{"id":33639,"date":"2021-07-06T05:08:18","date_gmt":"2021-07-05T20:08:18","guid":{"rendered":"http:\/\/kochihen.replan.ne.jp\/?p=33639"},"modified":"2021-07-06T18:36:21","modified_gmt":"2021-07-06T09:36:21","slug":"%e3%80%90%e5%a4%a7%e9%98%aa%e4%bd%8f%e5%90%89%e3%81%ae%e7%94%ba%e5%ae%b6-in-%e6%b1%9f%e6%88%b8%e5%88%9d%e6%9c%9f%ef%bc%8f%e6%97%a5%e6%9c%ac%e3%81%ae%e3%81%84%e3%81%84%e5%ae%b6%e7%89%b9%e5%88%a5","status":"publish","type":"post","link":"http:\/\/kochihen.replan.ne.jp\/?p=33639","title":{"rendered":"\u3010\u5927\u962a\u4f4f\u5409\u306e\u753a\u5bb6 in \u6c5f\u6238\u521d\u671f\uff0f\u65e5\u672c\u306e\u3044\u3044\u5bb6\u7279\u5225\u7bc7\u32b1-2\u3011"},"content":{"rendered":"<p><a href=\"http:\/\/kochihen.replan.ne.jp\/blog2\/wp-content\/uploads\/2021\/07\/5432.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-33644\" src=\"http:\/\/kochihen.replan.ne.jp\/blog2\/wp-content\/uploads\/2021\/07\/5432.jpg\" alt=\"\" width=\"526\" height=\"350\" 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\/>\n\u3053\u3046\u3044\u3046\u90fd\u5e02\u4f4f\u5b85\u3060\u304c\u8349\u5c4b\u6839\u306a\u306e\u3067\u706b\u707d\u304c\u30b3\u30ef\u305d\u3046\u3002<br \/>\n\u4e00\u65b9\u3067\u3001\u90fd\u5e02\u306e\u591a\u6570\u306e\u8349\u5c4b\u6839\u4f4f\u5b85\u306e\u5c4b\u6839\u6750\u306f\u3069\u3046\u8abf\u9054\u3057\u305f\u304b\u3001<br \/>\n\u5927\u962a\u306f\u6cb3\u5ddd\u304c\u591a\u3044\u306e\u3067\u5468\u8fba\u306e\u6cb3\u5ddd\u6577\u304b\u3089\u8abf\u9054\u3057\u3066\u304f\u308b\u306e\u3067\u8db3\u308a\u3066\u3044\u305f\u304b\u3069\u3046\u304b\u3002<br \/>\n\u3044\u308d\u3044\u308d\u306a\u6c11\u306e\u65e5\u5e38\u751f\u6d3b\u3001\u4f4f\u5b85\u306e\u69d8\u5b50\u304c\u898b\u3048\u3066\u304f\u308b\u3002<\/p>\n<p><a href=\"http:\/\/kochihen.replan.ne.jp\/blog2\/wp-content\/uploads\/2021\/07\/5434.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-33646\" src=\"http:\/\/kochihen.replan.ne.jp\/blog2\/wp-content\/uploads\/2021\/07\/5434.jpg\" alt=\"\" width=\"500\" height=\"306\" srcset=\"http:\/\/kochihen.replan.ne.jp\/blog2\/wp-content\/uploads\/2021\/07\/5434.jpg 500w, http:\/\/kochihen.replan.ne.jp\/blog2\/wp-content\/uploads\/2021\/07\/5434-300x184.jpg 300w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/a><br \/>\n<a href=\"http:\/\/kochihen.replan.ne.jp\/blog2\/wp-content\/uploads\/2021\/07\/5433-1.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-33645\" src=\"http:\/\/kochihen.replan.ne.jp\/blog2\/wp-content\/uploads\/2021\/07\/5433-1.jpg\" alt=\"\" width=\"500\" height=\"306\" srcset=\"http:\/\/kochihen.replan.ne.jp\/blog2\/wp-content\/uploads\/2021\/07\/5433-1.jpg 500w, http:\/\/kochihen.replan.ne.jp\/blog2\/wp-content\/uploads\/2021\/07\/5433-1-300x184.jpg 300w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/a><br 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\/>\n\u5148\u65e5\u30d6\u30ed\u30b0\u8a18\u4e8b\u3067\u30a2\u30c3\u30d7\u3057\u305f\u5b89\u85e4\u5fe0\u96c4\u3055\u3093\u306e\u51fa\u4e16\u4f5c\u54c1\u3001\u4f4f\u5409\u306e\u9577\u5c4b\u306f\u3053\u306e<br \/>\n\u4f4f\u5409\u5927\u793e\u672c\u6bbf\u306e\u753b\u9762\u53f3\u5074\u306e\u4f4f\u5b85\u8857\u306b\u5efa\u3063\u3066\u3044\u308b\u3002<br \/>\n\u306f\u308b\u304b\u306a400\u5e74\u8d85\u306e\u6642\u4ee3\u30b9\u30ea\u30c3\u30d7\u4f4f\u5b85\u63a2\u8a2a\u3067\u3042\u308a\u307e\u3059\u3002<\/p>\n<p>English version\u2b07<\/p>\n<p>[Osaka Sumiyoshi Machiya in Early Edo Period \/ Japanese Good House Special Edition \u32b1-2]<br \/>\nThinking about the &#8220;cityscape&#8221; from the Warring States period to the early Edo period in Sakai.