{"id":33860,"date":"2021-07-24T04:53:22","date_gmt":"2021-07-23T19:53:22","guid":{"rendered":"http:\/\/kochihen.replan.ne.jp\/?p=33860"},"modified":"2021-07-26T18:55:26","modified_gmt":"2021-07-26T09:55:26","slug":"%e3%80%90%e6%9d%be%e5%b4%8e%e5%a4%a9%e7%a5%9e%e7%b8%81%e8%b5%b7%e7%b5%b5%e5%b7%bb%e3%82%88%e3%82%8a%ef%bc%8f%e6%97%a5%e6%9c%ac%e3%81%ae%e3%81%84%e3%81%84%e5%ae%b6%e7%89%b9%e5%88%a5%e7%af%87%e3%8a%b2-1","status":"publish","type":"post","link":"http:\/\/kochihen.replan.ne.jp\/?p=33860","title":{"rendered":"\u3010\u677e\u5d0e\u5929\u795e\u7e01\u8d77\u7d75\u5dfb\u3088\u308a\uff0f\u65e5\u672c\u306e\u3044\u3044\u5bb6\u7279\u5225\u7bc7\u32b2-1\u3011"},"content":{"rendered":"

\"\"<\/a>
\n\"\"<\/a>
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\n\u300c\u677e\u5d0e\u306e\u793e\u300d\u3068\u53f7\u3057\u305f\u3001\u3068\u3044\u308f\u308c\u308b\u7e01\u8d77\u3092\u6301\u3064\u3002
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\n\u30fb\u30fb\u30fb\u3053\u306e\u7d75\u5dfb\u3092\u5de1\u3063\u3066\u306e\u5efa\u7bc9\u306e\u69d8\u5b50\u3092\u6398\u308a\u4e0b\u3052\u3066\u307f\u305f\u3044\u3002<\/p>\n

English version\u2b07<\/p>\n

[From Matsuzaki Tenjin Engi Emaki \/ Japanese Good House Special Edition \u32b2-1]
\nBy the way, it is the return of the “Japanese good house” series again.
\nThe Takenaka Carpentry Tools Museum exhibition in Kobe is a museum where you can know the core part of wooden architecture.
\nIf it’s nearby, it’s a place I’d like to go through and indulge in.
\nIt is such a time, and there is no choice but to reconstruct the photo records at the time of the visit.
\nHowever, on the contrary, it is possible to dig deeper by organizing the materials because it is not possible to visit.
\nWhat was taught in the exhibition was an old picture scroll that illustrates carpentry.
\nIt is the title “Matsuzaki Tenjin Engi Emaki”.<\/p>\n

Matsuzaki Tenjin is the current Hofu Tenmangu Shrine in Matsuzaki-cho, Hofu City, Yamaguchi Prefecture.
\nWhat was this name at the time of its foundation has changed.
\nIt is known as the first “Tenjin-san” to enshrine Sugawara no Michizane.
\nTenjin-san has about 12,000 companies nationwide, so it’s a company with roots.
\nOn the way westward to Dazaifu, Kyushu, Michizane relied on Mr. Haji (a family member of Michizane), the Kokushi of Suo Province.
\nWe arrived at Katsuma no Ura in Hofu, the last port of call in Honshu.
\n“I’m still here, and hopefully I’ll occupy my place here.”
\nAlthough it is finally Kyushu, the land of Hofu is still connected to the capital of Kyoto, where the emperor is.
\nHopefully I will settle here in Matsuzaki and wait for the “innocent news”. ) And wishes
\nHe left for Kyushu. On the day he passed away in Dazaifu, Shinko appeared in the ura of Katsuma, Hofu.
\nMizuun surprised the people who shelved on Mt. Sakadare (currently Mt. Tenjin). Kokushi and other villagers
\nRealizing that the spirit of Michizane became light and became clouds and returned to “this place”,
\nThe following year, in the 4th year of Engi (904), as Michizane requested, the residence of the spirit soul was erected in this land of Matsuzaki.
\nIt has an auspicious name called “Matsuzaki no Sha”.
\nTherefore, it is an old shrine that has been built for 1,117 years.<\/p>\n

The state of architecture is depicted in the picture scroll No. 3 that has been handed down as the luck of this old shrine.
\nShinto shrine architecture is the highest level of prestige building and shows the highest level of building technology of the time.
\nOf course, it was a pit-house dwelling as well as a general house, and it was basically a simple hut with a clay floor.
\nThe interior of the building is a prestigious building with all floors raised.
\nNot only the structure, but also the decorative material called kumite was heavily assembled.
\nThe photo above is from a video from a program produced by a local broadcaster.
\nI am trying to make it three-dimensional with CG technology while using the picture scroll design as a mother.
\nA lot of carpentry work was done on the construction of Matsuzaki Tenjin Shrine.
\nThe technology for processing wood must have been the most advanced technology in society at that time.
\nBecause ordinary houses do not involve such technical craftsmen.
\nIt is common for the residents themselves to form a “Yui” and build it using amateur human wave tactics.
\nProfessional engineers would have been concentrated on the shrines and temples built in various places.
\nWhat is interesting is the second pattern, which seems to be carrying the decorative materials of this old shrine.
\nLightweight kumite decorative members are carried on the head in a balanced manner.
\nThis kind of pose is also known for Japanese women carrying luggage,
\nIt is interesting to see how to carry materials related to architecture.
\n… I would like to delve into the state of architecture around this picture scroll.<\/p>\n","protected":false},"excerpt":{"rendered":"

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