{"id":33662,"date":"2021-07-07T05:21:17","date_gmt":"2021-07-06T20:21:17","guid":{"rendered":"http:\/\/kochihen.replan.ne.jp\/?p=33662"},"modified":"2021-07-07T05:21:17","modified_gmt":"2021-07-06T20:21:17","slug":"%e3%80%90%e4%bd%8f%e5%90%89%e5%a4%a7%e7%a4%be%e5%be%a1%e7%a5%9e%e8%bc%bf%e5%87%ba%e7%99%ba%ef%bc%8f%e6%97%a5%e6%9c%ac%e3%81%ae%e3%81%84%e3%81%84%e5%ae%b6%e7%89%b9%e5%88%a5%e7%af%87%e3%8a%b1-3%e3%80%91","status":"publish","type":"post","link":"http:\/\/kochihen.replan.ne.jp\/?p=33662","title":{"rendered":"\u3010\u4f4f\u5409\u5927\u793e\u5fa1\u795e\u8f3f\u51fa\u767a\uff0f\u65e5\u672c\u306e\u3044\u3044\u5bb6\u7279\u5225\u7bc7\u32b1-3\u3011"},"content":{"rendered":"

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English version\u2b07<\/p>\n

[Sumiyoshi Taisha Shrine Departure \/ Japanese Good House Special Edition \u32b1-3]
\nThe expression form of folding screen painting came from China,
\nIn the Middle Ages, three Japanese gold folding screen paintings were given as gifts on the ship.
\nIt seems that it was a Japanese specialty because it was always on the list.
\nIn the subject, the cityscape is popular like “Rakuchu Rakugaizu”.
\nNaturally, the urban landscape is lively, including the common people, and everyday life is the subject.
\nFrom such a screen, a vividly colored atmosphere and reality emerge.<\/p>\n

I tried the theme of Sakai’s urban landscape,
\nLooking at the “Sumiyoshi Taisha Festival Map” in the Sakai City Museum
\nI feel like all the culture and customs are springing up.
\nA mikoshi of the gods departs from Sumiyoshi Taisha toward Sakai’s Tongu.
\nSumiyoshi-san is called “Arched Bridge”, but the portable shrine crosses this bridge.
\nA total of 4 pillars of portable shrines are crossed, but now the first portable shrine is crossed,
\nThe second and third portable shrines are now waiting for the transfer.
\nAround the portable shrine, people are depicted who are gesturing.
\nThe people who carry them are also depicted in half-naked figures with almost one pair of pants.
\nEven today, this Sumiyoshi Festival is from the end of July to August, so it must have been hot.
\nCrossing the bridge is like a climax, behind the portable shrine
\nSome people seem to be crazy.
\nThe second photo was taken by a Westerner of the arched bridge in the first year of the Meiji era.
\nIn Japanese society, virtual nobility such as these gods and portable shrines
\nI think it is deeply rooted in the undercurrent of culture.
\nIt is true that they have their origins in worshiping individuals and pioneer gods,
\nRaw attributes are erased and only symbolism is revealed
\nIt seems as if the popularness has covered the surface.
\nDue to the popularity of such culture, manga-like forms are often adopted for expressions.
\nThe tendency is remarkable in this folding screen picture, but
\nLike Choju-Giga, Japanese divinity often wears kitsch.
\nI think that such universality and comprehensibility are the basis of Japanese folklore.
\nManga is now the essence of Japanese culture that is crowned in the world.
\nIt seems that the expression form of manga has universality that transcends national borders.
\nThe shrine culture has an interesting folklore as its connection and symbol.<\/p>\n

Whereas Western culture defines the present age with “democracy and science” based on Christianity
\nThe aspect of shrine customs as folklore and its popularity
\nIt may be built as a cultural exchange strategy unique to Japan.
\nSumo, which started from Shinto ritual, is also accepted by the world as a culture.
\nWell, it’s a wonderland Nippon route, but humor can cross national borders.
\nA culture rooted in folklore has a part that can be planned and harmonized with democracy and science.
\nOops, I wonder if it’s too far from popular culture in the Edo period. <\/p>\n","protected":false},"excerpt":{"rendered":"

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