<br \/>\nAs a reference, let&#8217;s take a look at the Sumiyoshi Taisha festival folding screen.<br \/>\nToday is the town of Sumiyoshi in the early Edo period depicted in the image of the deity leaving Sumiyoshi Taisha.<br \/>\nThe two pictures above are the townhouses in the area along the coastline in front of Sumiyoshi Taisha Shrine.<br \/>\nA person from Ichii is drawn. A komuso who blows a whistle and asks for a donation in front of the gate where the wooden fence is turned.<br \/>\nThere are some cracks in the wall from the roof of the dozo<br \/>\nFrom a merchant house with a courtyard and a house that seems to be with a naked child<br \/>\nIt looks like the mother and daughter are heading for the reception.<br \/>\nI am strongly inspired by the realism that draws even the defects of this dozo wall.<br \/>\nThe details of the folding screen paintings are lively as a crowd drama, and you can feel the spirit of Japanese paintings.<br \/>\nFamiliar men and women passing in front of the gate<br \/>\n&#8220;Oh, \u25ce\u25ce -san, where are you going?&#8221;<br \/>\n&#8220;A little prayer to Mr. Sumiyoshi &#8230;&#8221;<br \/>\nIs it a conversation like &#8220;Oh, take me too&#8221; (laughs).<br \/>\nAt the top of the screen, there is also a shop with a noren-like atmosphere like a teahouse.<br \/>\nA high-ranking woman, accompanied by her servant, is walking along the road next to her in a long dress.<br \/>\nIn the dwelling group, a rice field-shaped structural timber structure appears uniformly at the upper part of the Irimaya \/ thatched wife side.<br \/>\nI don&#8217;t know if this was actually the case or if it was a simplification of the artist,<br \/>\nConsidering the folding screen painting process, it is hard to think that it is a misunderstanding.<br \/>\nThe dozo is covered with plaster,<br \/>\nA vertical grid shows three windows.<br \/>\nThe building is small and looks like 3 to 4 squares.<br \/>\nThis also seems to be realism, not a simplified painting technique.<br \/>\nIn the case of urban housing, the size would have been smaller than that of farm housing.<br \/>\nIn the case of a machiya merchant house, there was a certain work space and the space was secured, but<br \/>\nIn the case of ordinary townhouses that only live, this level seems to have been normal.<br \/>\nIn the other image, it looks like Sumiyoshi on the coastline is handling fish.<br \/>\nA large cutting board and a child looking into the empty basin next to it.<br \/>\nA scene in which a man heads for a fish and a woman assists it.<br \/>\nAre you offering a platter to serve?<br \/>\nThe foundation of the residential building looks like a digging pillar on the side facing the street.<br \/>\nIs it a structural off-season, where the foundation is also seen in the left-right direction of the screen?<br \/>\nOr is the front side a lower house that is separated from the main building structure and has a roof?<br \/>\nAlthough it is such an urban house, it has a grass roof, so a fire seems to be scary.<br \/>\nOn the other hand, how did you procure the roofing materials for many grass-roofed houses in the city?<br \/>\nSince there are many rivers in Osaka, it is procured from the surrounding riverbeds, so is it enough?<br \/>\nYou can see the daily life of various people and the state of housing.