{"id":33910,"date":"2021-07-28T05:08:06","date_gmt":"2021-07-27T20:08:06","guid":{"rendered":"http:\/\/kochihen.replan.ne.jp\/?p=33910"},"modified":"2021-07-28T18:07:37","modified_gmt":"2021-07-28T09:07:37","slug":"%e3%80%90%e8%81%b7%e4%ba%ba%e4%bb%95%e4%ba%8b%e3%81%ae%e5%b7%a5%e5%a4%ab%e3%81%a8%e6%8a%80%e8%a1%93%e7%b6%99%e6%89%bf%ef%bc%8f%e6%97%a5%e6%9c%ac%e3%81%ae%e3%81%84%e3%81%84%e5%ae%b6%e7%89%b9%e5%88%a5","status":"publish","type":"post","link":"http:\/\/kochihen.replan.ne.jp\/?p=33910","title":{"rendered":"\u3010\u8077\u4eba\u4ed5\u4e8b\u306e\u5de5\u592b\u3068\u6280\u8853\u7d99\u627f\uff0f\u65e5\u672c\u306e\u3044\u3044\u5bb6\u7279\u5225\u7bc7\u32b2-5\u3011"},"content":{"rendered":"

\"\"<\/a>
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English version\u2b07<\/p>\n

[Ingenuity of craftsmanship and inheritance of technology \/ Special edition of Japanese good house \u32b2-5]
\nShrines and temples are exceptional for the evolutionary process of Japanese wooden architecture.
\nThe large-scale architecture that is being tackled as a national project is such a guardian national architecture.
\nCompared to political symbolic architecture and castles that often disappear as a result of political disputes
\nIt often continues to be built for a relatively long period of time.
\nHoryu-ji is said to be the best, but in architecture, Shitenno-ji is the one that sets the era.
\nThe origin of this first Buddhist temple in Japan is sought from Prince Shotoku,
\nIn fact, Prince Shotoku is enshrined in the precincts as the guardian deity of Japanese carpentry.
\nHighly decorative design, rolled roof, etc. that were not found in Japanese architecture until then
\nAs a characteristic end, it was accepted by Japanese architecture.
\nThe photo above is the part shown in the Takenaka Carpentry Tools Museum movie exhibition.
\nA wooden engineer who came to Japan from Korea to build Shitennoji is Japan’s oldest construction shop.
\nAlthough it has survived to the present day as Kongo Gumi,
\nI am amazed at the profoundness of the finishing technology at these edges.
\nIn the end, it can only be inherited as a physical craftsmanship.
\nInevitably, we will take a traditional organizational form with a small number of people.
\nHowever, this technique transfer style may suit Japanese people in a sense.<\/p>\n

The essence of the technique was also disciplined at the Tenjinsha Shrine, which requiescats the soul of Sugawara no Michizane.
\nOriginally Sannai Maruyama, in a technical climate where the wooden tradition from the Jomon period strongly exists
\nThe technology of religious architecture may have been added from the continent and peninsula.
\nThe way of developing wooden technology is very different between China, Korea and Japan.
\nIn the first place, Japan is the only country that has survived to society today.
\nToday, the wooden buildings that remain in China cannot survive without Japanese technical backup.
\nIn the case of China, the political system is always “dictatorship”, and at the time of emperor-type power.
\nReligious repression is carried out, and persecution extends to religious facilities.
\nMost recently, the Cultural Revolution has severely damaged religion.
\nThe situation is similar in Korean society, and there is little solid accumulation of wooden technology.
\nOnly in Japan alone, there was the original Jomon woodworking technique, and as a stimulus to it
\nTechnology from the continent and peninsula may have been added,
\nIt is probably Japanese wooden construction that the existing ones and the traditional technology were fused.
\nTherefore, Japan was able to build its own technical system in the East Asian world.
\nHowever, the Japanese spiritual climate that was premised on the above-mentioned technical tradition style
\nIn a conflict with the universal Western individualism of the modern world
\nWhether complex and elaborate things such as braids can be kept alive in the future
\nDon’t seem to have a suspicion.
\nJapanese society is skillful in flexibly fleshing out cultural stimuli from the outside.
\nI feel that the natural restoration function, which can be said to be the “fusion power”, works.<\/p>\n

Galapagos-like chewing power open to the world.
\nWhat a mysterious state of Japan in the distant passage of time
\nI think it is taught from picture scrolls and antiques.<\/p>\n","protected":false},"excerpt":{"rendered":"

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