{"id":33690,"date":"2021-07-10T05:35:56","date_gmt":"2021-07-09T20:35:56","guid":{"rendered":"http:\/\/kochihen.replan.ne.jp\/?p=33690"},"modified":"2021-07-12T18:24:44","modified_gmt":"2021-07-12T09:24:44","slug":"%e3%80%90400%e5%b9%b4%e5%89%8d%e3%80%81%e5%a0%ba%e3%81%ae%e7%94%ba%e5%ae%b6%e3%83%bb%e8%a1%97%e4%b8%a6%e3%81%bf%ef%bc%8f%e6%97%a5%e6%9c%ac%e3%81%ae%e3%81%84%e3%81%84%e5%ae%b6%e7%89%b9%e5%88%a5","status":"publish","type":"post","link":"http:\/\/kochihen.replan.ne.jp\/?p=33690","title":{"rendered":"\u3010400\u5e74\u524d\u3001\u583a\u306e\u753a\u5bb6\u30fb\u8857\u4e26\u307f\uff0f\u65e5\u672c\u306e\u3044\u3044\u5bb6\u7279\u5225\u7bc7\u32b1-5\u3011"},"content":{"rendered":"

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English version\u2b07<\/p>\n

[400 years ago, Sakai Machiya \/ Cityscape \/ Japanese Good House Special Edition \u32b1-5]
\nThe photo above is the Sakai City Museum’s medieval city restoration model cityscape.
\nBasically, Japanese cities are attracted by merchants facing the highway from both sides.
\nIn this medieval city, Sakai, there are many people because it is a festival of Sumiyoshi Taisha.
\nIt is said that there are many cases where a boundary is established between villages.
\nIn addition, merchants camp on both sides of the so-called “highway”, which has a lot of traffic.
\nIn terms of the building, it was basically a gable, and inevitably the flat side became a “flat entrance” store.
\nIs it from the deep psychology of inviting, or is it intended to be useful under the eaves on a rainy day?
\nThe appearance of the eaves is becoming a feature.
\nAlso, the eaves are gradually increasing in depth,
\nA semi-internal space that is not exposed to rain will be created.
\nIt seems that the ganki space was created to resemble the space for commercial transactions.
\nA flatbed is placed there, and samples of products handled by the store are displayed.
\nIt is becoming more and more visually appealing to passers-by as a so-called “view”.
\nThe wisdom and ingenuity of show window displays will develop.<\/p>\n

In the painting depicting the Sumiyoshi Taisha festival 400 years ago
\nFrom Sumiyoshi, Osaka to the center of Sakai, these machiya merchants are lined up at key points.
\nEach has its own characteristics depending on the character of the city.
\nThat’s what even the name of itself, such as “Teppocho”, has appeared.
\nAs the age when I experienced the cityscape of Sapporo, which became the last big city in the Japanese archipelago
\nIt has the reality of such a Japanese merchant house and cityscape.
\nIn this era, the cityscape of such human walking is obsolete nationwide.
\nSuburban towns that comply with car traffic,
\nThe store itself has been pedestrian-centered since this era,
\nThe location itself is in a large-scale shopping zone with low land prices in the suburbs
\nThe lifestyle of Japanese people is changing drastically.
\nThe nostalgia for something like a “candy store” when I was a kid suddenly appears.
\nWhat will happen to Japanese commerce business in the future?
\nHowever, there is no doubt that such a mother-like cityscape is the basis.
\nLooking at the picture below, there is a Kido along the canal that seems to be the entrance to the city of Sakai.
\nThe townhouse space continues from there. Moat city.
\nAfter all, you can see that the eaves are coming out from each store and that they are continuous.
\nBecause it is near the coast, pine trees are planted.<\/p>\n

In the festival procession, a person dressed as a Westerner is also depicted.
\nSince the seclusion is said to be 1639, was this ritual map drawn before that?
\nI have already reported that there is a description of the Sumiyoshi Festival in the history of Japan by Luis Frois.
\nThis painting is said to be from the early Edo period, so
\nStill, strangers seemed to be a trading port in the pre-isolation period
\nI think he was struggling like this. It’s like Kobe after the opening of the country.<\/p>\n","protected":false},"excerpt":{"rendered":"

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