{"id":33589,"date":"2021-06-30T05:18:44","date_gmt":"2021-06-29T20:18:44","guid":{"rendered":"http:\/\/kochihen.replan.ne.jp\/?p=33589"},"modified":"2021-06-30T05:18:44","modified_gmt":"2021-06-29T20:18:44","slug":"%e3%80%90%e6%ad%b4%e5%8f%b2%e3%81%ae%e7%9f%a5%e3%81%ae%e6%a3%ae%e3%83%bb%e8%94%b5%e6%9b%b8%ef%bc%96%e4%b8%87%e5%86%8a%ef%bc%8f%e6%97%a5%e6%9c%ac%e4%ba%ba%e3%81%ae%e3%81%84%e3%81%84%e5%ae%b6%e3%89%9f-5","status":"publish","type":"post","link":"http:\/\/kochihen.replan.ne.jp\/?p=33589","title":{"rendered":"\u3010\u6b74\u53f2\u306e\u77e5\u306e\u68ee\u30fb\u8535\u66f8\uff16\u4e07\u518a\uff0f\u65e5\u672c\u4eba\u306e\u3044\u3044\u5bb6\u325f-5\u3011"},"content":{"rendered":"

\"\"<\/a>
\n\"\"<\/a>
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English version\u2b07<\/p>\n

[History of Knowledge Forest, Collection of 60,000 Books \/ Good Japanese House \u325f-5]
\nThinking about architecture with the concept of Shiba Ryotaro Memorial Hall
\nHow to convey the meaning to the general public is
\nI think it’s a theme that makes me think about it as an architect.
\nSo, as a prior knowledge for me, Ryotaro Shiba is a historical writer.
\nHe had a large amount of “material books” at the time of his debut as a writer.
\nHe said he was worried that the floor of the rental housing he had already rented would come off.
\nHe had pieces of information, so I thought it would be a key.
\nSo, if you combine the technique of Tadao Ando’s exposed concrete,
\nSo to speak, I had such a spatial image as a common sense solution.<\/p>\n

The photo above is a window that looks like a green tree cut from an R-arc approach.
\nI could guess that what looked like stained glass was a bookshelf.
\nThen, when you go inside, you can see the “book forest”.
\nThe first impression was that I came with that hand.
\nPerhaps what is easy for the general public to understand is the proof of existence as a historical writer
\nIt will be an image of a “knowledge giant” far beyond ordinary people.
\nI understand that such visuals are easy to convey in order to express such an image.
\nThe first requirement for the design would have been the storage of a large collection of books.
\nRyotaro Shiba’s collection is said to be 60,000, and 20,000 are on display here.
\nIt is said that there are three times this volume …
\nThe other is “thickets” as Mr. Shiba’s favorite.
\nEven the small diameter of the approach can feel the expression of the wooded area as it is
\nIt is separated by a large piece of glass and has a labyrinth feel in a wooded area.
\nAnd he entrusted the power of knowledge to the bookshelf that blows through the three floors of the first basement floor and the second floor above ground.
\nOf course, the power of concrete construction that firmly supports its weight.<\/p>\n

The rest is a dialogue with the myriad human figures in the history that this writer loved.
\nIs the expression of such an inner part the atrium space for the three internal layers?
\nThe atmosphere of this open space is the narrative of Mr. Shiba’s writing.
\nIn the beginning of the story of Kunitori Monogatari, Owari’s mercantilist culture that nurtured a nobunaga personality
\nAlthough it is written, I could feel that kind of microscopicity from this space.
\nWell, architecture is a background of humanity, so I think there are various interpretations …
\nIt’s my way of thinking, but there was a sense of conviction that Mr. Ando made.<\/p>\n

The memorial is said to have been funded by donations from many readers.
\nIt seems that it is suitable for Ryotaro Shiba, who was called a “national writer”.<\/p>\n","protected":false},"excerpt":{"rendered":"

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