{"id":33735,"date":"2021-07-13T05:16:14","date_gmt":"2021-07-12T20:16:14","guid":{"rendered":"http:\/\/kochihen.replan.ne.jp\/?p=33735"},"modified":"2021-07-14T18:16:28","modified_gmt":"2021-07-14T09:16:28","slug":"%e3%80%90%e8%8d%89%e5%ba%b5%e8%8c%b6%e5%ae%a4%ef%bc%92%e7%95%b3%e6%95%b7%e3%80%9c%e8%a6%aa%e3%80%8c%e5%af%86%e3%80%8d%e7%a9%ba%e9%96%93%ef%bc%8f%e6%97%a5%e6%9c%ac%e3%81%ae%e3%81%84%e3%81%84%e5%ae%b6","status":"publish","type":"post","link":"http:\/\/kochihen.replan.ne.jp\/?p=33735","title":{"rendered":"\u3010\u8349\u5eb5\u8336\u5ba4\uff12\u7573\u6577\u301c\u89aa\u300c\u5bc6\u300d\u7a7a\u9593\uff0f\u65e5\u672c\u306e\u3044\u3044\u5bb6\u7279\u5225\u7bc7\u32b1-8\u3011"},"content":{"rendered":"

\"\"<\/a>
\n\"\"<\/a>
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\n\"\"<\/a><\/p>\n

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English version\u2b07<\/p>\n

[Souan tea room 2 tatami mats-parent “dense” space \/ Japanese good house special edition \u32b1-8]
\nWell, yesterday’s sequel.
\nTakeno J\u014do made the “Shin” book as a regular four and a half mats, and his disciple Rikyu
\nCreated a “Kusa” hermitage tea room, which is said to have been made by the common people at that time.
\nIt is said that it was used as an expression of Wabi-Sabi.
\nIt’s the same size as a square for four and a half mats, but it’s narrowed down.
\nI made 2 tatami mats. The photo is the national treasure tea room, Myokian Machian.<\/p>\n

Naturally, the alcove will become more compact as it becomes as narrow as this.
\nHumans are bigger because it is about 4 shaku.
\nIs it the result of the overall compactness that the entrance was made smaller as a bleeding opening?
\nIn this way, the time for the tea ceremony was carefully designed.
\nThe equality of the main customers is the world of “standing, half tatami mats, sleeping one tatami mats” that secures the area and length of tatami mats.
\nIt even feels the artist’s madness to strip away the vanity of relationships.
\nYes, “art” that comprehensively produces time and space.
\nIt is not the tea itself, but Machian is certainly designated as a national treasure, but it cannot be said to be the architecture itself.
\nPerhaps he designed the “experience” as a whole, including the manners and body movements.
\nHideyoshi wanted to see the morning glory because it became beautiful, but
\nWhen I went there, all the flower buds were cut off from the surrounding morning glory vines.
\nMysteriously, when I passed through the mouth and went inside, only one wheel was alive,
\nIt seems that the hospitality itself was made into an art.
\nWhen Hideyoshi, who has a hobby of gold and shiny, has this kind of mentality
\nHe also used it as a symbol of his own mercantilist policy and as the ruler of the Sakai people.
\nHowever, in this kind of “stripping off the vanity” of human relations,
\nIn the end, as a man of power, he may have felt anarchism.<\/p>\n

On the contrary, I suddenly think that this is dense.
\nThe limit from four and a half tatami mats to two tatami mats is severe in the modern world.
\nIn the Rikyu era, the confidentiality of business conversations and the importance of confidential information became stronger.
\nPerhaps it was the direction of maximizing the “sense of sharing” with a limited number of people.
\nIt seems that the merit of the tea ceremony was to foster a sense of trust in the business.
\nIn the first place, the name “Sakaishu” itself reminds us of an association of trust.
\nAnd building trust formed the core of Japanese business practices.
\nIt can be said that it was the norm that should be aimed at in the world of so-called business contact.
\nHowever, this style is a little far from the current state of society in the 21st century.
\nRather, the reality is that they are steadily shifting to non-contact types.
\nA social trend that aims to shift to Zoom without even contacting the tea ceremony.
\nThere was even a trial called Zoom drinking party. I feel a little stuck (laughs).
\nThe direction of information sharing in a closed space has been avoided in modern times.
\nRather, how can we develop a non-contact culture and overcome Rikyu’s 2 tatami tea room?
\nI have no idea what direction society will choose in the future,
\nIt may be necessary to imagine that such a direction is possible.<\/p>\n","protected":false},"excerpt":{"rendered":"

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