{"id":34929,"date":"2021-11-03T05:22:46","date_gmt":"2021-11-02T20:22:46","guid":{"rendered":"http:\/\/kochihen.replan.ne.jp\/?p=34929"},"modified":"2021-11-04T18:27:05","modified_gmt":"2021-11-04T09:27:05","slug":"%e3%80%90%e7%b7%91%e3%83%bb%e7%99%bd%e7%a0%82%e3%80%81%e7%b4%a0%e6%9d%90%e3%82%92%e6%84%9f%e3%81%98%e3%82%8b%e5%ba%ad%e5%9c%92%e7%be%8e%e3%81%b8-%e9%ab%98%e9%87%8e%e5%b1%b1%e3%83%bb%e9%87%91%e5%89%9b","status":"publish","type":"post","link":"http:\/\/kochihen.replan.ne.jp\/?p=34929","title":{"rendered":"\u3010\u7dd1\u30fb\u767d\u7802\u3001\u7d20\u6750\u3092\u611f\u3058\u308b\u5ead\u5712\u7f8e\u3078 \u9ad8\u91ce\u5c71\u30fb\u91d1\u525b\u5cef\u5bfa-9\u3011"},"content":{"rendered":"

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English version\u2b07<\/p>\n

[Green \/ white sand, to the beauty of the garden where you can feel the material Koyasan \/ Kongobuji Temple-9]
\nVisit Kongobuji Temple, today from the edge of moving to a space “away” from the main building.
\nThe directing element of such a “passage space” in Japanese housing culture
\nI think there is a lot of sophistication.
\nPerhaps a sensitive element that is connected to continuous cotton in the Japanese mental part.
\nIn the climate south of Honshu, where diverse vegetation is nurtured,
\nI think that the cultural elements to enjoy those harmonies have developed.
\nOne of the big factors is how to utilize “white sand”.
\nBy applying artificially processed ground surface maintenance like the stone garden of Ryoanji Temple,
\nOn the contrary, it is a method to bring out the “life feeling” of plants.
\nAt Ryoanji, that is a kind of extreme, like “human beings, the last is stones”.
\nIt creates a landscape that looks like the limit of fetishism.
\nThis Kongobuji Temple also has a stone garden, but you can also see it on a moving approach to it.
\nFurthermore, the culture of moving between buildings
\nIt makes me feel that it is developing in Japan.<\/p>\n

Unfortunately, this part was unacceptable in snowy and cold Hokkaido.
\nFor half a year, the snow is cold and the snow is piled up, and the subtle shadows disappear during that time.
\nFinally in spring, the snow melts and I have to restore it for the time being.
\nEven with delicate vegetation production, you can really enjoy it in a few months.
\nIt takes nearly a month to restore the scenery, and some vegetation is killed by snow.
\nThere is also time and effort to replant. Even if it is replanted, it will take several years.
\n… The climate does not suit this kind of Japanese culture.
\nTherefore, in Hokkaido, development was not seen as a living culture in this direction.
\nFrom a horizon completely different from the “Kacho Fugetsu” south of Honshu
\nThere is no choice but to create a new “Kacho Fugetsu” with an expanded span again.
\nRather, it stimulated the direction of feeling the nature itself as a region rather than housing.
\nThe culture of those who put themselves in it rather than messing around with nature like a miniature garden.<\/p>\n

That’s right,
\nHowever, it is said that white sand is used as an attractive barrier expression to express mystery.
\nThis depth of spirituality is also very inspiring.
\nBy adding contrast with white sand, the shape of a casual tree
\nIt appeals to the beauty.
\nPerhaps in a Japanese cultural society where the subarctic and subtropical climates coexist for a long time from north to south.
\nPeople in the subarctic region have not yet fully created their own culture.
\nIt’s clear that it’s completely different from the subtropics,
\nAs a basic Japanese “common sense”, the substrate is formed in a subtropical specialization type, so
\nIt seems that various cultural gaps will be created.
\nAfter all, it is necessary to rebuild a new “Kacho Fugetsu” from the north.<\/p>\n","protected":false},"excerpt":{"rendered":"

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