanied his master and brought him back to the construction engineer when he returned to Japan.
\n… Is it up to \u25ce whether it’s hell or the opening of a Buddhist denomination?
\nIn textbooks, the history of Buddhism is written like a vacuum world, a beautiful idea world,
\nThat is not possible, and secular shackles and inequality are clearly present.
\nIn an era when almost all the common people were desperate to eat every day
\nThe person who could “explore” the religious world would have been from a super-blessed privileged class.
\nIt is the reason why such privileged people were “rescuing” the sentient beings who did not eat.
\nDogen’s identity is that he is from the prestigious Minamoto clan of the Kuge.
\nIt seems to be a Buddhist quest with a strong aristocratic salon taste similar to other cultural areas.
\nIt can also be seen that the safety of the voyage has improved considerably compared to the time of the envoy to Tang.<\/p>\n

I even secured a construction engineer to return to Japan and open a Zen training dojo.
\nIt is clear that architecture was also an indispensable element of religion.
\nThe remaining Eiheiji temple architecture is said to have been from the Edo period or the Meiji period due to repeated fires.
\nIt’s been said, but in its basic style and design code, it’s like this
\nIt can be imagined that the ones from the Kaisan period have been inherited.
\nThis “Song dynasty, Genmori” is involved in temple construction in this Echizen area.
\nFrom his work process, he trained local creators and called him “Okubo ridger family”.
\nDid he hand down the technique to the core group of Echizen shrine carpenters?
\nThere is an expression “carpenter town” in front of the Eiheiji gate in some documents, and also in the purlin ink book.
\nMaster: You can see the notation Okubo. Is this clan really connected to Song dynasty and Hogenmori?
\nI would like to continue exploring over time.
\nAt my home, I use the “cheek cane” wood craft when dismantling a temple in Hokkaido.
\nIt is said to be a craft from Hokuriku Toyama, and the creators of temple architecture in Hokkaido are from this area.
\nIt is said that “migrant” people came by the Kitamaebune trade.
\nEven if you get a glimpse of the history of the archipelago, the roots of far-reaching manufacturing, you can come.
\nThe photo shows the architectural expression of “Karamon”, which is said to be the “Temple Gate” of Eiheiji Temple.
\nWhether the design code of Mr. Song Oo and Mr. Genmori is reflected.<\/p>\n","protected":false},"excerpt":{"rendered":"

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