{"id":34513,"date":"2021-09-18T05:15:27","date_gmt":"2021-09-17T20:15:27","guid":{"rendered":"http:\/\/kochihen.replan.ne.jp\/?p=34513"},"modified":"2021-09-21T19:45:56","modified_gmt":"2021-09-21T10:45:56","slug":"%e3%80%90%e5%ae%97%e6%95%99%e5%bb%ba%e7%af%89%e3%81%ae%e3%80%8c%e8%a6%8b%e4%b8%8a%e3%81%92%e3%80%8d%e9%83%a8%e4%bd%8d-%e6%b3%95%e9%9a%86%e5%af%ba%e3%81%a8%e4%bb%8f%e5%9b%bd%e5%af%ba-6%e3%80%91","status":"publish","type":"post","link":"http:\/\/kochihen.replan.ne.jp\/?p=34513","title":{"rendered":"\u3010\u5b97\u6559\u5efa\u7bc9\u306e\u300c\u898b\u4e0a\u3052\u300d\u90e8\u4f4d \u6cd5\u9686\u5bfa\u3068\u4ecf\u56fd\u5bfa-6\u3011"},"content":{"rendered":"

\"\"<\/a>
\n\"\"<\/a>
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\n\"\"<\/a>
\n\"\"<\/a>
\n\"\"<\/a>
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English version\u2b07<\/p>\n

[“Looking up” part of religious architecture Horyuji Temple and Bulguksa Temple-6]
\nA comparison of architecture during the promulgation of Buddhism in Japan and South Korea in the 600s and 700s, an ancient nation.
\nIn ordinary houses, parts such as the ceiling and eaves are
\nDesigning or elaborating there with the highest priority on function and cost
\nYou don’t think much about it.
\nBut when I try it, the ceiling is really meaningful.
\nAt my home, I tried a wooden lattice ceiling at a specific part,
\nWhen I slept at home for the first time, the whole family was impressed with “I like it (laughs)”.
\nSomehow, the moment you fall asleep or wake up
\nThe spectacle that jumps into your eyes is not a flat single color, but
\nI strongly felt that the material is rich in texture as a punctuation mark in everyday life.
\nI felt that it was a significant part in terms of sensitivity and folds of the heart.<\/p>\n

In such a part of looking up, the chic is disciplined in traditional cultural architecture.
\nTwo temple parts that express the spirituality of both Japan and South Asia in East Asia.
\nThe photo above shows the eaves of Bulguksa Temple in Korea and the ceiling inside the shrine.
\nAs a decoration where the roof is exposed in the eaves
\nA series of magical designs called “kumimono”.
\nThe function is to maintain the sloping part of the roof that is approaching,
\nThe colorful shades are overwhelming.
\nThe impression is that the colors used here have different tastes in Japan and Korea.
\nIn the case of South Korea, it seems that green is the basic color and the mandala feeling is composed.
\nOn the other hand, there is a continuous grid-like structure called the case ceiling inside the shrine.
\nIt seems that there are various implications.
\nIs it really expressing the various conceptual worlds of Buddhist thought?<\/p>\n

This is a picture of the eaves of Horyuji Temple in Japan.
\nAs for the inside, I remember that it was “not possible to shoot”, so I didn’t even look for it.
\nFor the time being, I have listed the state of the ceiling of the corridor.
\nIn Korea, round members are often used to form structural materials,
\nHoryuji Temple basically uses square lumber, which is older than about 150 years of history.
\nIt feels like a non-decorative finish for simple structural applications.
\nIt feels like you are enjoying the “taste of the ingredients”.
\nAt the bottom of the roof, you can see an interesting timber construction method for stacking wood.
\nJapan has a heavy rainy climate, so it seems like a finishing touch to the water.
\nShitennoji, the earliest wooden temple, was constructed and directed by Kongo Gumi, a group of carpenters from Korea.
\nAfter that, it is said that it was naturalized in Japan,
\nIt is interesting to see what kind of builder was at this Horyuji Temple.
\nIf you refer to “Primary Color Japanese Art 2 (Shogakukan)”, which is a photo of the inside of the building
\nThe large auditorium where the Yakushi Sanson is enshrined has a simple lattice ceiling colored in tan.
\nThe impression is quite different from the colorfulness of Bulguksa Temple in Korea 150 years later.<\/p>\n

Apparently at least the sensitivity to reveal the ancient beauty of the material of Horyuji Temple
\nI can imagine that it looks like a Japanese person,
\nThis is an impression theory as an observer. It’s interesting.<\/p>\n","protected":false},"excerpt":{"rendered":"

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