<\/p>\n<p>On the other hand, this folding screen picture is the state of &#8220;Sumiyoshi Taisha&#8221; at the top.<br \/>\nThe photo below is an aerial image from the modern Sumiyoshi Taisha website.<br \/>\nThe building layout of Mr. Sumiyoshi, whose buildings are lined up on the left and right, does not change.<br \/>\nIt seems that the distance from Sumiyoshi Taisha to Sakai Town is 7km.<br \/>\nIt is said that the portable shrine is handed over there and stays in the town of Sakai.<br \/>\nGod is also quite an outing.<br \/>\nThis is Row House in Sumiyoshi, a successful work by Tadao Ando, \u200b\u200bwhich I posted in a blog post the other day.<br \/>\nIt is located in a residential area on the right side of the screen of the main shrine of Sumiyoshi Taisha.<br \/>\nIt is a slip housing exploration for a long time of more than 400 years.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u6226\u56fd\u671f\u304b\u3089\u6c5f\u6238\u521d\u671f\u306b\u639b\u3051\u3066\u306e\u300c\u8857\u4e26\u307f\u300d\u3092\u8003\u3048\u308bin\u583a\u3002 \u305d\u306e\u8cc7\u6599\u3068\u3057\u3066\u3001\u4f4f\u5409\u5927\u793e\u796d\u793c\u5c4f\u98a8\u3092\u898b\u3066\u307f\u307e\u3059\u3002 \u672c\u65e5\u306f\u3001\u796d\u795e\u304c\u4f4f\u5409\u5927\u793e\u3092\u51fa\u767a\u3059\u308b\u753b\u50cf\u306b\u63cf\u304b\u308c\u305f\u6c5f\u6238\u521d\u671f\u30fb\u4f4f\u5409\u306e\u8857\u3002 \u4e0a\u306e\uff12\u679a\u306e\u5199\u771f\u306f\u4f4f\u5409\u5927\u793e\u6b63\u9762\u3067\u6d77\u5cb8\u7dda\u306b\u6cbf\u3063\u305f\u5730\u57df [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"\u3010\u5927\u962a\u4f4f\u5409\u306e\u753a\u5bb6 in \u6c5f\u6238\u521d\u671f\uff0f\u65e5\u672c\u306e\u3044\u3044\u5bb6\u7279\u5225\u7bc7\u32b1-2\u3011\r\n\u6c11\u306e\u66ae\u3089\u3057\u3088\u3046\u304c\u30ea\u30a2\u30ea\u30ba\u30e0\u3067\u63cf\u304b\u308c\u305f\u5c4f\u98a8\u7d75\u3002400\u5e74\u524d\u5f8c\u306e\u30bf\u30a4\u30e0\u30b9\u30ea\u30c3\u30d7\u4f4f\u5b85\u63a2\u8a2a\u3002\u30fb\u30fb\u30fb","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[21,19],"tags":[22],"class_list":["post-33639","post","type-post","status-publish","format-standard","hentry","category-21","category-19","tag-replan"],"aioseo_notices":[],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p9MKWA-8Kz","_links":{"self":[{"href":"http:\/\/kochihen.replan.ne.jp\/index.php?rest_route=\/wp\/v2\/posts\/33639","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/kochihen.replan.ne.jp\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/kochihen.replan.ne.jp\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/kochihen.replan.ne.jp\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/kochihen.replan.ne.jp\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=33639"}],"version-history":[{"count":12,"href":"http:\/\/kochihen.replan.ne.jp\/index.php?rest_route=\/wp\/v2\/posts\/33639\/revisions"}],"predecessor-version":[{"id":33677,"href":"http:\/\/kochihen.replan.ne.jp\/index.php?rest_route=\/wp\/v2\/posts\/33639\/revisions\/33677"}],"wp:attachment":[{"href":"http:\/\/kochihen.replan.ne.jp\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=33639"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/kochihen.replan.ne.jp\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=33639"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/kochihen.replan.ne.jp\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=33639"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}