{"id":34814,"date":"2021-10-21T05:10:16","date_gmt":"2021-10-20T20:10:16","guid":{"rendered":"http:\/\/kochihen.replan.ne.jp\/?p=34814"},"modified":"2021-10-21T19:06:29","modified_gmt":"2021-10-21T10:06:29","slug":"%e3%80%90%e9%9e%8d%e4%bd%9c%e6%ad%a2%e5%88%a9%e3%81%ae%e4%bb%8f%e5%83%8f%e3%81%ab%e9%ad%85%e3%81%9b%e3%82%89%e3%82%8c%e3%81%a6%e3%80%80%e6%97%a5%e6%9c%ac%e5%88%9d%e3%81%ae%e5%af%ba%e3%83%bb%e9%a3%9b","status":"publish","type":"post","link":"http:\/\/kochihen.replan.ne.jp\/?p=34814","title":{"rendered":"\u3010\u978d\u4f5c\u6b62\u5229\u306e\u4ecf\u50cf\u306b\u9b45\u305b\u3089\u308c\u3066\u3000\u65e5\u672c\u521d\u306e\u5bfa\u30fb\u98db\u9ce5\u5bfa-8\u3011"},"content":{"rendered":"

\"\"<\/a>
\n\"\"<\/a>
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English version\u2b07<\/p>\n

[Attracted by the Buddha statue of Tori Busshi, Japan’s first temple, Asuka-dera-8]
\nBy the way, recently, a series of articles about Asuka-dera.
\nI have delved into various things and looked at the times, etc.
\nIt turned out that I was deeply fascinated by the unique expression of Asuka Daibutsu.
\nYou were indulged in the world of Tori Busshi’s work.<\/p>\n

The photo above is the statue of Shaka Nyorai in the middle of the statues of Shakyamuni and Three Sons of Horyuji Temple.
\nAnd the photo below is Asuka Daibutsu.
\nIs it characterized by a slightly long face and a unique gentle smile?
\n“A doll has a face” is a CM phrase for Kyugetsu, a doll.
\n(Oh, maybe this is a local story in the metropolitan area where I used to live?)
\nI’m starting to think that Buddha statues have a life on their faces.
\nI think I’m still young,
\nThe expression of these Buddha statues gives rise to a special feeling.
\nI feel like it’s dangerous (laughs).
\nHowever, if you are actually staring at the Buddha statue, you can have a mental dialogue with the author.
\nIncorporating historical facts and historical background events as annexes as spatial axis knowledge
\nKeeping an eye on these Buddha statues is a hobby that is quite permanent.
\nThe more you chew, the deeper the taste
\nYou can feel the scaryness of such a bottomless swamp.
\nHowever, I strongly feel the joy of forgetting to be captivated by its charm.<\/p>\n

From the “facial expressions” pinned up by the Buddha statue, you can see a wide variety of mental images.
\nThis statue of Shaka Nyorai has a wish to heal Prince Shotoku’s illness as a mechanism for making Buddha.
\nIf that doesn’t happen, it is said that he prayed for a peaceful death and peace of the soul after death.
\nTori Busshi also backed up his own Buddhist activities.
\nIf you guess that there was a feeling of gratitude to Prince Shotoku
\nThe unique calmness of this expression has something to do with it.
\nCompared to the expression of the Asuka Daibutsu when he was relatively younger
\nI feel that this person can feel the peace of mind as they age.
\nI’m sure that even the peripheral emotional part of this kind of modeling will be expressed.
\nIf you think about it, this kind of creative activity may have played the role of a medium that reflects the times.
\nIn the creative act that the era is needed
\nThe author was selected, and the intention of the production was conveyed, ordered, and expressed.
\nEven there, there must have been quite a lot of “thoughts” in the production expression.
\nThere is also a message from that era to the people of the future.
\nPerhaps there is a media nature of expressing such historical time.
\nWhat I am attracted to about Japan in the Asuka period is
\nPerhaps it is guided by Tori Busshi’s era expression.<\/p>\n","protected":false},"excerpt":{"rendered":"

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