{"id":34428,"date":"2021-09-11T06:30:36","date_gmt":"2021-09-10T21:30:36","guid":{"rendered":"http:\/\/kochihen.replan.ne.jp\/?p=34428"},"modified":"2021-09-13T20:30:02","modified_gmt":"2021-09-13T11:30:02","slug":"%e3%80%90%e6%97%a5%e6%9c%ac%e4%ba%ba%e3%81%ae%e4%bb%ae%e6%83%b3%e7%8f%be%e5%ae%9f%e3%83%bb%e3%83%95%e3%82%a1%e3%83%b3%e3%82%bf%e3%82%b8%e3%83%bc%e3%81%b8%e3%81%ae%e6%85%8b%e5%ba%a6%e3%80%91","status":"publish","type":"post","link":"http:\/\/kochihen.replan.ne.jp\/?p=34428","title":{"rendered":"\u3010\u65e5\u672c\u4eba\u306e\u4eee\u60f3\u73fe\u5b9f\u30fb\u30d5\u30a1\u30f3\u30bf\u30b8\u30fc\u3078\u306e\u614b\u5ea6\u3011"},"content":{"rendered":"

\"\"<\/a>
\n\"\"<\/a>
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English version\u2b07<\/p>\n

[Japanese attitude toward virtual reality and fantasy]
\nIf I wrote about communication on Zoom etc. yesterday
\nI received a letter to the editor from a reader, such as “Maybe my partner is AI.”
\nI think there is a high possibility that such virtual reality development will progress in the future.
\nAs the evolution of technology, the direction of communication and WEB is remarkable, so
\nIt will be one big trend aiming for so-called virtualization.
\nAt that time, if you think about “acceptability” by ethnic groups
\nI thought of the above bird and beast caricatures and the Japanese virtual reality responsiveness of the wind god and thunder god.<\/p>\n

Both are my favorite works of art.
\nEven if you look around the paintings around the world, the expression of the world that has penetrated so far is
\nI think it is characteristic of the sensitivity of Japanese people.
\nChoju-Giga is said to be a work during the Genpei War, about 800 years ago.
\nOn the other hand, Fujin Raijinzu is a work from the early Edo period, about 400 years ago.
\nThe former is a pure fantasy that represents the auspices of Kosanji Temple.
\nThe theme of the wind god and thunder god folding screen is the lightning strike at the Imperial Palace, which was perceived as the curse of Sugawara no Michizane.
\nThis was also drawn by Tawaraya Sotatsu at the request of the temple.
\nIn later life, Korin Ogata was violently stimulated and drew like a copy.
\nFrom the impact of a lightning strike on the Imperial Palace
\nThe existence of the god of thunder may have gained reality and stimulated the sensibilities of the artists.
\nSince the god of thunder is also drawn in the picture at the time of the lightning strike,
\nIt must be something that has been handed down like a kind of sign.
\nBecause the emperor’s power in Japan has been a power that has valued “sacredness” since ancient times
\nPerhaps this kind of fantasy is deeply engraved.
\nDomestic myths, Tenson Korin, Jinmu’s Eastern Conquest myths, etc.
\nHe has a stronger identity in mythical symbolism than in factuality.
\nAt the same time, it shows that there is a strong part of the Japanese sensitivity that accepts it obediently.
\nI think there is a reason why such ancient kingship has survived for a long time in Japanese history.
\nIn the basic part such as the sense of order necessary for human society and ethics
\nExistence that can sufficiently oppose the Christian faith that is the basis of the West.
\nAnd since it can never be said to be exclusive, it can be accepted in Europe and the United States as if it were unusual.
\nI think that this unique Japanese spirituality is also the basis for these paintings.<\/p>\n

In this era, the possibility of the next generation can be seen in the virtual part.
\nThis tendency is accelerating in today’s society with strong behavioral restraint coercion.
\nIn such an era, something like fantasy tolerance
\nI think it will become the next leading cultural foundation.
\nI continue to have such a delusion.<\/p>\n","protected":false},"excerpt":{"rendered":"

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